Harry Turtledove - The Best military Science Fiction of 20th century
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- Название:The Best military Science Fiction of 20th century
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They didn't answer him. They waited awhile in silence, and then Graff spoke. "Weapons don't need to understand what they're pointed at, Ender. We did the pointing, and so we're responsible. You just did your job."
Maezr smiled. "Of course, Ender, you'll be taken care of. The government will never forget you. You served us all very well."
Ender rolled over and faced the wall, and even though they tried to talk to him, he didn't answer them. Finally they left.
Ender lay in his bed for a long time before anyone disturbed him again. The door opened softly. Ender didn't turn to see who it was. Then a hand touched him softly.
"Ender, it's me, Bean."
Ender turned over and looked at the little boy who was standing by his bed.
"Sit down," Ender said.
Bean sat. "That last battle, Ender. I didn't know how you'd get us out of it."
Ender smiled. "I didn't. I cheated. I thought they'd kick me out."
"Can you believe it! We won the war. The whole war's over, and we thought we'd have to wait till we grew up to fight in it, and it was us fighting it all the time. I mean, Ender, we're little kids. I'm a little kid, anyway." Bean laughed and Ender smiled. Then they were silent for a little while, Bean sitting on the edge of the bed, Ender watching him out of half-closed eyes.
Finally Bean thought of something else to say.
"What will we do now that the war's over?" he said.
Ender closed his eyes and said, "I need some sleep, Bean."
Bean got up and left and Ender slept.
GRAFF AND ANDERSON walked through the gates into the park. There was a breeze, but the sun was hot on their shoulders.
"Abba Technics? In the capital?" Graff asked.
"No, in Biggock County. Training division," Anderson replied. "They think my work with children is good preparation. And you?"
Graff smiled and shook his head. "No plans. I'll be here for a few more months. Reports, winding down. I've had offers. Personnel development for DCIA, executive vice-president for U and P, but I said no. Publisher wants me to do memoirs of the war. I don't know."
They sat on a bench and watched leaves shivering in the breeze. Children on the monkey bars were laughing and yelling, but the wind and the distance swallowed their words. "Look," Graff said, pointing. A little boy jumped from the bars and ran near the bench where the two men sat. Another boy followed him, and holding his hands like a gun he made an explosive sound. The child he was shooting at didn't stop. He fired again.
"I got you! Come back here!"
The other little boy ran on out of sight.
"Don't you know when you're dead?" The boy shoved his hands in his pockets and kicked a rock back to the monkey bars. Anderson smiled and shook his head. "Kids," he said. Then he and Graff stood up and walked on out of the park.
David Drake
David Drake's multivolume series of novels and short fiction featuring Hammer's Slammers (Hammer's Slammers, Cross the Stars, At Any Price, Counting the Cost, Rolling Hot, The Warrior, The Sharp End), a team of interstellar mercenaries, has helped to establish him as one of the leading exponents of modern military science fiction. With Bill Fawcett, he coedited the six-book shared world Fleet series of future war fiction, as well as both volumes of its sequel, the Battlestation series. Other anthology credits include Space Gladiators, Space Dreadnoughts, Space Infantry, and two volumes in tribute to Rudyard Kipling and his influence on science fiction, Heads to the Storm and A Separate Star. Ancient Rome serves as a setting for some of Drake's most inventive science fiction and fantasy, in the time travel tale Birds of Prey, the alien contact story Ranks of Bronze, and the fantasy collection Vettius and His Friends. His many other books include the Arthurian fantasy The Dragon Lord and an outstanding collection of horror, fantasy, and science fiction short stories, From the Heart of Darkness, many of which have war-based themes.
The light in the kitchen alcove glittered on Lt. Schilling's blond curls; glittered also on the frost-spangled window beside her and from the armor of the tank parked outside. All the highlights looked cold to Capt. Danny Pritchard as he stepped closer to the infantry lieutenant.
"Sal-" Pritchard began. From the orderly room behind them came the babble of the radios ranked against one wall and, less muted, the laughter of soldiers waiting for action. "You can't think like a Dutchman anymore. We're Hammer's Slammers, all of us. We're mercs. Not Dutch, not Frisians-"
"You're not," Lt. Schilling snapped, looking up from the cup of bitter chocolate she had just drawn from the urn. She was a short woman and lightly built, but she had the unerring instinct of a bully who is willing to make a scene for a victim who is not willing to be part of one. "You're a farmer from Dunstan, what d'you care about Dutch miners, whatever these bleeding French do to them. But a lot of us do care, Danny, and if you had a little compassion-"
"But Sal-" Pritchard repeated, only his right arm moving as he touched the blond girl's shoulder.
"Get your hands off me, Captain!" she shouted. "That's over!" She shifted the mug of steaming chocolate in her hand. The voices in the orderly room stilled. Then, simultaneously, someone turned up the volume of the radios and at least three people began to talk loudly on unconnected subjects.
Pritchard studied the back of his hand, turned it over to examine the calloused palm as well. He smiled. "Sorry, I'll remember that," he said in a normal voice. He turned and stepped back into the orderly room, a brown-haired man of 34 with a good set of muscles to cover his moderate frame and nothing at all to cover his heart. Those who knew Danny Pritchard slightly thought him a relaxed man, and he looked relaxed even now. But waiting around the electric grate were three troopers who knew Danny very well indeed: the crew of The Plow, Pritchard's command tank.
Kowie drove the beast, a rabbit-eyed man whose fingers now flipped cards in another game of privy solitaire. His deck was so dirty that only familiarity allowed him to read the pips. Kowie's hands and eyes were just as quick at the controls of the tank, sliding its bulbous hundred and fifty metric tons through spaces that were only big enough to pass it. When he had to, he drove nervelessly through objects instead of going around. Kowie would never be more than a tank driver; but he was the best tank driver in the Regiment.
Rob Jenne was big and as blond as Lt. Schilling. He grinned up at Pritchard, his expression changing from embarrassment to relief as he saw that his captain was able to smile also. Jenne had transferred from combat cars to tanks three years back, after the Slammers had pulled out of Squire's World. He was sharp-eyed and calm in a crisis. Twice after his transfer Jenne had been offered a blower of his own to command if he would return to combat cars. He had refused both promotions, saying he would stay with tanks or buy back his contract, that there was no way he was going back to those open-topped coffins again. When a tank commander's slot came open, Jenne got it; and Pritchard had made the blond sergeant his own blower chief when a directional mine had retired the previous man. Now Jenne straddled a chair backwards, his hands flexing a collapsible torsion device that kept his muscles as dense and hard as they had been the day he was recruited from a quarry on Burlage.
Line tanks carry only a driver and the blower chief who directs the tank and its guns when they are not under the direct charge of the Regiment's computer. In addition to those two and a captain, command tanks have a Communications Technician to handle the multiplex burden of radio traffic focused on the vehicle. Pritchard's commo tech was Margritte DiManzo, a slender widow who cropped her lustrous hair short so that it would not interfere with the radio helmet she wore most of her waking hours. She was off duty now, but she had not removed the bulky headgear which linked her to the six radios in the tank parked outside. Their simultaneous sound would have been unintelligible babbling to most listeners. The black-haired woman's training, both conscious and hypnotic, broke that babbling into a set of discrete conversations. When Pritchard reentered the room, Margritte was speaking to Jenne. She did not look up at her commander until Jenne's brightening expression showed her it was safe to do so.
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