John Hawks - The Dark River

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A frantic race to save a long-lost Traveler.
An epic battle for freedom.
Two brothers whose power puts them on a collision course…with each other.
In The Traveler, John Twelve Hawks introduced readers to a dangerous world inspired by the modern technology that monitors our lives. Under constant surveillance of the ‘Vast Machine,' a sophisticated computer network run by a ruthless group, society is mostly unaware of its own imprisonment. Gabriel and Michael Corrigan, brothers who were raised “off the grid,” have recently learned they are Travelers like their long-lost father- part of a centuries-old line of prophets able to journey to different realms of consciousness and enlighten the world to resist being controlled. But power affects the brothers differently. As The Traveler ends, Gabriel hesitates under the weight of responsibility. Michael seizes the opportunity-and joins the enemy.
THE DARK RIVER opens in New York City with a stunning piece of news. Gabriel's father, who has been missing for nearly twenty years, may still be alive and trapped somewhere in Europe. Gabriel and his Harlequin protector, Maya, immediately mobilize to escape New York and find the long-lost Traveler. Simultaneously, Michael orders the Brethren-the ruthless group that has been hunting Gabriel-into a full-scale search. Gabriel yearns to find his father to protect him; Michael aims to destroy the man whose existence threatens his newfound power. The race moves from the underground tunnels of New York and London to ruins hidden beneath Rome and Berlin, to a remote region of Africa that is rumored to harbor one of history's greatest treasures. And as the story moves toward its chilling conclusion, Maya must decide if she will trade everything to rescue Gabriel.
A mesmerizing return to the places and people so richly portrayed in The Traveler, THE DARK RIVER is propelled by edge-of-the-seat suspense and haunted by a vision of a world where both hope and freedom are about to disappear.

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He walked over to large safe set against the wall and began to turn the dial. “You said that you were from London. Were your parents born in Great Britain?”

“My mother came from a Sikh family living in Manchester.”

“And your father?”

“He was German.”

Lumbroso opened the safe and took out a cardboard shoe box filled with over one hundred letters, arranged by date. He placed the box on the workbench and thumbed through its contents. “I can’t tell you about the brooch. In fact, I don’t think it really exists. But I do know something about your place of origin.”

He opened an envelope, took out a black-and-white photograph, and placed it on the bench. “I think you’re the daughter of Dietrich Schöller. At least, that was his name before he became a Harlequin named Thorn.”

Maya examined the photograph and was surprised to see herself, at the age of nine, sitting next to her father on a bench in St. James’s Park. Someone, perhaps her mother, had taken the shot.

“Where did you get this?”

“Your father has sent letters to me for almost forty years. I have one of your baby pictures if you’d like to see it.”

“Harlequins never take photographs unless it’s for a fake passport or some kind of identification card. I always stayed home when they took pictures at school.”

“Well, your father took some pictures, and then he stored them with me. So where is he, Maya? I was sending letters to a postbox in Prague, but they’ve all been returned.”

“He’s dead. Murdered by the Tabula.”

Tears for Maya’s father-her violent, arrogant father-filled Lumbroso’s eyes. He sniffed loudly, found some tissues on the workbench, and blew his nose. “I’m not surprised by this news. Dietrich lived a very dangerous life. But still, his death saddens me greatly. He was my closest friend.”

“I don’t think you knew my father at all. He never had a friend in his life. He never loved anyone, including my mother.”

Lumbroso looked astonished and then sad. He shook his head slowly. “How can you say that? Your father had a great deal of respect for your mother. When she died, he was depressed for a very long time.”

“I don’t know anything about that, but I do know what happened when I was a little girl. My father trained me to kill people.”

“Yes, he turned you into a Harlequin. I’m not going to defend his decision.” Lumbroso stood up, went over to a wooden hat stand, and retrieved a black suit coat. “Come with me, Maya. Let’s get something to eat. As we Romans would say, ‘No story on an empty stomach.’”

Wearing the suit coat and a black fedora, Simon Lumbroso escorted her through the ghetto. The sun had disappeared behind the red tile roofs, but quite a few people were sitting on kitchen chairs out in the street and gossiping while children kicked at a ball. Everyone appeared to know Lumbroso, who greeted his neighbors by touching two fingers to the wide brim of his hat.

“Forty years ago I used to offer tours of this area to foreigners. That was how I met your father. One afternoon, he was the only person who showed up outside the synagogue. Your father was a gentile, of course, but he knew a great deal about Jewish history. He asked intelligent questions, and we had a pleasant time debating various theories. I told him that I had enjoyed practicing my German and that he didn’t need to pay me anything.”

“That meant my father had an obligation.”

Lumbroso smiled. “Yes, that’s how a Harlequin would see it. But I didn’t realize any of that. At the time, a group of wealthy young men here in Rome had formed a fascist group, and they would come down to the ghetto late at night to beat up Jews. They caught me down by the Tiber-just a few hundred yards from here. It was five against one. And then, suddenly, your father appeared.”

“He destroyed them…”

“Yes. But it was the way he did it that startled me. He showed no anger while fighting-just this cold, focused aggression and a complete lack of fear. He beat all five men unconscious and would have tossed them into the river to drown if I hadn’t pulled him away.”

“Now that sounds like my father.”

“From then on, we began to see each other to explore the city and eat dinner together. Gradually, Dietrich told me about his life. Although your father came from a Harlequin family, he never saw that as his destiny. As I recall, he studied history at the Free University of Berlin; then he decided to become a painter and moved to Rome. Some young men experiment with drugs or sexuality. For your father, having a friend was just as forbidden. He never had a friend-even when he was a teenager at the Oberschule .”

They circled the synagogue on Lungotevere and took the Ponte Fabricio footbridge to the small island in the middle of the Tiber. Lumbroso paused in the middle of the bridge, and Maya gazed down at the muddy green water that flowed through Rome.

“When I was growing up, my father told me that friends made you weak.”

“Friendship is as necessary as food and water. It took some time, but eventually we became close friends with no secrets between us. I wasn’t surprised to learn about the existence of Travelers. There’s a mystical branch of Judaism based on the Kabbalah that describes these kinds of revelations. As for the Tabula-you just have to read the newspaper to realize that they exist.”

“I can’t believe that my father didn’t want to be a Harlequin.”

“And what’s so surprising? That he was human-like the rest of us? I thought he had broken free of his family and that he was going to stay in Rome and paint. Then a Harlequin from Spain showed up and asked for help. And Dietrich gave in. When your father returned to Italy eight months later, he had taken his Harlequin name. Everything was changed-his normal life was over-but a love for Rome remained in his heart. We saw each other occasionally and he would send me letters twice a year. Sometimes the letters included a photograph of you. I watched you grow up and become a young lady.”

“He trained me to become a Harlequin,” Maya said. “Do you know what that means?”

Lumbroso touched Maya lightly on the shoulder. “Only you can forgive your father. All I can say is that he did love you.”

Each lost in their own thoughts, they crossed the bridge and entered the Trastevere neighborhood on the other side of the river. The three-and four-story houses lined narrow streets-some no wider than alleyways. The houses were painted with faded pastel colors, and dark ivy crept up the walls.

Lumbroso led her down one street that ended at a cobblestone square called Piazza Mercanti. It was empty except for a dozen hungry seagulls fighting over the contents of a spilled trash can. The birds screeched at one another like a group of Romans arguing about football.

“Only tourists and invalids eat at such an early hour,” Lumbroso said. “But it’s a good time for a private conversation.” They entered a trattoria that was empty of customers. A waiter with an imposing mustache escorted them to a back table, and Lumbroso ordered a bottle of pinot grigio and a first course of deep-fried cod fillets.

Maya took a sip of wine, but didn’t touch the food. Lumbroso’s view of her father was different from anything she had ever imagined. Did Thorn really care about her? Was it possible that he had never wanted to become a Harlequin? The implications of these questions were so disturbing that she pushed them from her mind and focused on the reason she had traveled to Rome.

“I didn’t come here to talk about my father,” she said. “A Harlequin named Linden said you were an expert on the six realms.”

Lumbroso smiled as he cut the fish into bite-sized pieces. “A Traveler is the only real expert, but I know a good deal. Meeting your father changed my life. I’ve had a career in art appraisal, but my real passion has been learning about these different worlds. I have tried to acquire a copy of every book, diary, or letter that has described their complexity.”

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