Piers Anthony - Chthon

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Chthon: краткое содержание, описание и аннотация

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Chthon Nominated for the Nebula Award for Best Novel in 1968.
Nominated for the Hugo Award for Best Novel in 1968.

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Aton stood at the edge, certain without knowing why that no sadism had been involved. Pink Rock had not been censured—it had merely been necessary to cleanse him of his foul emotion. Certainly the last vestige of his love had been torn bloodily out before he had died. Now the lovely minionettes removed their veils and sang in rapturous chorus, more sweetly than any human group could sing, their hymn of accomplishment. Aton thrilled to the sound. Not since his childhood had he felt such enchantment—though there was an uncomfortable alien bitterness close beneath the surface.

The men of Minion sat in a separate group, washing their hands and scowling. I understand, Aton thought. You performed from necessity, angry that your artistry was required, angry with your beautiful women, angry at your society. You are always angry.

At last the minionettes reset their veils and rejoined their masters. Scowls and curses faded into the dusk. Surely these women would be happy to leave this planet, to serve normal men, when the opportunity presented. Yet Malice’s motives had hardly been that simple.

One woman stood silently before the corpse in an attitude of prayer, Aton came up behind her and took her arm. This was Pink Rock’s widow.

She led him to a hut near the outskirt, and stood aside courteously for him to enter first. She had accepted the change-over without protest or surprise. She had had a man who loved her; now she had one who did not. That was all.

The dark interior smelled of fresh hay. Aton’s eyes adjusted to a room somewhat larger than anticipated, quite clean and well arranged. There was a mattress of soft grasses across the back, wide enough for two. A low table beside it supported several light fiber pillows, a candle, and a whip.

“I hunger,” he gestured peremptorily, and she fetched flat bread and flat water. He spat it out in a show of anger, and she went outside to bring replacements. “I tire,” he signaled, and she undressed him gently and led him to the mattress. She lifted his feet into place and propped him with pillows skillfully. The minionette was dutiful; the minionette was strong. Aton’s mind returned, horribly, to a similar scene. He did not want to remember it, but could not help himself. Once before he bad found himself in a confined space with a woman, a minionette. Once before he had undressed.

“Tell me your name.” He had to destroy that memory.

“Misery,” her signal answered. He heard “Malice.” He saw again the bubble confine of the asteroid lodging—the spotel. The two of them had docked the shuttle, passed directly from ship’s lock to entrance lock and on into the lush private accommodation. He had doffed his skin-tight protective suit immediately, becoming naked before her in the half-light. Malice had been quiet and mechanical—hardly the sparkling creature he had captured so recently at the Xest outpost. She did not strip.

“Do you want to know my name?” Inane conversation, hardly visible in the coming night. Anything to kill that terrible recollection!

Misery answered: “If it pleases the master to tell it.”

“Damn!” he exploded, looking at the veil, seeing the blank mask of the space suit holding her beauty from him. “You servile husk! Don’t you have any will of your own?”

He had spoken out loud, forgetting to signal; he knew no native could understand. But Misery responded with a beatific smile visible even through the dark veil.

Angry and alarmed, he tore off that veil. Had he been trapped into—

Her hair was dull, her eyes gray. She resembled more the Captain than the nymph. She was smiling still, but blankly.

I am a fool, he thought. If she had understood my spoken words, she would not have smiled. This is a native girl, trained to react to harshness with a forgiving smile.

Yet the man who loved her had been tortured to death.

“You may think of me as ‘Stone Heart’,” he said, adopting the evident custom of the planet. He was still angry, as perhaps the native men were angry—at her, at the system she represented, the enormity of it and its somber mystery. At the awful memories this situation evoked by being unfairly similar.

“Why aren’t you beautiful?” Now he was being deliberately unkind, and his anger turned against himself. Must fury beget fury?

She only smiled.

“Take off your clothing,” he ordered. He could hardly see her now. “First light the candle. I want to see you.” She obeyed slowly.

Her body was glorious. The long hair flowed over shoulders and sculptured breasts, and his eye followed the fold of the space suit as it peeled away from her narrow waist and swelling hips and thighs. Alone with her, entirely alone, for the first time.

But this is the memory! he thought. It is Misery I am looking at, not Malice! Not Malice. Not

Not, not subject to the laws of any planet, but here, in the inviolate privacy of the spotel, the rented transitory lodging of newlyweds and wealthy travelers of space. A luxurious retreat, a luxurious body, unfettered at last.

Misery!

I love you, Malice, and you are mine.

Misery!

Why don’t you respond, Malice?

Memory…

Why are you silent?

Malice…

Why have you withdrawn? Are you ill? Malice, Malice…

But she was in radiant health, hair burning, burning, eyes never so deep; natural, normal, except that she seemed to have no awareness of him.

Speak to me!

She would not. What unseen hand had placed a spell upon her, made her mute, in the hour of triumph? Had some post-hypnotic state been invoked, some command inflicted by an unknown enemy intent on his destruction? Was it now his duty to break her out of it, a sleeping beauty, with a single splendid kiss?

He kissed her, but she did not wake to him. Her lips were mushy, unresponsive.

Or was a greater effort required? Should he make love to her?

When he had not yet given her the hvee?

He took her in his arms, one elbow beneath her shoulders, the other under her knees, carried her limp body to the couch, and spread it out.

Misery! With a terrible shock Aton wrenched himself back to the present. Misery lay on the straw pallet, nude and lovely, open to the caress of his hands. He had thought his Malice to be unique, but here was a duplicate form, one of dozens in this village alone, and hundreds, thousands on the planet. He had mistaken the standard attributes of the species for beauty, duping his emotion all his life.

Misery smiled again, twisting her body in pleasure. How strange that this woman, the one he did not desire, reacted so positively to his careless touch, while Malice…

Malice—was it amnesia? Yet she showed no distress, no alarm, no confusion. She saw him, recognized him—as an article of furniture, not as a man. She was not catatonic, nor did she collide with him when she moved.

Could her love for him have failed? Had it ever existed at all? Her bright hair and measureless eyes denied both. Her love was strong. It had to be for him; the minionette did not glow in the company of the wrong man. She would never have come with him, without love.

She had been a captain in space, enormously capable. Never would she do a thing without excellent reason. There had to be a motive. Did she know something that he did not? Something that she was unable to tell him?

He had a vision of the elemental drama for children: behind the lock there stands a criminal, blaster in hand, about to rob and ravish the heroine. At the entrance is her lover: muscular, handsome, intelligent. But if she makes known her plight, that lover will be the first to die. And so she must be silent, and try to signal to him in some manner that the hidden intruder will not intercept. If she is able to convey the message, however obscurely, the resolution is assured.

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