Gordon Dickson - Hour of the Horde

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The voracious and merciless Horde roved the galaxies, stripping whole star systems of all life. As they advance on the Milky Way, a galaxy-wide force is hastily arrayed to stop them. But Miles Vander, the warrior sent by Earth to join the defense, must first convince his alien crewmembers that he is just as good a soldier as they.

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“But,” said Miles suddenly and sharply, “if the Horde came through the last time and cleaned off all the worlds like that which had life on them, how is it there are records like this?”

“We’ve never said that all of the galaxy’s worlds would be ravaged by the Horde,” said the taller one. “Some small percentage will escape by sheer chance. Even if we fight and lose, some of the ships that oppose them will escape, even from battle with the Horde. And these will begin to populate the galaxy again. So it was the last time, a million of your years ago, when the Horde came through. Those who lived here before us in the galaxy’s center met them, as we will meet them, and fought them and lost. For a million years after that, the Horde fed its numbers on the living worlds of our galaxy until the pickings became so lean they were forced to move on. But as I say, some ships eluded them. Here and there a world was missed. After the Horde had passed, civilization began over again.”

“And in the millions of years that have passed since,” said the other, “even the ravaged worlds began to recover. Look at that same world again, the one we showed you. See it as it is today.”

Once more Miles found himself standing in some other place than in the room at the Pentagon. Only, about him now were hills covered with a species of grass and a type of tall, twisted tree. Distantly, there were sounds as of small birds chittering, and something small and almost too fast for him to see scurried through the grasslike ground cover perhaps thirty feet from where he stood. Then, abruptly, he was back in the room again, facing the two aliens.

“All through the galaxy you will find worlds like that,” said the shorter. “Their temperature and atmosphere and the rest of their physical makeup make them entirely inhabitable. But their flora and fauna are primitive, as if it had only been less than a billion years since they cooled from the whirlpool of coalescing stellar dusts and fragments that they were originally. But they are not that young. They’ve simply started over again, from the minute life of their oceans, since the Horde passed.”

“Worlds like that will be available for settlement by your people if you survive the Horde,” said the taller one.

“But even if I go, you say I may make no difference in stopping the Horde,” said Miles. “And if I stay, our world may be one of those that the Horde somehow misses, anyway.”

“This is perfectly true,” said the smaller one. They both looked at him impassively. “But as I said earlier, our time is precious. You’ll have to give us your answer now.”

Miles turned and looked out the bedroom window, which also looked onto the small strip of grass of the interior courtyard. Beyond the strip of grass was a bare concrete wall. He looked at that and saw nothing on it—no mark, no shape. It was nothing but a featureless wall. Equally blank was the reaction he felt within him toward the rest of the world. In spite of what Marie had said, in spite of what these aliens seemed to think, it was not people that mattered to him—but painting.

And then, leaping out of nowhere as if to clutch at his throat and stop his breathing, came a sudden understanding. If his world were wiped out, if his race were destroyed, what would become of his painting?

Suddenly it pounced upon Miles, like a lion from the underbrush, the realization that it was not merely the continuance of his work that was at stake here, but the very possibility of that work’s existing at all. If he should stay here and paint, refusing to go with these two, and then the Horde came by to wipe out his world, and his paintings with it, what good would any of his painting have done? He had no choice. He had to defend the unborn ghosts of his future canvases, even at the risk of never being able to paint them.

He turned sharply to the two aliens.

“All right,” he said. “I’m with you.”

“Very well,” said the shorter one. Miles’ acceptance had not altered the expressions of their faces or the tones of their voices, any more than anything else he had said or done.

“What do I do then?” asked Miles. “I suppose we go to your ship?”

“We are already in the ship,” said the shorter one. “We’ve been in it ever since you agreed to join us.”

Miles looked about him. The room was unchanged. Beyond the little window, the strip of lawn and the far wall of the interior courtyard was unchanged. He turned to see the two aliens moving out of the bedroom into the living room of the suite. He followed them and stopped short. The two Treasury agents were gone, and where there had been a door to the Pentagon corridor there was only wall now. The aliens waited while he stared about him.

“You see?” said the shorter one, after a moment.

“There’s no door,” Miles said stupidly.

“We don’t use doors,” said the aliens. “Soon, neither will you. This suite will be yours until we deliver you to the Battle Line. Now, if you’ll come back into the bedroom, we will begin your development.”

Once more they led the way back into the bedroom. They stopped by the bed.

“And now,” said the shorter one, “please lie down on your back on the bed.”

Miles did so.

“Please close your eyes.”

Miles did so. He lay there with his eyes closed, waiting for further orders. Nothing happened. After what seemed only a second he opened them again. The two aliens were gone.

Outside the bedroom window, night darkness held the courtyard. Darkness was also in the bedroom and filling the aperture of the half-open door to the sitting room. In spite of the fact that he seemed merely to have closed his eyes for a moment, he had a confused impression that some large length of time had passed. An impulse came to him to get up and investigate the situation, but at the very moment that it came to him, it slipped away again. A heavy sort of languor crept over him, a soothing weariness, as if he were at the end of some long day of hard physical effort. He felt not only weary, but also comforted. Dimly, he was aware that some great change had taken place in him, but he was too much at ease on the bed, soaked and steeped in his weariness, to investigate now what had happened.

Above all, he felt wrapped in peace. A great silent song of comfort and reassurance seemed to be enfolding him, buoying him up—lifting him up, in fact, like the crest of a wave on an endlessly, peacefully rocking ocean. He mounted the crest and slid slowly down into the next trough. The darkness moved in on him. He gave himself up to the rocking comfort.

Slowly consciousness slipped away from him, and he felt himself falling into a deep but natural sleep.

When he woke a second time, it was once more daylight, or its equivalent, beyond the windows of his bedroom. Daylight—not red, as the daylight had been since the moment of his painting on the river, but cheerful yellow daylight—filled the interior courtyard via the skylight. He looked around the room and saw the two aliens standing side by side not far from the bed, watching him.

Slowly he became conscious of himself. He felt strangely different, strangely light and complete. So lacking in the normal little pressures and sensations was he that he glanced down to see if his body was still there.

It was. He lay on the bed, wrapped or dressed in some sort of metallically glinting silver clothing that fitted him closely, covering all but his hands and his face. His body had never felt this way before. Nor his mind, for that matter. His head was so clear, so free of drowsiness and dullness and all the little hangovers of human tiredness, that his thoughts seemed to sing within it. He looked again at the two aliens.

“You can get up now,” said the smaller.

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