C Kornbluth - His Share of Glory The Complete Short Science Fiction

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Though he died at age 34, Cyril M. Kornbluth left behind a vast body of classic SF writings (he sold his first story at age 15, in 1939). His Share of Glory, introduced by Frederik Pohl (Kornbluth's erstwhile collaborator), edited by Timothy P. Szczesuil, collects for the first time the 56 short stories that Kornbluth wrote solo.

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"Professor, we've got to have a talk and get something straight before we find Miss Phoebe."

He looked at the huge striped sign the city fathers of Scranton wisely erected to mark that awful downgrade into the city. warning! seven-mile death trap ahead shift into lower gear. $50 fine. obey or pay!

"What is there to get straight?" he demanded. "She has partially mastered Functional Epistemology—even though Hopedale Press prefers to call it 'Living on the Cosmic Expense Account.' This has unleashed certain latent powers of hers. It is simply our task to complete her mastery of the ethical aspect of F.E. She will cease to dominate other minds as soon as she comprehends that her behavior is dys-functional and in contravention of the Principle of Permissive Evolution." To him the matter was settled. He mused: "Really I should not have let you cut so drastically my exposition of Dyadic Imbalance; that must be the root of her difficulty. A brief inductive explanation—"

"Professor," I said. "I thought I told you in the train that you're a fake."

He corrected me loftily. "You told me that you think I'm a fake, Mr.

Morris. Naturally I was angered by your duplicity, but your opinion of me proves nothing. I ask you to look around you. Is this fakery?"

We were well into the city. Bewildered dogs yelped at our car. Windows were broken and goods were scattered on the sidewalks; here and there a house was burning brightly. Smashed and overturned cars dotted the streets, and zombies walked slowly around them. When Miss Phoebe hit a city the effects were something like a thousand-bomber raid.

"It's not fakery," I said, steeririg around a smiling man in a straw hat and overalls. "It isn't Functional Epistemology either. It's faith in Functional Epistemology. It could have been faith in anything, but your book just happened to be what she settled on."

"Are you daring," he demanded, white to the lips, "to compare me with the faith healers?"

"Yes," I said wearily. "They get their cures. So do lots of people. Let's roll it up in a ball, professor. I think the best thing to do when we meet Miss Phoebe is for you to tell her you're a fake. Destroy her faith in you and your system and I think she'll turn back into a normal old lady again.

Wait a minute! Don't tell me you're not a fake. I can prove you are. You say she's partly mastered F.E. and gets her powers from that partial mastery. Well, presumably you've completely mastered F.E., since you invented it. So why can't you do everything she's done, and lots more?

Why can't you end this mess by levitating to La Plume, instead of taking the Lackawanna and a 1941 Ford? And, by God, why couldn't you fix the Ford with a pass of the hands and F.E. instead of standing by while I worked?"

His voice was genuinely puzzled. "I thought I just explained, Norris.

Though it never occurred to me before, I suppose I could do what you say, but I wouldn't dream of it. As I said, it would be dys-functional and in complete contravention of The Principle or Permissive—"

I said something very rude and added: "In short, you can but you won't."

"Naturally not! The Principle of Permissive—" He looked at me with slow awareness dawning in his eyes. "Morris! My editor. My proofreader. My by-the-pub-lisher-officially-assigned fidus Achates.

Norris, haven't you read my book?"

"No," I said shortly. "I've been much too busy. You didn't get on the cover of Time magazine by blind chance, you know."

He was laughing helplessly. "How goes that song," he finally asked me, his eyes damp, " 'God Bless America'?"

I stopped the car abruptly. "I think I feel something," I said. "Professor, I like you."

"I like you too, Norris," he told me. "Norris, my boy, what do you think of ladies?"

"Delicate creatures. Custodians of culture. Professor, what about meat-eating?"

"Shocking barbarous survival. This is it, Norris!"

We yanked open the doors and leaped out. We stood on one foot each, thumbed our noses and stuck out our tongues.

Allowing for the time on the tram, this was the l,962d time I had done it in the past two months. One thousand, nine hundred and sixty-one times the professor had arranged for spiders to pop out at me from books, from the television screen, from under steaks, from desk drawers, from my pockets, from his. Black widows, tarantulas, harmless (hah!) big house spiders, real and imitation. One thousand, nine hundred and sixty-one times I had felt the arachnophobe's horrified revulsion; Each time I felt I had thrown major voluntary muscular systems into play by drawing up one leg violently, violently swinging my hand to my nose, violently grimacing to stick out my tongue.

My body had learned at last. There was no spider this time; there was only Miss Phoebe: a vague, pleasant feeling something like the first martini. But my posture of defense this l,962d time was accompanied by the old rejection and horror. It had no spider, so it turned on Miss Phoebe. The vague first-martini feeling vanished like morning mist burned away by the sun.

I relaxed cautiously. On the other side of the car so did Professor Leuten. "Professor," I said, "I don't like you any more."

"Thank you," he said coldly. "Nor do I like you."

"I guess we're back to normal," I said. "Climb in." He climbed in and we started off. I grudgingly said: "Congratulations."

"Because it worked? Don't be ridiculous. It was to be expected that a plan of campaign derived from the principles of Functional Epistemology would be successful. All that was required was that you be at least as smart as one of Professor Pavlov's dogs, and I admit I considered that hypothesis the weak link in my chain of reasoning…."

We stopped for a meal from the canned stuff in the back of the car about one o'clock and then chugged steadily north through the ruined countryside. The little towns were wrecked and abandoned.

Presumably refugees from the expanding Plague Area did the first damage by looting; the subsequent destruction just—happened. It showed you what would just happen to any twentieth-century town or city in the course of a few weeks if the people who wage endless war against breakdown and dilapidation put aside their arms. It was anybody's guess whether fire or water had done more damage.

Between the towns the animals were incredibly bold. There was a veritable army of rabbits eating their way across a field of clover. A farmer-zombie flapped a patchwork quilt at them, saying affectionately: "Shoo, little bunnies! Go away, now! I mean it!"

But they knew he didn't, and continued to chew their way across his field.

I stopped the car and called to the farmer. He came right away, smiling.

"The little dickenses!" he said, waving at the rabbits. "But I haven't the heart to really scare them."

"Are you happy?" I asked him.

"Oh, yes!" His eyes were sunken and bright; his cheekbones showed on his starved face. "People should be considerate," he said. "I always say that being considerate is what matters most."

"Don't you miss electricity and cars and tractors?"

"Goodness, no. I always say that things were better in the old days. Life was more gracious, I always say. Why, I don't miss gasoline or electricity one little bit. Everybody's so considerate and gracious that it makes up for everything."

"I wonder if you'd be so considerate and gracious as to lie down in the road so we can drive over you?"

He looked mildly surprised and started to get down, saying: "Well, if it would afford you gentlemen any pleasure—"

"No; don't bother after all. You can get back to your rabbits."

He touched his straw hat and went away, beaming. We drove on. I said to the professor: "Chapter Nine: 'How to be in Utter Harmony With Your Environment.' Only she didn't change herself, Professor Leuten; she changed the environment. Every man and woman hi the Area is what Miss Phoebe thinks they ought to be: silly, sentimental, obliging and gracious to the point of idiocy. Nostalgic and all thumbs when it comes to this dreadful machinery."

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