Clive Cussler - The Wrecker

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In The Chase, Clive Cussler introduced an electrifying new hero, the tall, lean, no-nonsense detective Isaac Bell, who, driven by his sense of justice, travels early-twentieth-century America pursuing thieves and killers . . . and sometimes criminals much worse.It is 1907, a year of financial panic and labor unrest. Train wrecks, fires, and explosions sabotage the Southern Pacific Railroad's Cascades express line and, desperate, the railroad hires the fabled Van Dorn Detective Agency. Van Dorn sends in his best man, and Bell quickly discovers that a mysterious saboteur haunts the hobo jungles of the West, a man known as the Wrecker, who recruits accomplices from the down-and-out to attack the railroad, and then kills them afterward. The Wrecker traverses the vast spaces of the American West as if he had wings, striking wherever he pleases, causing untold damage and loss of human life. Who is he? What does he want? Is he a striker? An anarchist? A revolutionary determined to displace the "privileged few"? A criminal mastermind engineering some as yet unexplained scheme?Whoever he is, whatever his motives, the Wrecker knows how to create maximum havoc, and Bell senses that he is far from done-that, in fact, the Wrecker is building up to a grand act unlike anything he has committed before. If Bell doesn't stop him in time, more than a railroad could be at risk-it could be the future of the entire country.Filled with intricate plotting and dazzling set pieces, The Wrecker is one of the most entertaining thrillers in years.

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He had chosen a locker that held lanterns, reasoning that no one would open it in the daytime. If someone did, he would kill him with whichever weapon suited the moment, then spring out and kill anyone else he came across.

He smiled grimly in the cramped, dark space. He had guessed right. And who had boarded the train but none other than Van Dorn’s chief investigator himself, the famous Isaac Bell? At worst, the Wrecker would make a complete fool out of Bell. At best, he’d shoot him between the eyes.

THE BRAKEMAN CHECKED EVERY car, and when he reached the locomotive Bell saw him confer with the conductor, the engineer, and the fireman, who had gathered on the ground. Then the conductor and the brakeman hurried back, checking each of the fifty boxcars, cattle cars, and gondolas again. When they got to the caboose, the conductor, an older man with sharp brown eyes and a put-out expression on his lined face, said, “No saboteurs. No hobos. Nobody. The train is empty. We’ve wasted enough time here.”

He raised his flag to signal the engineer.

“Wait,” said Bell.

He jumped down from the caboose and ran alongside the train, peering inside each car and each chassis underneath. Midway to the locomotive, he paused at a green cattle car that stank of mules.

Bell whirled around and ran full tilt back toward the caboose.

He knew that smell. It wasn’t stew. And it wasn’t an unwashed brakeman. A man who had ridden in the green cattle car that stank of mules was now hiding somewhere in the caboose.

Bell bounded up onto the caboose’s platform, shoved through the door, flung the nearest mattress off a bench, and pulled up the hinged top. The locker held boots and yellow rain slickers. He flung open the next. It was filled with flags and light repair tools. There were two more. The conductor and the brakeman were watching curiously from the far door.

“Get back,” Bell told them. And he opened the third bench. It contained tins of lubricating oil and kerosene for lamps. Gun in hand, he leaned in to open the last.

“Nothing in there but lanterns,” said the brakeman.

Bell opened it.

The brakeman was right. The locker contained red, green, and yellow lanterns.

Angry, baffled, wondering if the man had somehow managed to run for the trees from one side while he was watching the other, Bell stalked to the locomotive and told the engineer, “Move your train! ”

Gradually, he calmed down. And finally he smiled, remembering something Wish Clarke had taught him: “You can’t think when you’re mad. And that goes double when you’re mad at yourself.”

He had no doubt that the Wrecker was a capable man, even a brilliant one, but now it seemed he had something else going for him too: luck, the intangible element that could throw an investigation into chaos and prolong capture. Bell believed it was only a matter of time before they caught up with the Wrecker, but time was short-terribly short-because the Wrecker was so active. This was no ordinary bank robber. He wasn’t going to hole up in a brothel and spend his ill-gotten gains on wine and women. Even now, he would be planning his next attack. Bell was painfully aware that he still had no idea what motivated the man. But he did know that the Wrecker was not the sort of criminal who wasted time celebrating his victories.

Twenty minutes later, Bell ordered the train stopped beside Lillian Hennessy’s special, which was still on the siding. The crew moved the freight ahead to the water tank.

THE WRECKER WAITED UNTIL the train crew was busy taking on water. Then he dropped down from the cupola’s shelf and slipped back into his first hiding place, the lanterns locker. The next water stop, he slipped out of the caboose and back into a boxcar, as the crew would be reaching for lanterns when the sun went down.

Ten hours later, in the dead of the night, he jumped off at a staging area at Redding. Seeing many detectives and railroad police searching trains ahead, he hid in a culvert and watched their lights bobbing in the dark.

While he waited them out, he used the time to think about Isaac Bell’s investigation. He was tempted to mail him a letter: “Sorry we didn’t meet on the freight train.” But it wasn’t worth the joke. Don’t gloat. Let Bell think he wasn’t on that train. That he got away by some other means. He would find some better way to sow confusion.

An empty freight rumbled out of the yard, heading south, just before first light. The Wrecker ran alongside, grabbed a ladder on the back of a boxcar, and worked his way under the car and wedged himself into the supporting framework.

In Sacramento, he climbed out when the train halted for permission to enter the yards. He walked a mile through factories and workers’ housing to a cheap rooming house, eight blocks from the capitol building. He paid the landlady four dollars for holding his suitcase and carried it to another rooming house that he chose at random ten blocks away. He rented a room, paying in advance for a week. Midmorning, the house was empty, the lodgers away at work. He locked himself in the shared bathroom at the end of the hall, stuffed his filthy clothes in the gripsack, shaved and bathed. In his room, he pulled a top-quality blond wig over his hair and applied a similarly colored groomed beard and mustache with spirit gum. Then he dressed in a clean shirt, a four-in-hand necktie, and an expensive sack suit. He packed his bags, transferring his climbing spurs to the suitcase, and polished his boots.

He left the rooming house by the back door so no one would see him in his new persona and walked a roundabout route to the railroad station, checking repeatedly that he was not followed. He threw the gripsack behind a board fence but kept the suitcase.

Hundreds of travelers were streaming into the Southern Pacific station. He blended in as he joined them, another well-dressed busi nessman embarking for a distant city. But suddenly, before he could stop himself, he laughed out loud. He laughed so hard he covered his mouth to make sure the beard didn’t shift.

The latest Harper’s Weekly magazine was displayed on a newsstand. The cover cartoon depicted none other than Osgood Hennessy. The railroad president was rendered as a fearsome octopus extending train tracks like tentacles into New York City. Smiling broadly, the Wrecker bought the magazine for ten cents.

The newsie was staring at him, so he went to another stand outside the station to ask, “Do you have pencils? A thick one. And an envelope and stamp, if you please.”

In the privacy of a toilet in the nearest hotel, he tore off the magazine cover, wrote on it, and sealed it in the envelope. He addressed the envelope to Chief Investigator Isaac Bell, Van Dorn Detective Agency, San Francisco.

He attached the stamp, hurried back to the station, and dropped the envelope in a mailbox. Then he boarded the flyer to Ogden, Utah, six hundred miles to the east, a junction city near Great Salt Lake where nine railroads converged.

The conductor came through. “Tickets, gents.”

The Wrecker had bought a ticket. But as he reached to pull it from his vest pocket, he sensed danger. He did not question whatever had sparked the premonition. It could have been anything. He had seen extra railway police at the Sacramento yards. The ticket clerk had eyed him closely. A hanger-on he had noticed in the passenger station could have been a Van Dorn operative. Trusting his instincts, he left his ticket in his pocket and flashed a railway pass instead.

11

BELL BATTLED HIS WAY THROUGH FORTY-EIGHT HOURS OF maddening delays to reach the Cascades construction site at the head of the cutoff line. The Southern Pacific dispatchers were beset by downed telegraph wires, making train scheduling haphazard. Lillian had given up and taken her special back to Sacramento. Bell had hitched rides on material trains and finally arrived on a trainload of canvas and dynamite.

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