Robert Silverberg: Beauty in the Night

“Don’t ask stupid questions. Tell me, boy, do you go by the name of Burke or Khan?”

“Burke. Khalid Haleem Burke.”

“Call me ‘sir’ when you’re not calling me ‘dad.’ Say, “Khalid Haleem Burke, sir.’ ”

“Khalid Haleem Burke, sir. Dad.”

“One or the other. Not both.” Richie Burke rose from the chair, unfolding himself as though in sections, up and up and up. He was enormously tall, very thin. His slenderness accentuated his great height. Khalid, though tall for his age, felt dwarfed beside him. The thought came to him that this man was not his father at all, not even a man, but some sort of demon, rather, a jinni, a jinni that had been let out of its bottle, as in the story that Iskander Mustafa Ali had told him. He kept that thought to himself. “Good,” Richie Burke said. “Khalid Haleem Burke. I like that. Son should have his father’s name. But not the Khalid Haleem part. From now on your name is—ah— Kendall. Ken for short.”

“Khalid was my—”

“—uncle’s name, yes. Well, your uncle is dead. Practically everybody is dead, Kenny. Kendall Burke, good English name. Kendall Hamilton Burke, same initials, even, only English. Is that all right, boy? What a pretty one you are, Kenny! I’ll teach you a thing or two, I will. I’ll make a man out of you.”

Here I be, boy, your long-lost father!

Khalid had never known what it meant to have a father, nor ever given the idea much examination. He had never known hatred before, either, because Aissha was a fundamentally calm, stable, accepting person, too steady in her soul to waste time or valuable energy hating anything, and Khalid had taken after her in that. But Richie Burke, who taught Khalid what it meant to have a father, made him aware of what it was like to hate, also.

Richie moved into the bedroom that had been Aissha’s, sending Aissha off to sleep in what had once had been Yasmeena’s room. It had long since gone to rack and ruin, but they cleaned it up, some, chasing the spiders out and taping oilcloth over the missing windowpanes and nailing down a couple of floorboards that had popped up out of their proper places. She carried her clothes-cabinet in there by herself, and set up on it the framed photographs of her dead family that she had kept in her former bedroom, and draped two of her old saris that she never wore any more over the bleak places on the wall where the paint had flaked away.

It was stranger than strange, having Richie living with them. It was a total upheaval, a dismaying invasion by an alien lifeform, in some ways as shocking in its impact as the arrival of the Entities had been.

He was gone most of the day. He worked in the nearby town of Winchester, driving back and forth in a small, brown, pre-Conquest automobile. Winchester was a place where Khalid had never been, though his mother had, to purchase the pills that were meant to abort him. Khalid had never been far from Salisbury, not even to Stonehenge, which now was a center of Entity activity anyway, and not a tourist sight. Few people in Salisbury traveled anywhere these days. Not many had automobiles, because of the difficulty of obtaining petrol, but Richie never seemed to have any problem with that.

Sometimes Khalid wondered what sort of work his father did in Winchester; but he asked about it only once. The words were barely out of his mouth when his father’s long arm came snaking around and struck him across the face, splitting his lower lip and sending a dribble of blood down his chin.

Khalid staggered back, astounded. No one had ever hit him before. It had not occurred to him that anyone would.

“You must never ask that again!” his father said, looming mountain-high above him. His cold eyes were even colder, now, in his fury. “What I do in Winchester is no business of yours, nor anyone else’s, do you hear me, boy? It is my own private affair. My own—private—affair.”

Khalid rubbed his cut lip and peered at his father in bewilderment. The pain of the slap had not been so great; but the surprise of it, the shock—that was still reverberating through his consciousness. And went on reverberating for a long while thereafter.

He never asked about his father’s work again, no. But he was hit again, more than once, indeed with fair regularity. Hitting was Richie’s way of expressing irritation. And it was difficult to predict what sort of thing might irritate him. Any sort of intrusion on his father’s privacy, though, seemed to do it. Once, while talking with his father in his bedroom, telling him about a bloody fight between two boys that he had witnessed in town, Khalid unthinkingly put his hand on the guitar that Richie always kept leaning against his wall beside his bed, giving it only a single strum, something that he had occasionally wanted to do for months; and instantly, hardly before the twanging note had died away, Richie unleashed his arm and knocked Khalid back against the wall. “You keep your filthy fingers off that instrument, boy!” Richie said; and after that Khalid did. Another time Richie struck him for leafing through a book he had left on the kitchen table, that had pictures of naked women in it; and another time, it was for staring too long at Richie as he stood before the mirror in the morning, shaving. So Khalid learned to keep his distance from his father; but still he found himself getting slapped for this reason and that, and sometimes for no reason at all. The blows were rarely as hard as the first one had been, and never ever created in him that same sense of shock. But they were blows, all the same. He stored them all up in some secret receptacle of his soul.

Occasionally Richie hit Aissha, too—when dinner was late, or when she put mutton curry on the table too often, or when it seemed to him that she had contradicted him about something. That was more of a shock to Khalid than getting slapped himself, that anyone should dare to lift his hand to Aissha.

The first time it happened, which occurred while they were eating dinner, a big carving knife was lying on the table near Khalid, and he might well have reached for it had Aissha not, in the midst of her own fury and humiliation and pain, sent Khalid a message with her furious blazing eyes that he absolutely was not to do any such thing. And so he controlled himself, then and any time afterward when Richie hit her. It was a skill that Khalid had, controlling himself—one that in some circuitous way he must have inherited from the everpatient, all-enduring grandparents whom he had never known and the long line of oppressed Asian peasants from whom they descended. Living with Richie in the house gave Khalid daily opportunity to develop that skill to a fine art.

Richie did not seem to have many friends, at least not friends who visited the house. Khalid knew of only three.

There was a man named Arch who sometimes came, an older man with greasy ringlets of hair that fell from a big bald spot on the top of his head. He always brought a bottle of whiskey, and he and Richie would sit in Richie’s room with the door closed, talking in low tones or singing raucous songs. Khalid would find the empty whiskey bottle the following morning, lying on the hallway floor. He kept them, setting them up in a row amidst the restaurant debris behind the house, though he did not know why.

The only other man who came was Syd, who had a flat nose and amazingly thick fingers, and gave off such a bad smell that Khalid was able to detect it in the house the next day. Once, when Syd was there, Richie emerged from his room and called to Aissha, and she went in there and shut the door behind her and was still in there when Khalid went to sleep. He never asked her about that, what had gone on while she was in Richie’s room. Some instinct told him that he would rather not know.