Harlan Ellison - The Prowler in the City at the Edge of the World

!EXPLOSION!IN!HIS!MIND!

He fell face forward on the smooth and polished metal pavement, but he never touched. Something arrested his fall, and he hung suspended, bent over at the waist like a ridiculous Punch divested of strings or manipulation from above. A whiff of something invisible, and he was in full possession of his senses almost before they had left him. His mind was forced to look at it:

He wants to fuck the Reverend Mr. Barnett’s wife.

Henrietta, with her pious petition to Queen Victoria—”Madam, we, the women of East London, feel horror at the dreadful sins that have been lately committed in our midst…”—asking for the capture of himself, of Jack, whom she would never, not ever suspect was residing right there with her and the Reverend in Toynbee Hall. The thought was laid as naked as her body in the secret dreams he had never remembered upon awakening. All of it, they had left him with opened doors, with unbounded horizons, and he saw himself for what he was.

A psychopath, a butcher, a lecher, a hypocrite, a clown.

“You did this to me! Why did you do this?”

Frenzy cloaked his words. The flower-faces became the solidified hedonists who had taken him back to 1888 on that senseless voyage of slaughter.

Van Cleef, the gardenia-woman, sneered. “Why do you think, you ridiculous bumpkin? (Bumpkin, is that the right colloquialism, Hernon? I’m so uncertain in the mid-dialects.) When you’d done in Juliette, Hernon wanted to send you back. But why should he? He owed us at least three formz, and you did passing well for one of them.”

Jack shouted at them till the cords stood out in his throat. “Was it necessary, this last one? Was it important to do it, to help my reforms…was it?”

Hernon laughed. “Of course not.”

Jack sank to his knees. The City let him do it. “Oh God, oh God almighty, I’ve done what I’ve done…I’m covered with blood…and for nothing, for nothing… ”

Cashio, who had been one of the phlox, seemed puzzled. “Why is he concerned about this one, if the others don’t bother him?”

Nosy Verlag, who had been a wild celandine, said sharply, “They do, all of them do. Probe him, you’ll see.”

Cashio’s eyes rolled up in his head an instant, then rolled down and refocused—Jack felt a quicksilver shudder in his mind and it was gone—and he said lackadaisically, “Mm-hmm.”

Jack fumbled with the latch of the Gladstone. He opened the bag and pulled out the foetus in the bottle. Mary Jane Kelly’s unborn child, from November 9th, 1888. He held it in front of his face a moment, then dashed it to the metal pavement. It never struck. It vanished a fraction of an inch from the clean, sterile surface of the City’s street.

“What marvelous loathing!” exulted Rose, who had been a rose.

“Hernon,” said van Cleef, “he’s centering on you. He begins to blame you for all of this.”

Hernon was laughing (without moving his lips) as Jack pulled Juliette’s electrical scalpel from the Gladstone, and lunged. Jack’s words were incoherent, but what he was saying, as he struck, was: “I’ll show you what filth you are! I’ll show you you can’t do this kind of thing! I’ll teach you! You’ll die, all of you!” This is what he was saying, but it came out as one long sustained bray of revenge, frustration, hatred and directed frenzy.

Hernon was still laughing as Jack drove the whisper-thin blade with its shimmering current into his chest. Almost without manipulation on Jack’s part, the blade circumscribed a perfect 360° hole that charred and shriveled, exposing Hernon’s pulsing heart and wet organs. He had time to shriek with confusion before he received Jack’s second thrust, a direct lunge that severed the heart from its attachments. Vena cava superior. Aorta. Arteria pullmonalis. Bronchus principalis.

The heart flopped forward and a spreading wedge of blood under tremendous pressure ejaculated, spraying Jack with such force that it knocked his hat from his head and blinded him. His face was now a dripping black-red collage of features and blood.

Hernon followed his heart, and fell forward, into Jack’s arms. Then the flower-people screamed as one, vanished, and Hernon’s body slipped from Jack’s hands to wink out of existence an instant before it struck at Jack’s feet. The walls around him were clean, unspotted, sterile, metallic, uncaring.

He stood in the street, holding the bloody knife.

“Now!” he screamed, holding the knife aloft. “Now it begins!”

If the city heard, it made no indication, but

[Pressure accelerated in temporal linkages.]

[A section of shining wall on a building eighty miles away changed from silver to rust.]

[In the freezer chambers, two hundred gelatin caps were fed into a ready trough.]

[The weathermaker spoke softly to itself, accepted data and instantly constructed an intangible mnemonic Circuit.]

and in the shining eternal city where night only fell when the inhabitants had need of night and called specifically for night…

Night fell. With no warning save: Now!

In the City of sterile loveliness a creature of filth and decaying flesh prowled. In the last City of the world, a City on the edge of the world, where the ones who had devised their own paradise lived, the prowler made his home in shadows. Slipping from darkness to darkness with eyes that saw only movement, he roamed in search of a partner to dance his deadly rigadoon.

He found the first woman as she materialized beside a small waterfall that flowed out of empty air and dropped its shimmering, tinkling moisture into an azure cube of nameless material. He found her and drove the living blade into the back of her neck. Then he sliced out the eyeballs and put them into her open hands.

He found the second woman in one of the towers, making love to a very old man who gasped and wheezed and clutched his heart as the young woman forced him to passion. She was killing him as Jack killed her. He drove the living blade into the lower rounded surface of her belly, piercing her sex organs as she rode astride the old man. She decamped blood and viscous fluids over the prostrate body of the old man, who also died, for Jack’s blade had severed the penis within the young woman. She fell forward across the old man and Jack left them that way, joined in the final embrace.

He found a man and throttled him with his bare hands, even as the man tried to dematerialize. Then Jack recognized him as one of the phlox, and made neat incisions in the face, into which he inserted the man’s genitals.

He found another woman as she was singing a gentle song about eggs to a group of children. He opened her throat and severed the strings hanging inside. He let the vocal cords drop onto her chest. But he did not touch the children, who watched it all avidly. He liked children.

He prowled through the unending night making a grotesque collection of hearts, which he cut out of one, three, nine people. And when he had a dozen, he took them and laid them as road markers on one of the wide boulevards that never were used by vehicles, for the people of this City had no need of vehicles.

Oddly, the City did not clean up the hearts. Nor were the people vanishing any longer. He was able to move with relative impunity, hiding only when he saw large groups that might be searching for him. But something was happening in the City. (Once, he heard the peculiar sound of metal grating on metal, the shrikkk of plastic cutting into plastic—though he could not have identified it as plastic—and he instinctively knew it was the sound of a machine malfunctioning.)

He found a woman bathing, and tied her up with strips of his own garments, and cut off her legs at the knees and left her still sitting up in the swirling crimson bath, screaming as she bled away her life. The legs he took with him.