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Joanna Russ: The Female Man

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Joanna Russ The Female Man

The Female Man: краткое содержание, описание и аннотация

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Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other’s worlds each woman’s preconceptions on gender and what it means to be a woman are challenged. Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power. Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other’s worlds each woman’s preconceptions on gender and what it means to be a woman are challenged. Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power. Nebula and Hugo Award winner Joanna Russ is the author of , and , among many other books. Review About the Author ‘Her finest novel.’ Washington Post ‘An explosion of witty and savage writing.’ New Statesman ‘A writer of energetic clarity. The power of her writing is always complexly vivid… Ms Russ is a major writer.’ New York Times Book Review

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In the time of Jesus of Nazareth, dear reader, there were no motor-cars. I still walk, though, sometimes.

That is, a prudent ecologist makes things work as nearly perfectly as they can by themselves, but you also keep the kerosene lantern in the barn just in case, and usually a debate about keeping a horse ends up with the decision that it’s too much trouble, so you let the horse go; but the Conservation Point at La Jolla keeps horses. We wouldn’t recognize them. The induction helmet makes it possible for one workwoman to have not only the brute force but also the flexibility and control of thousands; it’s turning Whileawayan industry upside down. Most people walk on Whileaway (of course, their feet are perfect). They make haste in odd ways sometimes. In the early days it was enough just to keep alive and keep the children coming. Now they say “When the re-industrialization’s complete,” and they still walk. Maybe they like it. Probability mechanics offers the possibility—by looping into another continuum, exactly chosen—of teleportation. Chilia Ysayeson Belin lives in Italian ruins (I think this is part of the Vittore Emmanuele monument, though I don’t know how it got to Newland) and she’s sentimental about it; how can one add indoor plumbing discreetly without an unconscionable amount of work? Her mother, Ysaye, lives in a cave (the Ysaye who put together the theory of probability mechanics). Pre-fabs take only two days to get and no time at all to set up. There are eighteen Belins and twenty-three Moujkis (Ysaye’s family; I stayed with both). Whileaway doesn’t have true cities. And of course, the tail of a culture is several centuries behind the head. Whileaway is so pastoral that at times one wonders whether the ultimate sophistication may not take us all back to a kind of pre-Paleolithic dawn age, a garden without any artifacts except for what we would call miracles. A Moujki invented non-disposable food containers in her spare time in A.C. 904 because the idea fascinated her; people have been killed for less.

Meanwhile, the ecological housekeeping is enormous.

IX

JE: I bore my child at thirty; we all do. It’s a vacation. Almost five years. The baby rooms are full of people reading, painting, singing, as much as they can, to the children, with the children, over the children… Like the ancient Chinese custom of the three-years’ mourning, an hiatus at just the right time. There has been no leisure at all before and there will be so little after—anything I do, you understand, I mean really do—I must ground thoroughly in those five years. One works with feverish haste… At sixty I will get a sedentary job and have some time for myself again.

COMMENTATOR: And this is considered enough, in Whileaway?

JE: My God, no.

X

Jeannine dawdles. She always hates to get out of bed. She would lie on her side and look at the ailanthus tree until her back began to ache; then she would turn over, hidden in the veils of the leaves, and fall asleep. Tag-ends of dreams till she lay in bed like a puddle and the cat would climb over her. On workdays Jeannine got up early in a kind of waking nightmare: feeling horrid, stumbling to the hall bathroom with sleep all over her. Coffee made her sick. She couldn’t sit in the armchair, or drop her slippers, or bend, or lean, or lie down. Mr. Frosty, perambulating on the window sill, walked back and forth in front of the ailanthus tree: Tiger on Frond. The museum. The zoo. The bus to Chinatown. Jeannine sank into the tree gracefully, like a mermaid, bearing with her a tea-cosy to give to the young man who had a huge muffin trembling over his collar where his face ought to have been. Trembling with emotion.

The cat spoke.

She jerked awake. I’ll feed you, Mr. Frosty .

Mrrrr.

Cal couldn’t afford to take her anywhere, really. She had been traveling on the public buses so long that she knew all the routes. Yawning horribly, she ran the water into Mr. Frosty’s cat food and put the dish on the floor. He ate in a dignified way; she remembered how when she had taken him to her brother’s, they had fed him a real raw fish, just caught in the pond by one of the boys, and how Mr. Frosty had pounced on it, bolting it, he was so eager. They really do like fish. Now he played with the saucer, batting it from side to side, even though he was grown up. Cats were really much happier after you… after you… (she yawned) Oh, it was Chinese Festival Day.

If I had the money, if I could get my hair done…He comes into the library; he’s a college professor; no, he’s a playboy. “Who’s that girl?” Talks to Mrs. Allison, slyly flattering her. “This is Jeannine.” She casts her eyes down, rich in feminine power. Had my nails done today. And these are good clothes, they have taste, my own individuality, my beauty. “There’s something about her,” he says. “Will you go out with me?” Later on the roof garden, drinking champagne, “Jeannine, will you —”

Mr. Frosty, unsatisfied and jealous, puts his claw into her leg. “All right!” she says, choking on the sound of her own voice. Get dressed quick .

I do (thought Jeannine, looking in the precious full-length mirror inexplicably left by the previous tenant on the back of the closet door) I do look a little bit like…if I tilt my face. Oh! Cal will be SOMAD —and flying back to the bed, she strips off her pajamas and snatches at the underwear she always leaves out on the bureau the night before. Jeannine the Water Nymph. I dreamed about a young man somewhere . She doesn’t quite believe in cards or omens, that’s totally idiotic, but sometimes she giggles and thinks it would be nice. I have big eyes. You are going to meet a tall, dark —Placing Mr. Frosty firmly on the bed, she pulls on her sweater and skirt, then brushes her hair, counting strokes under her breath. Her coat is so old. Just a little bit of make-up, lip pomade and powder. (She forgot again and got powder on her coat.) If she got out early, she wouldn’t have to meet Cal in the room; he would play with the cat (down on his hands and knees) and then want to Make Love; this way’s better. The bus to Chinatown. She stumbled down the stairs in her haste, catching at the banister. Little Miss Spry, the old lady on the bottom floor, opened her door just in time to catch Miss Dadier flying through the hall. Jeannine saw a small, wrinkled, worried, old face, wispy white hair, and a body like a flour sack done up in a black shapeless dress. One spotted, veined hand round the edge of the door.

“How do, Jeannine. Going out?”

Doubling up in a fit of hysterics, Miss Dadier escaped. Ooh! To look like that !

There was Cal, passing the bus station.

XI

Etsuko Belin, stretched cruciform on a glider, shifted her weight and went into a slow turn, seeing fifteen hundred feet below her the rising sun of Whileaway reflected in the glacial-scaur lakes of Mount Strom. She flipped the glider over, and sailing on her back, passed a hawk.

XII

Six months ago at the Chinese New Year, Jeannine had stood in the cold, holding her mittens over her ears to keep out the awful sound of firecrackers. Cal, next to her, watched the dragon dance around in the street

XIII

I met Janet Evason on Broadway, standing to the side of the parade given in her honor (I was). She leaned out of the limousine and beckoned me in. Surrounded by Secret Service agents. “That one,” she said. Eventually we will all come together.

XIV

Jeannine, out of place, puts her hands over her ears and shuts her eyes on a farm on Whileaway, sitting at the trestle-table under the trees where everybody is eating. I’m not here. I’m not here . Chilia Ysayeson’s youngest has taken a fancy to the newcomer; Jeannine sees big eyes, big breasts, big shoulders, thick lips, all that grossness. Mr. Frosty is being spoilt, petted and fed by eighteen Belins. I’m not here .

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