Joanna Russ - The Female Man

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Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other’s worlds each woman’s preconceptions on gender and what it means to be a woman are challenged. Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power.
Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other’s worlds each woman’s preconceptions on gender and what it means to be a woman are challenged.
Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power.
Nebula and Hugo Award winner Joanna Russ is the author of
, and
, among many other books. Review
About the Author ‘Her finest novel.’
Washington Post ‘An explosion of witty and savage writing.’
New Statesman ‘A writer of energetic clarity. The power of her writing is always complexly vivid… Ms Russ is a major writer.’
New York Times Book Review

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This is the underside of my world.

Of course you don’t want me to be stupid, bless you! you only want to make sure you’re intelligent. You don’t want me to commit suicide; you only want me to be gratefully aware of my dependency. You don’t want me to despise myself; you only want to ensure the flattering deference to you that you consider a spontaneous tribute to your natural qualities. You don’t want me to lose my soul; you only want what everybody wants, things to go your way; you want a devoted helpmeet, a self-sacrificing mother, a hot chick, a darling daughter, women to look at, women to laugh at, women to come to for comfort, women to wash your floors and buy your groceries and cook your food and keep your children out of your hair, to work when you need the money and stay home when you don’t, women to be enemies when you want a good fight, women who are sexy when you want a good lay, women who don’t complain, women who don’t nag or push, women who don’t hate you really, women who know their job, and above all—women who lose. On top of it all, you sincerely require me to be happy; you are naively puzzled that I should be so wretched and so full of venom in this best of all possible worlds. Whatever can be the matter with me? But the mode is more than a little outworn.

As my mother once said: The boys throw stones at the frogs in jest.

But the frogs die in earnest.

XI

I don’t like didactic nightmares. They make me sweat. It takes me fifteen minutes to stop being a wooden box with a soul and to come back to myself in ordinary human bondage.

Davy sleeps nearby. You’ve heard about blue-eyed blonds, haven’t you? I passed into his room barefoot and watched him curled in sleep, unconscious, the golden veils of his eyelashes shadowing his cheeks, one arm thrown out into the streak of light falling on him from the hall. It takes a lot to wake him (you can almost mount Davy in his sleep) but I was too shaken to start right away and only squatted down by the mattress he sleeps on, tracing with my fingertips the patterns the hair made on his chest: broad high up, over the muscles, then narrowing toward his delicate belly (which rose and fell with his breathing), the line of hair to below the navel, and then that suddenly stiff blossoming of the pubic hair in which his relaxed genitals nestled gently, like a rosebud.

I told you I was an old-fashioned girl.

I caressed his dry, velvety-skinned organ until it stirred in my hand, then ran my fingernails lightly down his sides to wake him up; I did the same—though very lightly—to the insides of his arms.

He opened his eyes and smiled starrily at me.

It’s very pleasant to follow Davy’s hairline around his neck with your tongue or nuzzle all the hollows of his long-muscled, swimmer’s body: inside the elbows, the forearms, the place where the back tapers inward under the ribs, the backs of the knees. A naked man is a cross, the juncture elaborated vulnerable and delicate flesh like the blossom on a banana tree, that place that’s given me so much pleasure.

I nudged him gently and he shivered a little, bringing his legs together and spreading his arms flat; with my forefinger I made a transient white line on his neck. Little Davy was half-filled by now, which is a sign that Davy wants to be knelt over. I obliged, sitting across his thighs, and bending over him without touching his body, kissed him again and again on the mouth, the neck, the face, the shoulders. He is very, very exciting. He’s very beautiful, my classic mesomorphic monster-pet. Putting one arm under his shoulders to lift him up, I rubbed my nipples over his mouth, first one and then the other, which is nice for us both, and as he held on to my upper arms and let his head fall back, I pulled him to me, kneading his back muscles, kneading his buttocks, sliding down to the mattress with him. Little Davy is entirely filled out now.

So lovely: Davy with his head thrown to one side, eyes closed, his strong fingers clenching and unclenching. He began to arch his back, as his sleepiness made him a little too quick for me, so I pressed Small Davy between thumb and forefinger just enough to slow him down and then—when I felt like it—playfully started to mount him, rubbing the tip of him, nipping him a little on the neck. His breathing in my ear, fingers convulsively closing on mine.

I played with him a little more, tantalizing him, then swallowed him whole like a watermelon seed—so fine inside! with Davy moaning, his tongue inside my mouth, his blue gaze shattered, his whole body uncontrollably arched, all his sensation concentrated in the place where I held him.

I don’t do this often, but that time I made him come by slipping a finger up his anus: convulsions, fires, crying in no words as the sensation was pulled out of him. If I had let him take more time, I would have climaxed with him, but he’s stiff for quite a while after he comes and I prefer that; I like the after-tremors and the after-hardness, slipperier and more pliable than before; Davy has an eerie malleability at those times. I grasped him internally, I pressed down on him, enjoying in the one act his muscular throat, the hair under his arms, his knees, the strength of his back and buttocks, his beautiful face, the fine skin on the inside of his thighs. Kneaded and bruised him, hiccoughing inside with all my architecture: little buried rod, swollen lips and grabby sphincter, the flexing half-moon under the pubic bone. And everything else in the vicinity, no doubt. I’d had him. Davy was mine. Sprawled blissfully over him—I was discharged down to my fingertips but still quietly throbbing—it had really been a good one. His body so warm and wet under me and inside me.

XII

And looked up to see—

XIII

—the three J’s—

XIV

“Good Lord! Is that all?” said Janet to Joanna.

XV

Something pierces the sweetest solitude.

I got up, tickled him with the edge of my claw, joined them at the door. Closing it. “Stay, Davy.” This is one of the key words that the house “understands"; the central computer will transmit a pattern of signals to the implants in his brain and he will stretch out obediently on his mattress; when I say to the main computer “Sleep,” Davy will sleep. You have already seen what else happens. He’s a lovely limb of the house. The original germ-plasm was chimpanzee, I think, but none of the behavior is organically controlled any more. True, he does have his minimal actions which he pursues without me—he eats, eliminates, sleeps, and climbs in and out of his exercise box—but even these are caused by a standing computer pattern. And I take precedence, of course. It is theoretically possible that Davy has (tucked away in some nook of his cerebrum) consciousness of a kind that may never even touch his active life—is Davy a poet in his own peculiar way?—but I prefer to believe not. His consciousness—such as it is and I am willing to grant it for the sake of argument—is nothing but the permanent possibility of sensation, a mere intellectual abstraction, a nothing, a picturesque collocation of words. It is experientially quite empty, and above all, it is nothing that need concern you and me. Davy’s soul lies somewhere else; it’s an outside soul. Davy’s soul is Davy’s beauty; and Beauty is always empty, always on the outside. Isn’t it?

“Leucotomized,” I said (to the J’s). “Lobotomized. Kidnapped in childhood. Do you believe me?”

They did.

“Don’t,” I said. Jeannine doesn’t understand what we’re talking about; Joanna does and is appalled; Janet is thinking. I shooed them into the main room and told them who he was.

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