Joanna Russ - The Female Man

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Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other’s worlds each woman’s preconceptions on gender and what it means to be a woman are challenged. Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power.
Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other’s worlds each woman’s preconceptions on gender and what it means to be a woman are challenged.
Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power.
Nebula and Hugo Award winner Joanna Russ is the author of
, and
, among many other books. Review
About the Author ‘Her finest novel.’
Washington Post ‘An explosion of witty and savage writing.’
New Statesman ‘A writer of energetic clarity. The power of her writing is always complexly vivid… Ms Russ is a major writer.’
New York Times Book Review

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JANET (reading her face, jerking a thumb upwards from a closed fist in the Whileawayan gesture of religion): God’s will be done.

VIII

Stupid and inactive. Pathetic. Cognitive starvation. Jeannine loves to become entangled with the souls of the furniture in my apartment, softly drawing herself in to fit inside them, pulling one long limb after another into the cramped positions of my tables and chairs. The dryad of my living room. I can look anywhere, at the encyclopedia stand, at the cheap lamps, at the homey bat comfortable brown couch; it is always Jeannine who looks back. It’s uncomfortable for me but such a relief to her. That long, young, pretty body loves to be sat on and I think if Jeannine ever meets a Satanist, she will find herself perfectly at home as his altar at a Black Mass, relieved of personality at last and forever.

IX

Then there is the joviality, the self-consequence, the forced heartiness, the benevolent teasing, the insistent demands for flattery and reassurance. This is what ethologists call dominance behavior.

EIGHTEEN-YEAR-OLD MALE COLLEGE FRESHMAN (laying down the law at a party): If Marlowe had lived, he would have written very much better plays than Shakespeare’s.

ME, A THTRTY-FIVE-YEAR-OLD PROFESSOR OF ENGLISH (dazed with boredom): Gee, how clever you are to know about things that never happened.

THE FRESHMAN (bewildered): Huh? OR

EIGHTEEN-YEAR-OLD GIRL AT A PARTY: Men don’t understand machinery. The gizmo goes on the whatsit and the rataplan makes contact with the fourchette in at least seventy percent of all cases.

THIRTY-FIVE-YEAR-OLD MALE PROFESSOR OF ENGINEERING (awed): Gee. (Something wrong here, I think)

OR

“Man” is a rhetorical convenience for “human.”

“Man” includes “woman.” Thus:

1. The Eternal Feminine leads us ever upward and on. (Guess who “us” is)

2. The last man on earth will spend the last hour before the holocaust searching for his wife and child. (Review of The Second Sex by the first sex)

3. We all have the impulse, at times, to get rid of our wives. (Irving Howe, introduction to Hardy, talking about my wife)

4. Great scientists choose their problems as they choose their wives. (A.H. Maslow, who should know better)

5. Man is a hunter who wishes to compete for the best kill and the best female, (everybody)

OR

The game is a dominance game called I Must Impress This Woman. Failure makes the active player play harder. Wear a hunched back or a withered arm; you will then experience the invisibility of the passive player. I’m never impressed—no woman ever is—it’s just a cue that you like me and I’m supposed to like that. If you really like me, maybe I can get you to stop. Stop; I want to talk to you! Stop; I want to see you! Stop; I’m dying and disappearing!

SHE: Isn’t it just a game?

HE: Yes, of course.

SHE: And if you play the game, it means you like me, doesn’t it?

HE: Of course.

SHE: Then if it’s just a game and you like me, you can stop playing. Please stop.

HE: No.

SHE: Then I won’t play.

HE: Bitch! You want to destroy me. I’ll show you. (He plays harder)

SHE: All right. I’m impressed.

HE: You really are sweet and responsive after all. You’ve kept your femininity. You’re not one of those hysterical feminist bitches who wants to be a man and have a penis. You’re a woman .

SHE: Yes. (She kills herself)

X

This book is written in blood.

Is it written entirely in blood?

No, some of it is written in tears.

Are the blood and tears all mine?

Yes, they have been in the past. But the future is a different matter. As the bear swore in Pogo after having endured a pot shoved on her head, being turned upside down while still in the pot, a discussion about her edibility, the lawnmowering of her behind, and a fistful of ground pepper in the snoot, she then swore a mighty oath on the ashes of her mothers (i.e . her forebears) grimly but quietly while the apples from the shaken apple tree above her dropped bang thud on her head:

OH, SOMEBODY ASIDES ME IS GONNA RUE THIS HERE PARTICULAR DAY.

XI

I study Vittoria’s blue-black hair and velvety brown eyes, her heavy, obstinate chin. Her waist is too long (like a flexible mermaid’s), her solid thighs and buttocks surprisingly sturdy. Vittoria gets a lot of praise in Whileaway because of her big behind. She is modestly interesting, like everything else in this world formed for the long acquaintance and the close view; they work outdoors in their pink or gray pajamas and indoors in the nude until you know every wrinkle and fold of flesh, until your body’s in a common medium with theirs and there are no pictures made out of anybody or anything; everything becomes translated instantly into its own inside. Whileaway is the inside of everything else. I slept in the Belins’ common room for three weeks, surrounded in my coming and going by people with names like Nofretari Ylayeson and Nguna Twason. (I translate freely; the names are Chinese, African, Russian, European. Also , Whileawayans love to use old names they find in dictionaries.) One little girl decided I needed a protector and stuck by me, trying to learn English. In the winter there’s always heat in the kitchens for those who like the hobby of cooking and induction helmets for the little ones (to keep the heat at a distance). The Belins’ kitchen was a story-telling place.

I mean, of course, that she told stories to me. Vittoria translates, speaking softly and precisely: “Once upon a time a long time ago there was a child who was raised by bears. Her mother went up into the woods pregnant (for there were more woods than there are today) and gave birth to the child there, for she had made an error in reckoning. Also, she had got lost. Why she was in the woods doesn’t matter. It is not germane to this story.

“Well, if you must know, it was because the mother was up there to shoot bears for a zoo. She had captured three bears and shot eighteen but was running out of film; and when she vent into labor, she let the three bears go, for she didn’t know how long the labor would last, and there was nobody to feed the bears. They conferred with each other and stayed around, though, because they had never seen a human being give birth before and they were interested. Everything went fine until the baby’s head came out, and then the Spirit of the Woods, who is very mischievous and clever, decided to have some fun. So right after the baby came out, it sent a rock slide down the mountain and the rock slide cut the umbilical cord and knocked the mother to one side. Aid then it made an earthquake which separated the mother and the baby by miles and miles, like the Grind Canyon in South Continent.”

“Isn’t that going to be a lot of trouble?” said I. “Do you want to hear this story or don’t you?” (Vittoria translated) “7 sap they were separated by miles and miles. When the mother saw this, she said

’Damn!’ Then she went back to civilization to get a search party together, but by that time the bears had decided to adopt the baby and all of them were hidden up above the forty-ninth parallel, where it’s very rocky and wild. So the little girl grew up with the bears.

“When she was ten, there began to be trouble. She had some bear friends by then, although she didn’t like to walk on all-fours as the bears did and the bears didn’t like that, because bears are very conservative. She argued that walking on all-fours didn’t suit her skeletal development. The bears said, ‘Oh, but we have always walked this way.’ They were pretty stupid. But nice, I mean. Anyway, she walked upright, the way it felt best, but when it came to copulation, that was another matter. There was nobody to copulate with. The little girl wanted to try it with her male-best-bear-friend (for animals do not live the way people do, you know) but the he-bear would not even try. ‘Alas’ he said (You can tell by that he was much more elegant than the other bears, ha ha) I’m afraid I’d hurt you with my claws because you don’t have all the fur that she-bears have. And besides that, you have trouble assuming the proper position because your back legs are too long. And besides that , you don’t smell like a bear and I’m afraid my Mother would say it was bestiality.’ That’s a joke. Actually it’s race prejudice. The little girl was very lonely and bored. Finally after a long time, she browbeat her bear-mother into telling her about her origins, so she decided to go out looking for some people who were not bears. She thought life might be better with them. She said good-bye to her bear-friends and started South, and they all wept and waved their handkerchiefs. The girl was very hardy and woods-wise, since she had been taught by the bears. She traveled all day and slept all night. Finally she came to a settlement of people, just like this one, and they took her in. Of course she didn’t speak people-talk” (with a sly glance at me) “and they didn’t speak bearish. This was a big problem. Eventually she learned their language so she could talk to them and when they found out she had been raised by bears, they directed her to the Geddes Regional Park where she spent a great deal of time speaking bearish to the scholars. She made friends and so had plenty of people to copulate with, but on moonlit nights she longed to be back with the bears, for she wanted to do the great bear dances, which bears do under the full moon. So eventually she went back North again. But it turned out that the bears were a bore. So she decided to find her human mother. At the flats to Rabbit Island she found a statue with an inscription that said, ‘Go that way,’ so she did. At the exit from the bridge to North Continent she found an arrow sign that had been overturned, so she followed in the new direction it was pointing. The Spirit of Chance was tracking her. At the entry into Green Bay she found a huge goldfish bowl barring her way, which turned into the Spirit of Chance, a very very old woman with tiny, dried-up legs, sitting on top of a wall. The wall stretched all the way across the forty-eighth parallel.

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