Alan Foster - The Metrognome and Other Stories

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"That's all right, Mildred. What is it?" The supervisor looked up from his desk.

"Well, sir, you remember telling me to try that Mr. Parworthy's line as soon as the repair crew had a chance to check it out?"

"Yes, I do. They found the trouble, didn't they? Moisture entering the line from last week's storm."

"That's what the crew report says, sir. The trouble was halfway between Mr. Parworthy's house and the bottom of the hill."

"What's the problem, then?" Stapleton didn't like the girl's attitude. "Don't tell me it's still not working. We'd rather see a flood come through here than Parworthy again."

She forced a smile. "I know, Mr. Stapleton. I can't . . . Why don't you try the number yourself and you'll see what I mean. It's-"

"I know, I know." The supervisor made a face, dialed the number. "I've committed it to memory. " The phone rang at the other end. There was a click, but the voice that answered wasn't Parworthy's. Stapleton listened, frowned, then hung up.

"That's funny. Either they fixed the line or they didn't. "

"That's what I thought, Mr. Stapleton. The road foreman insists his people did the work. The line should be open."

The supervisor dialed the number a second time. Click, then another click as the automatic switching shunted the caller over to the appropriate recording.

"I'm sorry, but that number has been changed, and there is no new number."

Stapleton put the phone down. Mildred watched him, waiting for some kind of comment. Eventually he looked up, said thoughtfully, "Didn't Parworthy start out in that house by using CB and short-wave instead of a phone?"

"I think I remember hearing something to that effect, Mr. Stapleton."

The supervisor nodded, looking disgusted. "Then it's pretty obvious what's happened. He's put us through all that noise and fury this past month just for his own amusement.

"He never really wanted telephone service in the first place."

THE METROGNOME

1 don't have many memories of New York City from the time before my family moved to Los Angeles, because we left New York when I was only five. I vaguely recall a huge fountain in the Bronx where my friends and I used to play despite the DO NOT CLIMB UPON signs. I remember a school and playground suspended between heaven and earth. I think of a water pistol my grandfather bought me that took the form of a bright red jet plane.

And I remember riding the subway. The tube, the underground, the metro.

The treat of treats was riding in the first car. On the New York subway the engineer's cab is set off to the side of the first car, allowing a few passengers to sit right up in front and stare down the tracks. I remember sitting in awe as the train accelerated, gazing at a dark winding tunnel whose sole features (to a five-year-old with limited perception) were thin threads of metal track aced bright, intensely bright lights. Directional and warning lights of laser-sharp red, green, and yellow. When the train reached speed, the lights blurred. If you squinted hard enough, they became streaks of red and green fire, a condition known as the preadolescent Doppler effect.

What else might dwell in such depths one did not know, could not imagine. No living soul was ever spotted stalking those ancient tunnels. There were only the lights and the darkness and the occasional side tunnel yawning like a whale's mouth off to one side or the other. A separate world exists beneath the streets of New York.

Today I know that London is much the same, and Moscow, and all the other great cities that can boast subterranean transportation networks. All that vast space devoid of life save for occasional cylinders of bored people rocketing through them at high speed on their way to work or home.

Always seemed such an awful waste.

Charlie Dimsdale stared at the man in front of him. Even under ordinary circumstances Charlie Dimsdale would have stared at the man in front of him. However, this confrontation was taking place in the lowest level of the 52nd Street Bronx subway line, a good many meters beneath the hysterical surface of Manhattan. It was just short of preordained that Charlie Dimsdale would stare at the man in front of him.

The man in front of Charlie Dimsdale stood slightly over a meter high. He was broad out of all proportion in selected places. His head especially was even larger than that of a normal-sized man. Its most notable feature was a proboscis that would be flattered by the appellation bulbous. This remarkable protuberance was bordered by a pair of huge jet-black eyes that hid beneath black eyebrows a Kodiak bear would have been proud of. Two enormous floppy ears, the shape and color of dried apricots, fluttered sideways from the head, their span a truly impressive sight.

The pate itself was as bald and round as the bottom of a china teacup. A good portion of it was covered by a jaunty red beret set at a rakish angle to the left. Huge black muttonchop whiskers rambled like a giant caterpillar across his face.

Arms that were too long for the short torso ended in thick, stubby fingers. Black hair, well cultivated, grew there in profusion. In addition to the beret, he wore a double-breasted pinstripe jacket with matching trousers. His black oxfords were immaculately polished.

Had such a confrontation occurred anywhere else in the world with an appropriate Dimsdale substitute, it is likely that said Dimsdale substitute would have fainted quickly away. Charlie Dimsdale, however, merely gulped and took a step backward.

After all, this was New York.

The little man put his hirsute hands on his hips and stared back at Charlie with undisguised disgust.

"Well, you've seen me. Now what are you going to do about it?"

"Seen you? Do? Look, mister, I'm only . . . MY name's Charles Dimsdale. I'm second assistant inspector to the under-commissioner for subway maintenance and repair. There's a misaligned track down here. We've had to make three consecutive computer reroutings up top (this was official slang, of course) for three different trains. I'm to see what the trouble is and to try and correct it, is all."

Charlie was a rather pleasant if unspectacular appearing young man. He might even have been considered attractive if it weren't for his mousy attitude and those glasses. They weren't quite thick enough to double as reactor shielding.

"Uh . . . did I just see you walk out of that wall?"

"Which wall?" the man asked.

"That wall, behind you."

"Oh, that wall."

"Yes, that wall. I didn't think there was an inspection door there, but . . . "

"There isn't. I did."

"That's impossible," said Charlie reasonably. "People don't go around walking through walls. It isn't done. Even Mr. Broadhare can't walk through walls."

"I don't doubt it."

"Then how can you ~ stand there and maintain you walked through that wall?"

"I'm not human. I'm a gnome. A metrognome, to be specific."

"Oh. I guess that's okay, then."

At that point, New Yorker or no, Charlie fainted.

When he came to, he found himself staring into a pair of slightly glowing coal-black eyes. He almost fainted again, but surprisingly powerful arms assisted him to his feet.

"Now, don't do that to me again," said the gnome.

"It's very rude and disconcerting. You might have hit your head on the rail and hurt yourself."

"What rail?" asked Charlie groggily.

"That one, there, in the middle."

"Ulp!" Charlie took several steps back until he was standing on the walkway. "You're right. I really could have hurt myself. I won't do it again." He looked disapprovingly at the gnome. "You aren't helping things any, you know. Why don't you vanish? There're no such things as gnomes. Even in New York. Especially in New York. "

"Ha!" grunted the gnome. He said it in such a way as to imply that among those assembled, there was one possessed of about as many brains as a stale pretzel. The big, soft kind, with plenty of salt. Someone was full of dough. Charlie had no trouble isolating him.

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