Fritz Leiber - The Silver Eggheads

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It was a utopian future for writers. The invention of the wordmill – nicknamed the "Silver Egghead" – did all the hard work, grinding out endless stories for an insatiable public. All the writers had to do was cash their checks and pose for publicity photos.
One day the writers revolted. The time had come to get back to business, so they destroyed the wordmills.
Then they discovered that they had nothing to say.

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"Circus," he supplied with a feeble snarl.

". . er. . performance that was going on, that I forgot why I came here in the first place. Gaspard, Nurse Bishop has been kidnapped!"

Gaspard pulled away from Zane. "How? Where? Who?" he demanded.

"We were running down the street," Miss Jackson began in medias res , "and this black-and-white checked zoomer car fell in beside us and this man with the blue chin- just virile beard, I guess-asked if he could help and Nurse Bishop said yes and got in, and this man clapped a pad over her face that must have been soaked in anesthone because she slumped right away. I noticed there was a funny-looking little robot stretched out on the back seat. Then this man said, 'Oh boy, a blonde too, this is too good to miss,' and grabbed at me but I tore away. When he saw he couldn't get me, he laughed and said, 'You don't know what you're missing, sister,' and zoomed off. Rocket House was nearer than the Nursery so I came here."

Gaspard turned to Zane Gort, who had pulled open a file drawer and was rapidly scanning the contents. "Zane," Gaspard said, "Now you've simply got to get busy on the kidnappings."

Zane looked up. "Out of the question. I'm on the wind-up of Project El after the major break-through this morning. Cal Tech confirms. Came here only for data-your rescue was incidental. No time for police work now. Later perhaps. Tomorrow say."

"But Zane, three people have been kidnapped !" Gaspard protested, trying to control the fury he felt. "Your Miss Blushes too. I think I know the roughneck who snatched Nurse Bishop. She's in deadly danger!"

"Nonsense," the robot said crisply. "You magnify the importance of these things. Anthropocentrism at work. Kidnapping-conducted by qualified non-psychotic persons such as we are obviously dealing with here-is simply a routine element of modern business and political strategy. Ancient too-see Caesar's kidnapping or Richard the First's. Interesting, yes-I too would like to be kidnapped if I could spare the time, it must be a revealing and rewarding experience-one more chance to see another bit of everything, eh, Miss Jackson? Dangerous, no. Tomorrow's time enough. Or day after tomorrow." He bent again to the files.

"Well, I guess I'm going to have to handle this all by myself," Gaspard said with a savage shrug, turning to Miss Jackson. "Call in the police, I suppose. But first tell me one thing: why were you and Nurse Bishop running down the street in the first place?"

"We were chasing the man who'd stolen Half Pint."

"WHAT!" Zane Gort's voice was a blast. " Did you say Half Pint? "

"Why, yes. He must have got clean away with him too. A tall thin man in a light gray suit. He told Pop Zangwell he was Dr. Krantz's new assistant. He probably snatched Half Pint because he was the smallest."

"The fiend ," Zane Gort grated, his headlamp glowing dark red. "The cruel, conscienceless, despicable fiend . To lay his filthy hands on that sweet helpless child-death by slow torture's too good for him! Stop gaping, Gaspard, and snap to it! My copter's on the roof. We've got work to do, Old Bone."

"But-" Gaspard began.

"No comments! Miss Jackson, when did Half Pint last have a fontanel change? Quick!"

"About three and a half hours ago. Don't yell at me."

"It's a case for yelling. How long can he safely go without a fresh one?"

"I don't know, really. They're always changed every eight hours. Once a nurse was fifty minutes late and all the brains had passed out."

Zane nodded. "Nurse Jackson," he said crisply, "prepare a wet pack of two fontanels from the supply here. Now! Gaspard, go with her-the instant it's ready bring it to the roof. I'll be there warming up the copter and my equipment. Grab Flaxman's coverall and hood-my copter's open. One moment, Miss Jackson! Will the kidnapper be able to talk to Half Pint?"

"I think so. Half Pint had a mini-speaker and mini-eye and ear plugged in. They were dangling by their cords behind the kidnapper. Half Pint started to screech and whistle, but the kidnapper threatened to smash him on the sidewalk."

Zane Gort's headlamp flared crimson. "The fiend . He'll pay for it. Don't stand there staring, you two. Move!"

THIRTY-SIX

New Angeles was a forest of pastel pillars between the green mountains and the purple algae fields of the Pacific cut by blue ship lanes. Among the palely colorful skyscrapers the new popular semicircular and pentagonal cross-sections predominated. A large circular clearing marked the municipal launching field. A jagged light green jet trail mounted vertically above it. The noon ship had just lifted for High Angeles orbiting some three earth diameters overhead.

Zane was cruising in a traffic lane at seven hundred feet. Wind and the downstream soused Gaspard, who drew his flapping hood tight around his cheeks. He studied his robot friend covertly.

Zane was wearing on top of his head a dull black smoothly cylindrical object about two feet high. It made Zane look so exactly like a robot hussar that Gaspard hesitated to ask him about it, thinking the headgear might be of purely private emotional significance to the vengeful robot. And possibly psychotic too, Gaspard added to himself uneasily. But Zane noted the direction of his gaze.

"This busby is my radio-locater," he volunteered quite sanely, shouting over the drone of the vanes. "Several days ago, anticipating a kidnapping or two, I planted powerful radio mini-senders on all Rocket House and Nursery personnel-yours is in your wristwatch (don't trouble, I've turned it off), Mr. Flaxman's in his truss, Cullingham's in his suicide kit, and so on. I didn't seriously expect any attempts on the eggheads themselves-somehow that facet of human viciousness eluded my imagination-but because I was taking him on brief trips outside his orbit I did attach a sender to Half Pint in a false bottom-Isaac, Hank and Karel be thanked!

"The trouble is that, not anticipating multiple kidnappings, I used identical senders. So we'll just have to rescue them one by one, each time picking the strongest signal, and hope that Half Pint comes up first-or at least among the first. Ha! Here's Stop Number One coming up."

Gaspard grabbed hold of his seat as the copter dropped out of the lane with a stomach-wrenching lurch and slanted down at about twice the legal speed limit toward a dirty squat old skyscraper. Several copters were parked on the rectangular roof and there was a white penthouse with blue trim and round windows like portholes and pennons flying from a sundeck in the form of a ship's bridge.

Gaspard shouted, "I've never seen Homer Hemingway's penthouse, but that's his style. And Heloise's copter is gray and violet with chromium trim, like that one."

"Ten to one it's Cullingham coming up," Zane agreed. "I'd pass him by, but we can't be dead certain it's not Half Pint."

They jounced to a landing. Zane sprang out, saying, "The signal's coming from the penthouse, all right." Gaspard hobbled after him, chilled and stiff.

As they neared it, the penthouse door opened and Homer Hemingway came trudging out with the corners of his mouth turned down. He had on trackpants and sweatshirt; draped over his shoulders was a long, heavy, bigflapped overcoat that would have gone well on a Russian general; and he was carrying two big pigskin suitcases covered with exotic travel labels ranging from Old Spain to the moons of Jupiter.

"You two again!" he said, stopping as he saw them, but not setting down the suitcases. "Gaspard the pipsqueak and his big tin brother! Gaspard, I want you should know you disgust me so I'd paste you right now and take my chances with the monster, only I'd just feel that she was making me do it and, gentlemen, I've gone the jealousy route the last time. When it gets to the point where a writer's woman who's supposed to be sweet and true throws him over for a kidnapped publisher, claiming it's a matter of business and being clever but really just wanting another skull to hang on her hunting necklace, then, gentlemen, Homer Hemingway is through!

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