Arthur Zagat - The Golden Age of Science Fiction Volume IX

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This Halcyon Classics ebook collection contains fifty science fiction short stories and novellas by more than forty different authors. Most of the stories in this collection were published during the heyday of popular science fiction magazines from the 1930s to the 1960s.
Included within this work are stories by H. Beam Piper, Murray Leinster, Poul Anderson, Mack Reynolds, Randall Garrett, Robert Sheckley, Stanley Weinbaum, Alan Nourse, Harl Vincent, and many others.
This collection is DRM free and includes an active table of contents for easy navigation.

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“Your mind will be concerned only with the welfare of Caleb Barter,” droned on the voice. “You will think only of Caleb Barter; your greatest desire will be to serve him. There is nothing you would not do for him. Let your objective mind sleep until Caleb Barter wakens it; give your subjective mind into my keeping.”

Beads of perspiration broke out on the cheeks of Caleb Barter as he worked quickly to place the girl entirely under his skilled hypnosis. At last she stood like a statue, her wide-open eyes staring into space, straight ahead. She did not move. She scarcely seemed to breathe.

“You will know that my home is your home, Ellen,” said Barter softly. “You will feel that you are welcome here and that you love this place. It needs the attention of a loving woman; you will give it that attention. But you will be subservient always to my will. You will enter upon your duties.”

Ellen Estabrook sighed softly as though with relief. Her hands went up to remove her hat, which she placed on a chair in a corner of the hellish laboratory. She removed her light coat and arranged her hair with skilled fingers. But even as she moved around the room of the long table her eyes stared vacantly into space. She was as much a puppet of Caleb Barter as were Stanley, Morton and Cleve. But, mercifully, she did not know it.

* * *

Barter studied her for several moments; his eyes squinted. He was making sure that she was not duping him with pretense. Satisfied at last be turned his eyes away from her. He stepped to the porcelain slab set in the bronze wall of his laboratory and looked at the push-buttons marked “C-3” and “E-5”. The red lights were on, indicating that the two puppets controlled by these two keys were returning toward their master. The lights had been green when Barter had begun his conversation with Ellen Estabrook, indicating that the two puppets were still going away. With a tremendous effort of will he had given them sufficient mental stimulus to keep them traveling without his direct will for the few minutes he would require for Ellen.

Now, however, he quickly donned the metal cap and the little ball, and inserted into the orifice in his cap the swinging key which connected by chain with the key which fitted into the slot under the button marked “C-3”.

He had returned to his puppets just in time. “C-3” was Cleve, who was driving the car sent out to bring in the Colombian ape. As Barter got in touch with the car it narrowly averted a crash with a police car… and the perspiration broke forth afresh on the body of Barter as he resumed control of his puppets.

The second creature, in the front seat of the car, was Morton, and it didn’t matter particularly about him as he was not driving. But Morton was now becoming all ape. Barter did not wish to use any more of his mental energy than was necessary. He contented himself by sending his will into Cleve, who began at once to drive like a master. Whenever Morton, beside him, showed an inclination to jump out of the car or otherwise interfere with Cleve in his work, Barter had but to express the thought, and Cleve either pulled him back to his place beside him, or gave him a walnut from his pocket.

* * *

Barter could as easily have had them change places, since he assumed control of either at will, or could have controlled a score simultaneously. But that would have required additional thought stimulus, and he wished to conserve his mental energies for the work which yet faced him.

Once he switched his attention from the heliotube which controlled Cleve—and through which, concurrently, he saw everything that transpired near Cleve, because his televisory apparatus and his radio control were co-workers on almost identical vibratory waves—to the area of Manhattan immediately surrounding his own neighborhood.

“Hmm,” he said to himself, “the police are getting too close. As soon as I have completed my labors to-night I shall destroy some of them as a warning to others to keep their distance.”

Morton and Cleve drew up to the curb while Barter watched carefully on all sides, through the heliotube, to make sure that their arrival was unmarked by the police.

They climbed out quickly and raced across the sidewalk to the green gate which gave on a gloomy old court, inside which they were swallowed by the shadows from all eyes save those of Caleb Barter.

Five minutes after the strange trio had entered the “place,” the great chrome-steel door of Barter’s laboratory swung open.

“Morton and Cleve, my master,” announced Naka Machi, bowing low and sucking in his breath with a hissing sound.

Barter’s own puppets entered with the ape between them.

Barter walked fearlessly forward. He had slipped the key from the orifice atop his head. Morton and Cleve now stood listlessly, dumbly, looking with dead eyes at their master. Barter tossed them several walnuts each.

Then he turned his attention to the ape, rubbing his hands together with pleasure.

But the ape was behaving strangely. His eyes were staring past Barter. His hands sought to lift as though he would hold them out to someone; but the ropes prevented him. Barter turned to look. Ellen Estabrook stood beyond him, white of face, motionless as a statue. The ape was straining toward her.

Caleb Barter chuckled with understanding.

“Good evening, Lee,” he said gently. “I’ve been expecting you!”

CHAPTER XIII

Where the Bodies Went

Bentley had been bound carelessly. Who could expect ape brains to devise clever bonds, even when controlled by Caleb Barter? And now it seemed that Caleb Barter had known all along; he said he had been expecting Bentley. No, that wasn’t it. Barter had seen him yearning toward Ellen Estabrook, statuesque and wide-eyed on the other side of the room. If it hadn’t been for the presence of Ellen he might have been accepted as an ape. Now it made little difference.

But his bonds were not tightly drawn. He found himself fighting them fiercely, trying to get his hands on Caleb Barter. He could see the scrawny Adam’s apple of the mad scientist, and his fingers itched to press themselves into the flesh.

Caleb Barter stood his ground calmly. “Naka Machi,” he said softly.

Suddenly Bentley felt a dull, paralyzing blow on his skull. He knew it had been intended to render him utterly unconscious. But Naka Machi hadn’t taken into consideration that his skull was protected by the hide of an ape. He remembered, as he stumbled and fell forward, that the Japanese were wizards with their hands. That’s why Naka Machi could knock him down, render him helpless, yet leave his brain as clearly active as before. Perhaps clearer, even, for now his brain did not act on his legs and arms, which were helpless.

Bentley felt as he imagined a patient on the operating table might feel when not given sufficient anesthetic, yet given enough to make him incapable of speech or movement. Such a patient would hear the soft discussions of the surgeons, see them prepare their instruments, yet be unable to tell them that he wasn’t entirely unconscious.

* * *

Barter stooped over Bentley and rolled back the lids of his eyes.

“Good. Naka Machi!” he said. “He won’t be in any position to do us an injury. Remain powerless, Lee Bentley, but retain your knowledge.”

Barter, then, was familiar with the strange hypnosis which the blow of Naka Machi’s hand had put upon Bentley. Barter had taken advantage of it to add to it a sort of mental paralysis, so that the condition would continue.

“You are in my hands, Lee,” he said in paternal fashion, “but you can do me no harm. Since you were associated with me in the first of my great experiments you know much about me. I have never ceased to hope that you would one day understand and appreciate what I am doing for humanity and be brought to aid me. Perhaps if I force you to watch my efforts you will understand them and sympathize with my ambitions.”

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