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Rich Horton: The Year's Best Science Fiction & Fantasy, 2012

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Rich Horton The Year's Best Science Fiction & Fantasy, 2012

The Year's Best Science Fiction & Fantasy, 2012: краткое содержание, описание и аннотация

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This fourth volume of the year's best science fiction and fantasy features thirty stories by some of the genre's greatest authors, including Jonathan Carroll, Neil Gaiman, Kij Johnson, Kelly Link, Paul McAuley, RJ Parker, Robert Reed, Rachel Swirsky, Catherynne M. Valente, and many others. Selecting the best fiction from Asimov's, F&SF, Strange Horizons, Subterranean, Tor.com, and other top venues, is your guide to magical realms and worlds beyond tomorrow.

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The disrupter was not visible to human sight, but the kite could read its effect on the current. Like lightning, the disrupter’s blast forked and forked again, zigzagging inexorably toward the minute variations in flux that would lead it toward the core.

She was too busy whipping the kite around to an escape vector to see the moment of convergence between disrupter and core. But she felt the first lashing surge as the vortex spun free of its shielding, expanding into available space. Then she was too busy steadying the kite through the triggered subvortices to pay attention to anything but keeping them alive.

Only later did she remember how much debris there had been, flung in newly unpredictable ways: wings torn from flyers, struts, bulkheads, even an improbable crate with small reddish fruit tumbling from the hole in its side.

Later, too, it would trouble her that she had not been able to keep count of the people in the tumult. Most were dead already: sliced slantwise, bone and viscera exposed, trailing banners of blood; others twisted and torn, faces ripped off and cast aside like unwanted masks, fingers uselessly clutching the wrack of chairs, tables, door frames. A fracture in one wall revealed three people in dark green jackets. They turned their faces toward the widening crack, then clasped hands before a subvortex hurled them apart. The last Lisse saw of them was two hands, still clasped together and severed at the wrist.

Lisse found an escape. Took it.

She didn’t know until later that she had destroyed 40% of the aerie’s structure. Some people survived. They knew how to rebuild.

What she never found out was that the disrupter’s effect was sufficiently long-lasting that some of the survivors died of thirst before supplies could safely be brought in.

In the old days, Lisse’s people took on the ghostweight to comfort the dead and be comforted in return. After a year and a day, the dead unstitched themselves and accepted their rest.

After Jerengjen Day, Lisse’s people struggled to share the sudden increase in ghostweight, to alleviate the flickering terror of the massacred.

Lisse’s parents, unlike the others, stitched a ghost onto a child.

“They saw no choice,” the ghost told her again and again. “You mustn’t blame them.”

The ghost had listened uncomplainingly to her troubles and taught her how to cry quietly so the teachers wouldn’t hear her. It had soothed her to sleep with her people’s legends and histories, described the gardens and promenades so vividly she imagined she could remember them herself. Some nights were more difficult than others, trying to sleep with that strange, stabbing, heartpulse ache. But blame was not what she felt, not usually.

The second target was Base 454 Qo, whose elite flyers were painted with elaborate knotwork, green with bronze-tipped thorns. For reasons that Lisse did not try to understand, the jerengjen dismembered the defensive flight but left the painted panels completely intact.

The third, the fourth, the fifth—she started using Scorch card values to tabulate the reported deaths, however unreliable the figures were in any unencrypted sources. For all its talents, the kite could not pierce military-grade encryption. She spent two days fidgeting over this inconvenience so she wouldn’t have to think about the numbers.

When she did think about the numbers, she refused to round up. She refused to round down.

The nightmares started after the sixth, Bridgepoint 977 Ja-Esh. The station commander had kept silence, as she had come to expect. However, a merchant coalition had broken the interdict to plead for mercy in fourteen languages. She hadn’t destroyed the coalition’s outpost. The station had, in reprimand.

She reminded herself that the merchant would have perished anyway. She had learned to use the firebird to scathing effect. And she was under no illusions that she was only destroying Imperial soldiers and bureaucrats.

In her dreams she heard their pleas in her birth tongue, which the ghost had taught her. The ghost, for its part, started singing her to sleep, as it had when she was little.

The numbers marched higher. When they broke ten million, she plunged out of the command spindle and into the room she had claimed for her own. She pounded the wall until her fists bled. Triumph tasted like salt and venom. It wasn’t supposed to be so easy. In the worst dreams, a wolf roved the tapestries, eating shadows—eating souls. And the void with its tinsel of worlds was nothing but one vast shadow.

Stores began running low after the seventeenth. Lisse and the ghost argued over whether it was worth attempting to resupply through black market traders. Lisse said they didn’t have time to spare, and won. Besides, she had little appetite.

Intercepted communications suggested that someone was hunting them. Rumors and whispers. They kept Lisse awake when she was so tired she wanted to slam the world shut and hide. The Imperium certainly planned reprisal. Maybe others did, too.

If anyone else took advantage of the disruption to move against the Imperium for their own reasons, she didn’t hear about it.

The names of the war-kites, recorded in the Imperium’s administrative language, are varied: Fire Burns the Spider Black. The Siege of the City with Seventeen Faces. Sovereign Geometry. The Glove with Three Fingers.

The names are not, strictly speaking, Imperial. Rather, they are plundered from the greatest accomplishments of the cultures that the mercenaries have defeated on the Imperium’s behalf. Fire Burns the Spider Black was a silk tapestry housed in the dark hall of Meu Danh, ancient of years. The Siege of the City with Seventeen Faces was a saga chanted by the historians of Kwaire. Sovereign Geometry discussed the varying nature of parallel lines. And more: plays, statues, games.

The Imperium’s scholars and artists take great pleasure in reinterpreting these works. Such achievements are meant to be disseminated, they say.

They were three days’ flight from the next target, Base 894 Sao, when the shadow winged across all the tapestries. The void was dark, pricked by starfire and the occasional searing burst of particles. The shadow singed everything darker as it soared to intercept them, as single-minded in its purpose as a bullet. For a second she almost thought it was a collage of wrecked flyers and rusty shrapnel.

The ghost cursed. Lisse startled, but when she looked at it, its face was composed again.

As Lisse pulled back the displays’ focus to get a better sense of the scale, she thought of snowbirds and stormbirds, winter winds and cutting beaks. “I don’t know what that is,” she said, “but it can’t be natural.” None of the imperial defenses had manifested in such a fashion.

“It’s not,” the ghost said. “That’s another war-kite.”

Lisse cleared the control panel. She veered them into a chancy voidcurrent eddy.

The ghost said, “Wait. You won’t outrun it. As we see its shadow, it sees ours.”

“How does a kite have a shadow in the void in the first place?” she asked. “And why haven’t we ever seen our own shadow?”

“Who can see their own soul?” the ghost said. But it would not meet her eyes.

Lisse would have pressed for more, but the shadow overtook them. It folded itself back like a plumage of knives. She brought the kite about. The control panel suggested possibilities: a two-headed dragon, a falcon, a coiled snake. Next a wolf reared up, but she quickly pulled her hand back.

“Visual contact,” the kite said crisply.

The stranger-kite was the color of a tarnished star. It had tucked all its projections away to present a minimal surface for targeting, but Lisse had no doubt that it could unfold itself faster than she could draw breath. The kite flew a widening helix, beautifully precise.

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