Adam Christopher - The Age Atomic

James pushed off the wall, leaving a rectangular smudge of black, thick fluid. He caught sight of it out of the corner of his optics and turned, surprised at how much of the substance he was leaking. He was leaving a trail easy enough for anyone to follow, he knew that, but it wouldn’t matter, not now. He turned back around, the memory of a smile playing across his frozen metal face.

He recognized the place. He was home, in his underground lair, the network of tunnels and basements built underneath Harlem, the subterranean train system that had lain dormant underneath the Empire State since the beginning of time.

His brothers, his family, were near. He knew it. He could feel it in his lubricant oil and in the coolant that bathed his rubber-sided heart. The army that he had built would be waiting for their creator, and he could lead them and they would march to victory against the evil ones who had been sent through the fog to wage terrible war against the Empire State. And their victory would be glorious.

Logic gates tripping madly, feeding the artificial part of James’s mind false data, he fell over. The ground met his face with surprising speed, the collision at just the right angle to crack the remains of the nasal septum that existed behind the metal mask. He registered the sensation, the sliding of bone, but again the pain was somewhere else, academic. He reached down and tried to push himself upright, like a solider doing pushups, only after a thousand hours (or was it more? Or maybe it was less?) he found he was still on the floor, his hands sliding hopelessly on the polished cement in something that was thick and warm and red and black and smelled of old coins and gasoline.

“James!”

There were people here, in his domain: there was big man in a hat and a thin man in a hat and someone else who looked familiar and a woman with a green coat and a golden face. She was on the floor with him, her fingers trailing over his face and coming away sticky with oil. James smiled, or thought he did, as he strained and scraped along the floor, trying to get up.

The big man was standing over him now. His skin was dark, and when he took his hat off James could see he was bald. The thin man kept his hat on and he said something but James couldn’t hear it over the music that filled the air, music he could see and touch, the air pulsing, shimmering to the beat. He knew this number. It was one of his favorites.

James found his voice, and new strength. He grabbed the woman’s arm and pulled her close. The big man shouted and pulled on her shoulders but she shrugged him off.

“It’s OK,” she was saying. “It’s fine, it’s fine,” and her long brown hair fell around her face and tickled James.

“We’re home,” said James, his voice the hiss of a punctured tire. “Where are my brothers, my family?”

“I’m here,” said the woman with the golden face but that didn’t make any sense at all. James shook his head, hitting it on the wall behind him.

The big man was rolling his hat between his hands and then James’s vision went grey and fuzzy and tore at the edges.

“It’s OK,” said the woman again, and then she kept saying, “It’s fine, it’s fine, it’s fine,” like that meant something, but James could hardly hear it over the music.

“What’s he saying?” asked the thin man who was standing away, arms folded, in the electric fog that seemed to fill the corridor.

The big man sighed. “Something about jazz.”

“Sounds like he’s bought the farm.”

The woman with the golden mask pulled back, oil on the front of her green coat, black and thick and shining. “He can be fixed.”

“Jennifer, look…” said the big man, but she was shaking her head.

“He’s a machine, Rad. He can’t die. He can be fixed.”

The thin man tapped his foot. “There’s going to be nothing to fix if we don’t get moving.”

The big man nodded and pulled at the woman’s arm again. This time she didn’t resist, and she stood.

“Then go. End this,” she said. “And then we can fix my brother. I’ll wait with him.” And she knelt on the floor again, her metal face looming large in James’s crumbling vision.

The last thing James Jones heard was the big man’s voice, nearly buried under the jazz. He was asking where Kane was, and the others didn’t look like they had a clue, but then the corridor broke up into static and all James knew was the music and the darkness.

Black and white and blue and white and her eyes burning blue they are blue her eyes are blue cold blue the light at the end of the

Kane shook his head and found himself standing by a door in a corridor of polished grey concrete. He was awake, although he had been dreaming again. Dreaming of the woman with the blue eyes, dreaming of his old friend Captain Carson, hunched over the controls of his mighty airship as it flew towards a tall building with a silver and steel cap, like the decoration on a fancy wedding cake. He remembered Byron, who had saved him… but Byron was gone now, just a thought, an echo ringing far away. And he remembered something else, something angry and silver and fast. Something strong.

Kane blinked. The corridor was gone. He was in a room, a vast space with a ceiling so high it was invisible. He was walking between two huge ranks of robots, silver, impassive, all facing the far wall of the room.

Kane stopped, but it took effort, like he wasn’t in control of his body. He turned to the far wall and saw a street swathed in night, air as cold as a razor pouring out of it. He thought he recognized it, but perhaps he was dreaming. Soma Street was inside a room, a room full of robots, each of them facing the street, ready to…

“You.”

Kane looked up. There was a platform ahead, suspended over a huge red donut structure that pulsed with an internal light. Above the platform, a woman, floating in the air. She was blue and glowing, tethered to the image of Soma Street on the wall by tendrils of ethereal energy.

Blue and white and her eyes were blue they were blue they were blue

“I… I cannot see you,” said the woman with the burning blue eyes. “I can’t see your time.”

Kane had no idea how he had got to where he was, or where his friends were. But he felt a pull towards this woman with the blue eyes, something magnetic, electric. It was comfortable; it felt right. He took a step forward, and the woman smiled.

“You’re like me,” she said.

Kane nodded. He knew it was true. He knew that she was the woman from his dreams, that here was her army, ready to march into the Empire State, ready to end it all.

She floated down from the platform until she was almost on the floor of the chamber. This close, Kane felt alive, aware, his body sharp and real and powerful. In response, her aura flickered, growing larger, brighter, so close he could reach out and touch it.

“Come to me,” she said, holding out her arms. “Come to me and we will die together.”

They found first a corridor and then a door, following a roaring in the air, low and rhythmic, like an animal breathing. Through the door was a platform. Rad moved to the railing, and looked down into the largest room he’d ever seen — like a half dozen of the huge hangars the Empire State Police Department kept their blimps in. The vast space was lit in spinning red by a huge glowing ring at the center and, there, standing between rows and rows of robots, two figures flashing blue. The machines were all facing the impossibility that formed the entire left side of the space.

The wall there was missing; instead, Rad looked out into a street in a city at night, windswept and icy, the sky above tinged orange. The Empire State, cold and decaying, connected directly to this underground space in New York City.