Robert Sawyer - Red Planet Blues

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Red Planet Blues: краткое содержание, описание и аннотация

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Robert J. Sawyer, the author of such “revelatory and thought-provoking”* novels as
and The WWW Trilogy, presents a noir mystery expanded from his Hugo and Nebula Award-nominated novella “Identity Theft” and his Aurora Award-winning short story “Biding Time,” and set on a lawless Mars in a future where everything is cheap, and life is even cheaper… Alex Lomax is the one and only private eye working the mean streets of New Klondike, the Martian frontier town that sprang up forty years ago after Simon Weingarten and Denny O’Reilly discovered fossils on the Red Planet. Back on Earth, where anything can be synthesized, the remains of alien life are the most valuable of all collectibles, so shiploads of desperate treasure hunters stampeded to Mars in the Great Martian Fossil Rush.
Trying to make an honest buck in a dishonest world, Lomax tracks down killers and kidnappers among the failed prospectors, corrupt cops, and a growing population of
—lucky stiffs who, after striking paleontological gold, upload their minds into immortal android bodies. But when he uncovers clues to solving the decades-old murders of Weingarten and O’Reilly, along with a journal that may lead to their legendary mother lode of Martian fossils, God only knows what he’ll dig up…
*

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“Sorry!” Juan shouted at the guy. “Sorry!”

We continued on, the dome getting higher and higher above our heads as we made it closer to the center.

“Stop! Police!”

It was a cop in a blue uniform. I ignored him; the worst thing he could do is give chase on foot.

But in the next block, another cop caught sight of us. Why is there never a police officer around when you want one, and they’re everywhere when you don’t? This guy was more ambitious than the first cop. He stepped into the middle of the street and stood, legs spread, in our way. He had a gun, and he held it in both outstretched hands aimed right at us. I hit the horn again, spun the buggy in a one-eighty, then took a right-hand turn onto the Third Circle. The cop didn’t fire—probably didn’t want to deal with the paperwork that followed a weapons discharge—and if he shouted anything after us, my ears were still reverberating too much from the horn blast for me to make it out.

This close to the center, the curvature of the concentric roadways was obvious, and I had to bank the buggy so much that the left-hand wheels actually lifted from the ground. More people were crossing the street in front of us, and I careened right then left then right again to miss them—one by just centimeters.

This route took us by NewYou. I tried to look in the showroom window as we raced past, but there was too much glare. After hurtling along a quarter of the arcing road, we took off down Third Avenue, heading out toward the dome’s edge again. Suddenly a dog—one of the handful on the planet, an honest-to-goodness Mars rover—was chasing us. We bipeds could manage a good clip in this gravity, and quadrupeds could move like the wind. This one—a lab, it looked like—was running at a speed a cheetah on Earth would have envied, and—

“Son of a bitch!” I yelled—rather aptly, I thought. The damn thing had leapt onto the buggy’s short hood, making it hard to see what was up ahead.

“Slow down!” Juan shouted.

I stole a glance at him. He looked terrified—but whether over what I was doing to his buggy or what was about to happen to us, I couldn’t say. The dog was yelping something fierce, but seemed to be enjoying the ride. I craned my neck, trying to see around his bulk. We hit something small in the road—rubble or rubbish of some sort—and the car bounced, and Juan let out a yelp of his own.

This wasn’t the street I wanted to be on, so I made a hard left at the next intersection, but there was a hovertram dead ahead. I slammed on the brakes. The buggy started spinning. The dog decided this was a good time to get off, and he did so. I was pressed over into Juan’s side in a way that pushed the boundaries of a good bromance. When the car stopped spinning, we were facing in precisely the wrong direction. I did a quick U-turn, then headed on toward Shopatsky House, out at the rim. We were on the correct radial artery now—and it looked like smooth sailing for most of the rest of the way. Ah, the open road! All this rig needed was stereo speakers blaring out classic 2040s rock ’n’ roll.

I ran the buggy right up onto Shopatsky House’s fern-covered lawn and popped the canopy. Juan and I jumped out, and we bounded over to the building, sailing three meters with each stride. I left the buggy running, just in case we needed a fast getaway.

I thought about kicking the front door in, but that’s actually hard to do, and my ankle couldn’t be fixed as easily as Pickover’s had been. And, anyway, I didn’t have to do it. If Lakshmi had been as busy with underhanded stuff as things seemed to indicate, she wouldn’t have had time to replace the back window I’d so carefully removed earlier.

I gave Juan the spare gun I’d brought for him, and we ran around to the rear, me taking out my own gun as I did so. Juan probably wasn’t the best choice for backup—he was a thin guy with typically underdeveloped Martian musculature—but he was better than nothing. I motioned for him to stay out of sight; I wanted Lakshmi to think I’d come alone.

There weren’t any winds or precipitation under our dome; the main reason for fixing the window would have been to keep nasty folk out, but with the window hidden back here, facing toward the dome’s edge, no one probably even knew that it was gone. I crouched low and made my way over. I’d hoped to overhear something that would give away the situation within—either “actually, for your rhyming scheme, you need a word with emphasis on the penultimate syllable” or “and so, before you die, it’s only fitting that you know exactly how I plan to take over this entire planet.” But instead I heard precisely nothing, and so I rose up enough to peek into the hole where the window had been.

The room had been straightened a bit since my struggle with Lakshmi—but only a bit. I clambered over the sill and entered the house, holstering and then unholstering my gun as I did so. I walked out of that room into the living room, and there was Diana. She was seated at one end of the cushioned green couch and had a serene look on her round face. Her makeup was tasteful, her brown hair was up, her brown eyes were open, and, all in all, she looked perfectly fine—except for the bullet hole in the middle of her forehead.

THIRTY-SEVEN

Red Planet Blues - изображение 38

My heart was jackhammering, and my eyes were stinging. I took a step toward Diana’s body, but then Lakshmi’s voice said, “Freeze.”

I froze as much as I could, but I was quaking with fury.

“Drop your gun,” Lakshmi said.

I had no proof that Lakshmi herself was holding a gun, but the hole in Diana was pretty good evidence that someone around here was packing. I let my Smith & Wesson go, and it fell gently to the floor.

“God damn it,” I hissed. “You didn’t have to kill her.”

“She was dead when I got here,” Lakshmi said.

“Oh, come on!”

“She was dead when I got here,” Lakshmi repeated. “I’m not going down for this.”

“How’d she get in, if you weren’t here?” I demanded.

“Same way you did, I suppose. Through the rear window.”

“I’m not buying that,” I said. “And neither will the NKPD.”

“Persis?” Lakshmi said into the air.

But there was no response from the Shopatsky House computer. I heard Lakshmi moving around behind me. I imagine she’d ducked her head into the room with the roll-top desk. “Someone took Persis,” she said.

“How convenient,” I replied. “No record of what went down. But you won’t get away with it.”

“I didn’t shoot her,” Lakshmi said again. “She was already dead when I arrived.”

“Bull!” I said. “She had an appointment to see you!”

“And I was running late for it. She let herself in—through the hole where my window used to be, which she could only have known about because you must have told her. And someone else must have been in here, having gained access the same way—someone who’d come to rob me, I suppose—someone looking for the O’Reilly diary, perhaps. Whoever it was clearly was startled by Diana and let her have it.”

“It’s a neat story, sister. But it doesn’t hold water.”

“Mister Lomax,” she said sharply. “I’m a professional writer. My plots most certainly do hold water.”

“May I turn around?” I asked.

“All right.”

I did so. She was dressed in red slacks and a tight-fitting silver top that showed a little cleavage. And she did indeed have a gun—a Morrell .28 revolver that seemed larger than it really was because her hands were dainty. Or maybe all guns look bigger when they’re aimed at you.

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