Catherine Asaro - Nebula Awards Showcase 2013

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Nebula Awards Showcase 2013: краткое содержание, описание и аннотация

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The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories in the Nebula Awards, voted on by the members of the Science Fiction & Fantasy Writers of America(R). The editor selected by SFWA’s anthology committee (chaired by Mike Resnick) is two-time Nebula winner, Catherine Asaro.
This year’s volume includes stories and excerpts by Connie Willis, Jo Walton, Kij Johnson, Geoff Ryman, John Clute, Carolyn Ives Gilman, Ferrett Steinmetz, Ken Liu, Nancy Fulda, Delia Sherman, Amal El-Mohtar, C. S. E. Cooney, David Goldman, Katherine Sparrow, E. Lily Yu, and Brad R. Torgersen.
Editor Catherine Asaro is a two-time Nebula Award winner and bestselling novelist of more than twenty-five books, as well as a dancer, teacher, and musician. She is a multiple winner of the Readers’ Choice Award from Analog magazine and a three-time recipient of the RT BOOKClub Award for Best Science Fiction Novel. Her soundtrack Diamond Star, for her novel of the same name, is performed with the rock band Point Valid. She is a theoretical physicist with a PhD from Harvard and teaches part-time at the University of Maryland, Baltimore County. Visit her at
. Review
About the Author “Featuring writing of the highest quality in the genre, this compilation is certain to appeal to those demanding imaginative fiction.”
- Booklist “Essential fare for short story aficionados, even though some of the contents have appeared in other collections.”
- Kirkus Reviews

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She had 99,000 cubic feet of lightless air to protect. Her universe was reduced to patching. Her universe had always been patching.

There was no time for sleep; everything was a coma-fugue. She had nightmares about patching horrible, howling holes, then realized she was awake. Once, she fell asleep mid-weld and woke up with her hair on fire.

The station hissed like a boiling kettle.

All the while Daddy and Momma and Themba and Gemma and all the Web and Gineer commanders floated behind her like balloons on a string, babbling in languages that made no sense. They told her the war was over, and everyone went home. They told her to give up, the station was dying and so was she. They told her that all her memories were dreams—there was just her in these stripped-out hallways, blind and numb, forever and ever.

Lizzie was dust. She was air. She was the taste of cabbages.

A flare of light came from the observation deck, so bright it filled the station. She floated over to see, her eyes tearing up; Dad was there, pressing his collapsed face against the window, telling her that it was okay, a meteor was coming to end her misery…

…And it was the catastrophic clang, the big one, a huge sound like a hammer smashing all the metal in the world. Lizzie was flung into the wall, bathed in light, enveloped in such pain and terror that she shrieked and shrieked and kept screaming until Daddy split in four and hauled her down to hell.

* * *

She opened her eyes. It took an effort.

She was blinded by the soft glare of fluorescent lights. A repetitive beep changed pitches, keeping time with her heart.

Turning her head to peer at the monitors raised a sweat underneath the stiff blue robe she was wearing. She tried to slide her hand up off the starched bedsheets, but only managed to make her heart monitor spike. Gravity held her tight to the bed.

At least her vitals looked good.

“It’s my ship ,” Lizzie protested, using all her strength to lift her head off the pillow. “My home .”

“We know that.”

Lizzie jumped. A nurse was dressed in a close-fit Gineer uniform with a blood-red cross-and-sickle emblazoned on the front, his long hair slicked back under a nurse’s cap. He had a friendly smile.

“‘My ship, my ship,” he said, placing a cool hand on her forehead. “That’s all you’d said when we pulled you from the wreckage. And after everything you went through to secure that glorious lifestyle of yours, Elizabeth, our most profound generals decided that we couldn’t remove it from you. You are a hero.”

Hero? Lizzie thought. She hadn’t done anything but survive.

But the nurse called in a couple of Web commanders, older women with sad eyes, and they told her that she’d been in an induced coma for almost two months while they restimulated bone growth and removed excess radiation from her body. In that time, her story had been transmitted to all corners of the galaxy—the discovery of a small girl working diligently to keep her home alive for her family. Elizabeth “Lizzie” Denahue, they said, was now known as an example of the tenacity that only family loyalty could generate.

“But I’m not Gineer,” Lizzie protested.

“Doesn’t matter,” said the nurse. “It’s a nice story. After all the consternation, people ache for a comforting tale.”

She thought about the word “nice,” and logically there was only one reason they could possibly think this was nice.

“So where’s Momma?”

“Smart girl,” one of the commanders said affectionately. “She’s back on the station, refitting it with donated equipment. We almost snuffed you out in towing it back, you know; we thought no one could be alive inside that, it had drifted so badly out of orbit. We were just looking to refurbish it… But you were in there, Elizabeth. There was barely any air left, but you were there.”

Lizzie nodded weakly. “Can I see Momma?”

“Of course, sweetie,” said the nurse. “We just have to fly her in from the station.”

Momma came about an hour later, looking haggard and scared and more beautiful than Lizzie could have imagined. They hugged, though Momma had to help lift Lizzie’s arms around her waist.

“They told me what happened, Lizzie,” Momma said. “We were on our way back, I swear—Gemma had to take a down-planet contract to pay for emergency supplies. But the folks at Swayback were real helpful once I explained what happened. We owe them a big one, Lizzie.”

Lizzie flipped her wrist at the room around them. “So why are the Gineer… ?”

“The war’s over, Lizzie. The Web was using some real unconventional weaponry, and the Gineer did something… Well, equally unconventional to end it. Something so big they’ve had to restructure the whole jumpweb around it. On the bright side, that means there’s lots of contracting work building stations. What you’re in right now is a rescue and refit ship designed to find stragglers like us.”

“The war’s over?”

Momma smiled and put a cool cloth on Lizzie’s head. “Yep.”

“Who won?”

Her Momma sighed. “Does it matter?”

Lizzie thought about it. It didn’t. She squeezed Momma’s hand, happy to have what counted.

* * *

There was a lot of cleanup to be done.

Lizzie was still weak from being weightless for almost two months, but the Gineer had muscle treatments—so as soon as Lizzie could walk within a day or two, Momma put her to work. Internal circuitry had to be replaced, the hull had to be reinforced, the hydroponics rebuilt, the air scrubbed. Thankfully, Momma and the charity mechanics had done the real work of getting the central gyros up and running; rebalancing a station was a job for ten people, not two.

It was hard. The starvation and weightlessness had marked her permanently; her eyes now had deep hollows underneath them, and her arms sometimes went numb, especially when she was using a wrench. Her legs swelled up fierce for no reason.

But now, when she went to bed, Momma combed her hair. That was the only luxury she needed.

Gemma was stuck back on Mekrong for the time being. Until the station was fully functional again, they needed cash. Gemma was doing her part for the family by taking contract work and sending the money back home. Lizzie wrote emails every day, and the charity ship tightbeamed them back for free.

But eventually the charity ship left and the ships started docking again. The folks travelling now were odd mixes that Lizzie had never seen before; gladhanding carpetbaggers looking for new opportunities, grieving families on their way back to homes they weren’t sure still existed, scarred soldiers-turned-adrenaline junkies.

Gineer and Web folks mixed uneasily in the waiting rooms. Sometimes shouting matches broke out. And when voices were raised, Lizzie would limp in, and every person would go fall silent as the Angel of Sauerkraut Station glared at them.

“Your war’s done enough to me,” she said.

They stopped.

Some folks wanted to meet the little girl who’d survived in vacuum for nine weeks, and seemed disappointed when she wasn’t more visibly scarred. Lizzie asked about that, and Momma got out the filthy gray coveralls they’d found Lizzie in.

“If you wear these,” Momma said, her face unreadable, “People will hand you their money.”

Lizzie looked at the rags. They stank of memories.

“Not for all the money in the world,” she said.

Momma hugged her proudly. “Good girl.” And she tossed the rags into the incinerator and pushed the “on” button.

But Lizzie did notice that Sauerkraut Station was now being called Survivor Station. Momma left up a few of the sturdier hull-patches Lizzie had made, and put plaques over them that noted where Elizabeth Denahue had made these patches to survive during her nine-week ordeal in the asteroid belt. She also put donation boxes below them “To help rebuild the station.” They filled up nicely.

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