Catherine Asaro - Nebula Awards Showcase 2013

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Nebula Awards Showcase 2013: краткое содержание, описание и аннотация

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The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories in the Nebula Awards, voted on by the members of the Science Fiction & Fantasy Writers of America(R). The editor selected by SFWA’s anthology committee (chaired by Mike Resnick) is two-time Nebula winner, Catherine Asaro.
This year’s volume includes stories and excerpts by Connie Willis, Jo Walton, Kij Johnson, Geoff Ryman, John Clute, Carolyn Ives Gilman, Ferrett Steinmetz, Ken Liu, Nancy Fulda, Delia Sherman, Amal El-Mohtar, C. S. E. Cooney, David Goldman, Katherine Sparrow, E. Lily Yu, and Brad R. Torgersen.
Editor Catherine Asaro is a two-time Nebula Award winner and bestselling novelist of more than twenty-five books, as well as a dancer, teacher, and musician. She is a multiple winner of the Readers’ Choice Award from Analog magazine and a three-time recipient of the RT BOOKClub Award for Best Science Fiction Novel. Her soundtrack Diamond Star, for her novel of the same name, is performed with the rock band Point Valid. She is a theoretical physicist with a PhD from Harvard and teaches part-time at the University of Maryland, Baltimore County. Visit her at
. Review
About the Author “Featuring writing of the highest quality in the genre, this compilation is certain to appeal to those demanding imaginative fiction.”
- Booklist “Essential fare for short story aficionados, even though some of the contents have appeared in other collections.”
- Kirkus Reviews

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As she sat there, The Note came, filling the air full and ringing through her body like a benediction. It seemed to be answering her unfocused yearning, as if the believers were right, and there really were a force looking over her, as she looked over the owl.

* * *

When she next came to Magister Pregaldin’s apartment, he was busy filling the crate up again with treasures. Thorn helped him wrap artworks in packing material as he told her which planet each one came from. “Where are you sending them?” she asked.

“Offworld,” he answered vaguely.

Together they lifted the lid onto the crate, and only then did Thorn see the shipping label that had brought it here. It was stamped with a burning red sword—the customs mark of the city-state Flaming Sword of Righteousness. “Is that where you were?” she said.

“Yes.”

She was about to blurt out that Hunter’s Gminta had been murdered there when a terrible thought seized her: What if he already knew? What if it were no coincidence?

They sat down to lessons under the head of the copper-horned beast, but Thorn was distracted. She kept looking at her tutor’s large hands, so gentle when he handled his art, and wondering if they could be the hands of an assassin.

That night Hunter went out and Maya barricaded herself in her room, leaving Thorn the run of the house. She instantly let herself into Hunter’s office to search for a list of Gmintas killed and brought to justice over the years. When she tried to access his files, she found they were heavily protected by password and encryption—and if she knew his personality, he probably had intrusion detectors set. So she turned again to his library of books on the Holocide. The information was scattered and fragmentary, but after a few hours she had pieced together a list of seven mysterious murders on five planets that seemed to be revenge slayings.

Up in her room again, she took out her replica of one of Magister Pregaldin’s charts, the one that looked most like a tracking chart. She started by assuming that the geometric shapes meant planets and the symbols represented individual Gmintas he had been following. After an hour she gave it up—not because she couldn’t make it match, but because she could never prove it. A chart for tracking Gmintas would look identical to a chart for tracking artworks. It was the perfect cover story.

She was still awake when Hunter returned. As she listened to his footsteps she thought of going downstairs and telling him of her suspicions. But uncertainty kept her in bed, restless and wondering what was the right thing to do.

* * *

There were riots in the city the next day. In the streets far above the Waste, angry mobs flowed, a turbulent tide crashing against the Protectorate troops wherever they met. The Wasters kept close to home, looking up watchfully toward the palace, listening to the rumors that ran ratlike between the buildings. Thorn spent much of the day on the roof, a self-appointed lookout. About five hours afternote, she heard a roar from above, as of many voices raised at once. There was something elemental about the sound, as if a force of nature had broken into the domed city—a human eruption, shaking the iron framework on which all their lives depended.

She went down to the front door to see if she could catch any news. Her survival instincts were alert now, and when she spotted a little group down the street, standing on a doorstep exchanging news, she sprinted toward them to hear what they knew.

“The Incorruptibles have taken the Palace,” a man told her in a low voice. “The mobs are looting it now.”

“Are we safe?” she asked.

He only shrugged. “For now.” They all glanced down the street toward the spike-topped gates of the Waste. The barrier had never looked flimsier.

When Thorn returned home, Maya was sitting in the kitchen looking miserable. She didn’t react much to the news. Thorn sat down at the table with her, bumping her knees on the freezer underneath.

“Shouldn’t we start planning to leave?” Thorn said.

“I don’t want to leave,” Maya said, tears coming to her already-red eyes.

“I don’t either,” Thorn said. “But we shouldn’t wait till we don’t have a choice.”

“Hunter will protect us,” Maya said. “He knows who to pay.”

Frustrated, Thorn said, “But if the Incorruptibles take over, there won’t be anyone to pay. That’s why they call themselves incorruptible.”

“It won’t come to that,” Maya said stubbornly. “We’ll be all right. You’ll see.”

Thorn had heard it all before. Maya always denied that anything was wrong until everything fell apart. She acted as if planning for the worst would make it happen.

The next day the city was tense but quiet. The rumors said that the Incorruptibles were still hunting down Protectorate loyalists and throwing them in jail. The nearby streets were empty except for Wasters, so Thorn judged it safe enough to go to Weezer Alley. When she entered Magister Pregaldin’s place, she was stunned at the change. The apartment had been stripped of its artworks. The carpets were rolled up, the empty walls looked dented and peeling. Only Jemma’s portrait still remained. Two metal crates stood in the middle of the living room, and as Thorn was taking it all in, a pair of movers arrived to carry them off to the waystation.

“You’re leaving,” she said to Magister Pregaldin when he came back in from supervising the movers. She was not prepared for the disappointment she felt. All this time she had been trustworthy and kept his secrets—and he had abandoned her anyway.

“I’m sorry, Thorn,” he said, reading her face. “It is becoming too dangerous here. You and your mother ought to think of leaving, as well.”

“Where are you going?”

He paused. “It would be better if I didn’t tell you that.”

“I’m not going to tell anyone.”

“Forgive me. It’s a habit.” He studied her for a few moments, then put his hand gently on her shoulder. “Your friendship has meant more to me than you can know,” he said. “I had forgotten what it was like, to inspire such pure trust.”

He didn’t even know she saw through him. “You’re lying to me,” she said. “You’ve been lying all along. You’re not leaving because of the Incorruptibles. You’re leaving because you’ve finished what you came here to do.”

He stood motionless, his hand still on her shoulder. “What do you mean?”

“You came here to settle an old score,” she said. “That’s what your life is about, isn’t it? Revenge for something everyone else has forgotten and you can’t let go.”

He withdrew his hand. “You have made some strange mistake.”

“You and Hunter—I don’t understand either of you. Why can’t you just stop digging up the past and move on?”

For several moments he stared at her, but his eyes were shifting as if tracking things she couldn’t see. When he finally spoke, his voice was very low. “I don’t choose to remember the past. I am compelled to—it is my punishment. Or perhaps it is a disease, or an addiction. I don’t know.”

Taken aback at his earnestness, Thorn said, “Punishment? For what?”

“Here, sit down,” he said. “I will tell you a story before we part.”

They both sat at the table where he had given her so many lessons, but before he started to speak he stood up again and paced away, his hands clenching. She waited silently, and he came back to face her, and started to speak.

* * *

This is a story about a young man who lived long ago. I will call him Till. He wanted badly to live up to his family’s distinguished tradition. It was a prominent family, you see; for generations they had been involved in finance, banking, and insurance. The planet where they lived was relatively primitive and poor, but Till’s family felt they were helping it by attracting outside investment and extending credit. Of course, they did very well by doing good.

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