Catherine Asaro - Nebula Awards Showcase 2013

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Nebula Awards Showcase 2013: краткое содержание, описание и аннотация

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The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories in the Nebula Awards, voted on by the members of the Science Fiction & Fantasy Writers of America(R). The editor selected by SFWA’s anthology committee (chaired by Mike Resnick) is two-time Nebula winner, Catherine Asaro.
This year’s volume includes stories and excerpts by Connie Willis, Jo Walton, Kij Johnson, Geoff Ryman, John Clute, Carolyn Ives Gilman, Ferrett Steinmetz, Ken Liu, Nancy Fulda, Delia Sherman, Amal El-Mohtar, C. S. E. Cooney, David Goldman, Katherine Sparrow, E. Lily Yu, and Brad R. Torgersen.
Editor Catherine Asaro is a two-time Nebula Award winner and bestselling novelist of more than twenty-five books, as well as a dancer, teacher, and musician. She is a multiple winner of the Readers’ Choice Award from Analog magazine and a three-time recipient of the RT BOOKClub Award for Best Science Fiction Novel. Her soundtrack Diamond Star, for her novel of the same name, is performed with the rock band Point Valid. She is a theoretical physicist with a PhD from Harvard and teaches part-time at the University of Maryland, Baltimore County. Visit her at
. Review
About the Author “Featuring writing of the highest quality in the genre, this compilation is certain to appeal to those demanding imaginative fiction.”
- Booklist “Essential fare for short story aficionados, even though some of the contents have appeared in other collections.”
- Kirkus Reviews

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When she awakened, there was a moment when she smiled at him, her face weary but calm. Then she remembered and her face tightened and she started crying again. After a while Kit got her to eat some bread and fish and cheese and drink some watered wine. She did so obediently, like a child. When she was finished she lay back against him. Her matted hair pushed up into his mouth.

“How can he be gone?”

“I’m so sorry,” Kit said. “The bridge was so close to finished. Three more months, and this wouldn’t have—”

She pulled away. “What? Wouldn’t have happened? Wouldn’t have had to happen?” She stood and faced him. “His death would have been unnecessary?”

“I—” Kit began but she interrupted him, new tears streaking her face.

“He died , Kit. It wasn’t necessary, it wasn’t irrelevant, it wasn’t anything except the way things are. But he’s gone and I’m not and now what do I do, Kit? I lost my father and my aunt and my sister and my brother and my brother’s son, and now I lose the mist when the bridge is done and then what? What am I then? Who are the Ferry people then?”

Kit knew the answer. However she changed, she would still be Rasali. Her people would still be strong and clever and beautiful. The mist would still be there, and the Big Ones. But she wouldn’t be able to hear these words, not yet, not for months maybe. So he held her and let his own tears slip down his face and tried not to think.

* * *

Five years after the Oncalion bridge was completed, Kit was two years into building an aqueduct planned across the Bakyar valley. There were problems. The first stones could not sustain both the weight of the aqueduct and the water it was meant to carry. His predecessor on the project had been either incompetent or corrupt, and Kit was still sorting through the mess she had left behind. They were a season behind schedule, but when he heard about Davell Meinem’s death, he left immediately for Atyar. Some time would be required to put his father’s affairs in order but mostly he did not wish to miss Twentieth-day, when Davell would be remembered. Kit had known that Davell’s death would leave a hole in him, but he had known his father was dying for years. He hadn’t expected this to hurt as much as it did.

The Grayfield was a little amphitheatre Davell had designed when he was young, matured now to a warm half-circle of white stone and grass, fringed with cherry trees. It was a warm day, brilliantly sunny. The air smelled of honey-cakes and the last of the cherry blossoms. Kit was Davell’s only child, so he stood alone at the red-tasseled archway to greet those who came. He was not surprised at how many came to honor his father, more and more until the amphitheatre overflowed, the honey-cakes were all eaten, and the silver bowls were filled with flowers, one from each mourner. Davell Meinem had built seven bridges, three aqueducts, a forum, two provincial complexes, and innumerable smaller projects, and he had maintained contacts with old friends from each of them; many more people had liked him for his humor and his kindness.

What surprised Kit was all the people who had come for his sake: fellow students, tutors, old lovers and companions, even the man who ran the wine shop he frequented whenever he was in the city. Many of them had never even met his father. He had not known that he was part of their patterns.

Five months later, when he was back in the Bakyar valley, a letter arrived wrapped in dirty oiled paper and clearly from far away. It was from the miners of Oncalion. “We heard about your father from a trader when we were asking about you,” the letter said. “We are sorry for your loss.”

* * *

The fairs to celebrate the opening of the bridge started days before the official date of Midsummer. Representatives of Empire, from Atyar and Triple, from the regional governors and anyone else who could contrive an excuse all polished their speeches and waited impatiently in suites of tents erected on hurriedly cleaned-up fields near (but not too near) Nearside. The town had bled northward until it surrounded the west pillar of the bridge. The land that had once been sheep-pasture—Sheepfield, it was now—at the foot of the pillar was crowded with fair tents and temporary booths, cheek by jowl with more permanent shops of wood and stone that sold food and the sorts of products a traveler might find herself needing.

Kit was proud of the new streets. He had organized construction of the crosshatch of sturdy cobblestones as something to do while he waited through the bridge’s final year. The new wells had been a project of Jenner’s, planned from the very beginning, but Kit had seen them completed. Kit had just received a letter from Jenner with news of his new mist bridge up in the Keitche mountains: on schedule, a happy work site. It was gneiss bedrock, so he was using explosives and had hired Liu Breaker for it; she was there now and sent her greetings.

Kit walked alone through the fair which had climbed the levee and established itself along the ridge. A few people, townspeople and workers, greeted him but others only pointed him out to their friends ( the man who built the bridge; see there, that short dark man ); and still others ignored him completely, just another stranger in a crowd of strangers. When he had first come to build the bridge everyone in Nearside knew everyone else, local or visitor. He felt solitude settling around him again, the loneliness of coming to a strange place and building something and then leaving. The people of Nearside were moving forward into this new world he had built, the world of a bridge across the mist, but he was not going with them.

He wondered what Rasali was doing over in Farside, and wished he could see her. They had not spoken since the days after Valo’s death except once for a few minutes when he had come upon her at The Bitch. She had been withdrawn though not hostile. He had felt unbalanced and not sought her out since.

Now, at the end of his great labor, he longed to see her. When would she cross next? He laughed. He of all people should know better: ten minutes’ walk.

The bridge was not yet officially open but Kit was the architect. The guards at the toll booth only nodded when he asked to pass and lifted the gate for him. A few people noticed and gestured as he climbed. When Uni Mason (hands filled with fairings) shouted something he could not hear clearly, Kit smiled and waved and walked on.

He had crossed the bridge before this. The first stage of building the heavy oak frames that underlay the roadbed had been a narrow strip of planking that led from one shore to the other. Nearly every worker had found some excuse for crossing it at least once before Empire had sent people to the tollgates. Swallowing his fear of the height, Kit himself had crossed it nearly every day for the last two months.

This was different. It was no longer his bridge but belonged to Empire and to the people of Nearside and Farside. He saw it with the eyes of a stranger.

The stone ramp was a quarter of a mile long, inclined gradually for carts. Kit hiked up, and the noises dropped behind and below him. The barriers that would keep animals (and people) from seeing the drop-off to either side were not yet complete: there were always things left unfinished at a bridge’s opening, afterthoughts and additions. Ahead of him, the bridge was a series of perfect dark lines and arcs.

The ramp widened as it approached the pillar, and offered enough space for a cart to carefully turn onto the bridge itself. The bed of the span was barely wide enough for a cart with two oxen abreast, so Nearside and Farside would have to take turns sending wagons across. For now, Kit thought. Later we can widen it, or build another. They. It would be someone else.

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