Kevin Barry - City of Bohane

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“Extraordinary … Barry takes us on a roaring journey … Powerful, exuberant fiction.”

“The best novel to come out of Ireland since
.”
—Irvine Welsh “A grizzled piece of futuristic Irish noir with strong ties to the classic gang epics of yore… Virtuosic.”

“I found Kevin Barry’s
a thrilling and memorable first novel.”
—Kazuo Ishiguro, from the Man Booker Prize interview “As you prowl the streets of Bohane with Barry’s motley assortment of thugs and criminal masterminds, you will find yourself drawn into their world and increasingly sympathetic to their assorted aims and dreams.”

*“The real star here is Barry’s language, the music of it. Every page sings with evocative dialogue, deft character sketches, impossibly perfect descriptions of the physical world.”

“Splendidly drawn… Strikingly creative.”

(Cleveland), Grade: A
Forty years in the future. The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are the posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin’ that the city really lives.
For years, the city has been in the cool grip of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there’s trouble in the air. They say his old nemesis is back in town; his trusted henchmen are getting ambitious; and his missus wants him to give it all up and go straight… And then there’s his mother.
City of Bohane
Review

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Kevin Barry

CITY OF BOHANE

for Olivia Smith

I

OCTOBER

1

The Nature of the Disturbance

Whatever’s wrong with us is coming in off that river. No argument: the taint of badness on the city’s air is a taint off that river. This is the Bohane river we’re talking about. A blackwater surge, malevolent, it roars in off the Big Nothin’ wastes and the city was spawned by it and was named for it: city of Bohane.

He walked the docks and breathed in the sweet badness of the river. It was past midnight on the Bohane front. There was an evenness to his footfall, a slow calm rhythm of leather on stone, and the dockside lamps burned in the night-time a green haze, the light of a sad dream. The water’s roar for Hartnett was as the rushing of his own blood and as he passed the merchant yards the guard dogs strung out a sequence of howls all along the front. See the dogs: their hackles heaped, their yellow eyes livid. We could tell he was coming by the howling of the dogs.

Polis watched him but from a distance – a pair of hoss polis watering their piebalds at a trough ’cross in Smoketown. Polis were fresh from the site of a reefing.

‘Ya lampin’ him over?’ said one. ‘Albino motherfucker.’

‘Set yer clock by him,’ said the other.

Albino, some called him, others knew him as the Long Fella: he ran the Hartnett Fancy.

He cut off from the dockside and walked on into the Back Trace, the infamous Bohane Trace, a most evil labyrinth, an unknowable web of streets. He had that Back Trace look to him: a dapper buck in a natty-boy Crombie, the Crombie draped all casual-like over the shoulders of a pale grey Eyetie suit, mohair. Mouth of teeth on him like a vandalised graveyard but we all have our crosses. It was a pair of hand-stitched Portuguese boots that slapped his footfall, and the stress that fell, the emphasis, was money.

Hard-got the riches – oh the stories that we told out in Bohane about Logan Hartnett.

Dank little squares of the Trace opened out suddenly, like gasps, and Logan passed through. All sorts of quarehawks lingered Trace-deep in the small hours. They looked down as he passed, they examined their toes and their sacks of tawny wine – you wouldn’t make eye contact with the Long Fella if you could help it. Strange, but we had a fear of him and a pride in him, both. He had a fine hold of himself, as we say in Bohane. He was graceful and erect and he looked neither left nor right but straight out ahead always, with the shoulders thrown back, like a general. He walked the Arab tangle of alleyways and wynds that make up the Trace and there was the slap, the lift, the slap, the lift of Portuguese leather on the backstreet stones.

Yes and Logan was in his element as he made progress through the labyrinth. He feared not the shadows, he knew the fibres of the place, he knew every last twist and lilt of it.

Jenni Ching waited beneath the maytree in the 98er Square.

He approached the girl, and his step was enough: she needn’t look up to make the reck. He smiled for her all the same, and it was a wry and long-suffering smile – as though to say: More of it, Jenni? – and he sat on the bench beside. He laid a hand on hers that was tiny, delicate, murderous.

The bench had dead seasons of lovers’ names scratched into it.

‘Well, girleen?’ he said.

‘Cunt what been reefed in Smoketown was a Cusack off the Rises,’ she said.

‘Did he have it coming, Jen?’

‘Don’t they always, Cusacks?’

Logan shaped his lips thinly in agreement.

‘The Cusacks have always been crooked, girl.’

Jenni was seventeen that year but wise beyond it. Careful, she was, and a saucy little ticket in her lowriders and wedge heels, her streaked hair pineappled in a high bun. She took the butt of a stogie from the tit pocket of her white vinyl zip-up, and lit it.

‘Get enough on me fuckin’ plate now ’cross the footbridge, Mr H.’

‘I know that.’

‘Cusacks gonna sulk up a welt o’ vengeance by ’n’ by and if yer askin’ me, like? A rake o’ them tossers bullin’ down off the Rises is the las’ thing Smoketown need.’

‘Cusacks are always great for the old talk, Jenni.’

‘More’n talk’s what I gots a fear on, H. Is said they gots three flatblocks marked Cusack ’bove on the Rises this las’ while an’ that’s three flatblocks fulla headjobs with a grá on ’em for rowin’, y’check me?’

‘All too well, Jenni.’

It is fond tradition in Bohane that families from the Northside Rises will butt heads against families from the Back Trace. Logan ran the Trace, he was Back Trace blood-and-bone, and his was the most ferocious power in the city that year. But here were the Cusacks building strength and gumption on the Rises.

‘What’s the swerve we gonna throw, Logan?’

There was a canniness to Jenni. It was bred into her – the Chings were old Smoketown stock. Smoketown was hoors, herb, fetish parlours, grog pits, needle alleys, dream salons and Chinese restaurants. Smoketown was the other side of the footbridge from the Back Trace, yonder across the Bohane river, and it was the Hartnett Fancy had the runnings of Smoketown also. But the Cusacks were shaping for it.

‘I’d say we keep things moving quite swiftly against them, Jenni-sweet.’

‘Coz they gonna come on down anyways, like?’

‘Oh there’s no doubt to it, girl. They’re going to come down barkin’. May as well force them to a quick move.’

She considered the tactic.

‘Afore they’s full prepped for a gack off us, y’mean? Play on they pride, like. What the Fancy’s yelpin’? Ya gonna take an eye for an eye, Cuse, or y’any bit o’ spunk at all, like?’

Logan smiled.

‘You’re an exceptional child, Jenni Ching.’

She winced at the compliment.

‘Pretty to say so, H. O’ course the Cusacks shouldn’t be causin’ the likes a us no grief in the first place, y’check? Just a bunch o’ Rises scuts is all they is an’ they gettin’ so brave an’ lippy, like? Sendin’ runners into S’town? Why’s it they’s gettin’ so brave all of a sudden is what we should be askin’.’

‘Meaning precisely what, Jenni?’

‘Meanin’ is they smellin’ a weakness, like? They reckonin’ you got your mind off the Fancy’s dealins?’

‘And what else might I have my mind on?’

She turned her cool look to him, Jenni, and let it lock.

‘That ain’t for my say, Mr Hartnett, sir.’

He rose from the bench, smiling. Not a lick of warmth had entered the girl’s hand as long as his had lain on it.

‘Y’wan’ more Cusacks hurted so?’ she said.

He looked back at her but briefly – the look was his word.

‘Y’sure ’bout that, H? ’nother winter a blood in Bohane, like?’

A smile, and it was as grey as he could will it.

‘Ah sure it’ll make the long old nights fly past.’

Logan Hartnett was minded to keep the Ching girl close. In a small city so homicidal you needed to watch out on all sides. He moved on through the gloom of the Back Trace. The streets of old tenements are tight, steep-sided, ill-lit, and the high bluffs of the city give the Trace a closed-in feel. Our city is built along a run of these bluffs that bank and canyon the Bohane river. The streets tumble down to the river, it is a black and swift-moving rush at the base of almost every street, as black as the bog waters that feed it, and a couple of miles downstream the river rounds the last of the bluffs and there enters the murmurous ocean. The ocean is not directly seen from the city, but at all times there is the ozone rumour of its proximity, a rasp on the air, like a hoarseness. It is all of it as bleak as only the West of Ireland can be.

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