Matt Bell - How They Were Found

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How They Were Found: краткое содержание, описание и аннотация

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In his debut collection
, Matt Bell draws from a wide range of genres to create stories that are both formally innovative and imaginatively rich. In one, a 19th-century minister follows ghostly instructions to build a mechanical messiah. In another, a tyrannical army commander watches his apocalyptic command slip away as the memories of his men begin to fade and fail. Elsewhere, murders are indexed, new worlds are mapped, fairy tales are fractured and retold and then fractured again.
Throughout these thirteen stories, Bell’s careful prose burrows at the foundations of his characters’ lives until they topple over, then painstakingly pores over the wreckage for what rubbled humanity might yet remain to be found.
Contains the story “Dredge,” selected for
. Review
“Body toll notwithstanding,
is anything but bleak. For one thing, there’s the prose: generous, urgent, rhythmic.”

“Reminscent of Friedrich Dürrenmatt’s
in its calm examination and unsettling embodiment of mental and physical extremes,
is a dreamer’s chronicle of the loss and partial recovery of a world given over to the wrecking ball. Fierce, unflinching, funny,
is just the book we need right now, Matt Bell just the writer.”
—Laird Hunt, author of

offers a world with shifting rules, described with a lovely and deceptive simplicity. This guide shows you thirteen different types of wilderness, and you can spend all day exploring before you realize you are lost.”
—Amelia Gray, author of
and
“You’re a robot if the stories in Matt Bell’s debut collection don’t exhilarate, frighten, and unalterably change you. His wild manipulation of form and genre makes the bulk of contemporary fiction feel bloodless and inert in comparison, but it is Bell’s recurring arrival at something sturdy and true about human behavior that makes the stories in *How They Were Found* so rewarding and resonant.”
—Matthew Derby, author of

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Come get into bed with me, said the wolf, said the grandmother, said the woodsman, said the girl. Each of them made their voice exactly what another wanted to hear, using the perfect enunciation and tone designed to lure them as completely as possible, and to each other they were lost.

Satiated, the wolf slumbered. His belly rose and fell with each breath, each drunken snore. Inside his swollen stomach he’d trapped little girls and mothers and grandmothers, woodsmen by the dozens. All around them were trees and deer and rabbits and birds and flowers, even the remains of a river, drunk greedily a week or a month before. The wolf himself couldn’t remember, had been nearly mad with hunger and thirst, and in his madness had consumed all that he could. The wolf slept on, and when he awoke he was surrounded by the shattered ruins of a cottage, and beyond that a vast field of furrowed, rent dirt. He could no longer feel all those he’d swallowed kicking at his stomach, trying to force their way back out. Satisfied, the wolf grinned—a wolf’s grin, all teeth—and then he tried to rise, only to find that his feast had turned hard and heavy as stone. No matter how he struggled, he could not stand, nor crawl against the distended weight of his belly, and soon there was nothing left within the reach of his desperate jaws.

If I told you the wolf deserved this lonely end, that his slow, struggling starvation was justified, then that would be one kind of tale. But he was not a moral wolf, and this was never about to become a moral story, no matter how it ended.

So little yet endured! Just the girl, with her red hood, her red cape, her red-slicked knife, with which she was still slashing her own story to pieces, still discovering new and radiant shapes of pain and pleasure, until all that remained was the last dirge of the wolf, howling with hungered frustration, joined by the cries of her own failing voice, each matching the other’s song note for bloody note.

MANTODEA

FROM ACROSS THE BAR, I COULDN’T STOP STARING AT HER, at that breathtaking mouth of hers. Obviously as orally obsessed as I was, she filled that laughing cavity with whatever was close at hand: lime wedges, olives, tiny black straws she chewed between cigarettes. Gallons of vodka or gin, I couldn’t see which. She cracked ice cubes between strong white teeth, the sound audible even above the jukebox and the clatter and clack of pool balls coming together, spiraling apart. I wanted to stick my fist in there, to get her bright red lipstick all over my watchband.

Getting up from my table in the corner, I steadied myself on chair backs and unoffered shoulders. The floor was the sticky history of a thousand spilled nights, and other couples danced between the pool tables and the bathrooms, their shoes making flypaper two-steps to the country-western songs spilling from the jukebox. I weaved between them until I reached the bar, where I took the stool beside the woman.

I lit a cigarette, signaled the bartender for another whiskey with a raised pair of fingers. From up close, the woman was all mouth, the rest of her thin, too thin, hungry and lean like cancer. I wondered about the nutritional value of her life, of everything that passed through the furious red smear of her lips. I imagined both our mouths working furiously on each other, kissing with jaws unhinged as snakes.

I turned toward her, lifted my glass. Tried to remember how to smile without opening my mouth. Felt I probably wasn’t doing it exactly right.

Her own mouth said, Whatever it is you’re thinking of saying, it’s probably the wrong thing.

I waited before I responded. Waited until the urge passed to tell her about my old life, about all that I swallowed in the months before the hospital. I wanted to tell her though. Wanted to tell her about the coins and thumbtacks and staples. The handfuls of dirt and crushed light bulbs.

I wanted to tell her that like a lot of poisons you might eat, you have to swallow a lot more drain cleaner than you’d expect, if you’re trying to kill yourself. At least, the stuff hadn’t worked on me, not as I’d once hoped it would.

What it had done was clear me out, get rid of all kinds of things that had once been stuck inside of me. That had backed me up.

What it had done was take away my lower intestine, give me a short throw of a colon that couldn’t handle spicy food or even most solids. No citrus or tomatoes. No milk or milk products.

This new body, it wasn’t supposed to be exposed to alcohol, but giving up the booze was never really an option.

What I said to her instead was, I like watching you eat, drink.

I want to buy you a meal.

A meal with courses. Appetizer. Soup. Salad. Fish. Meat. Miniature loaves of bread with mounded pats of butter.

I said, I want to watch you eat desserts that you have to chew and chew. Taffy. Caramels. I want to give you hard candies to suck thin and crush between your molars.

I said, I’d lick all the sticky sugar off your teeth for hours, if you wanted me to.

Her mouth laughed, said, The only meals I eat I find at the bottom of cocktail glasses.

She fished her olive from under her ice cubes and popped it into her mouth, then licked clear liquor off her dripping fingers. I watched a single drop spill down the back of her hand, trace the blue ridge of a vein from knuckle to wrist. I laughed too, but with a hand over my mouth, hiding the teeth destroyed by chewing steel, the gums peeled black by the Drano. She reached over and pulled my hand down, saying, When I was a little girl, I thought mastication and masturbation were exactly the same word.

She had a disorienting smile, and for a moment I didn’t know who was aggressing who. She laughed again, slipped off the barstool with a swish of skirt. Drained her glass.

Her mouth said, It’s not love at first sight, but it is something, isn’t it?

She walked away, past the pool tables and the dancing couples, their temporary lusts. I watched as she pushed through the swing of the bathroom door. I stubbed out my cigarette, finished my drink, then walked toward the bathroom myself, my guts burning and my throat scratched with smoke, my brain brave and dumb as a lizard’s. I put my hand on the cool metal panel of the bathroom door. I pushed.

The bathroom was two stalls and a single sink beneath an empty frame that once held a mirror presumably busted by some drunken stumble. She was inside the near stall, the smaller one. There was less room to move than there would have been in the handicapped stall, but there was enough.

The door wouldn’t lock, but I didn’t care. Her back was to me, that glorious mouth seen only briefly when she looked over her shoulder, the wet slash of her lips framed by the toss of her chopped blond hair. I wanted her to turn around, but I thought she was teasing me, even though she wanted what I wanted or something close enough to count. She didn’t look back again, just put her hands against the slick tile wall, planted her feet on each side of the toilet. Waited for me. When I got close, the nape of her neck smelled like bad habits, tasted worse. I didn’t care. I wasn’t there to feel nice. Neither of us were. She flinched slightly at the sound of my belt buckle striking the porcelain toilet seat, then asked me my name. I whispered a fake one, then told her the truth when she asked me to repeat myself, knowing she’d assume it was a lie.

Right before I finished, I felt her back arch toward me, felt her hands reaching for my face, pulling it close to hers. Her mouth opened, taking in my cheeks then my nose then my right eye, the whole side of my mouth. I felt her teeth tugging at the scratchy pouch between my ear and my jaw line, wanted her to keep going, to keep devouring me until I was gone.

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