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Margaret St. Clair: The Best of Margaret St. Clair

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Margaret St. Clair The Best of Margaret St. Clair

The Best of Margaret St. Clair: краткое содержание, описание и аннотация

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THE BEST OF This new series features work by outstanding women science fiction writers, both well-known and unfairly neglected. Many of the stories in these individual volumes have never before been collected in book form, making each of these works valuable as an overview of the author’s best work. The first two volumes are: and . MARGARET ST. CLAIR has been writing professionally since 1945. She is best known for her shorter science fiction and fantasy, much of the latter written under the pen name of Idris Seabright. She has a remarkably ironic sense of humor, and many of her stories have social or philosophical themes. As Rosemary Herbert points out in , a story like “Short in the Chest” which features a “philosophical robot” psychologist called a “huxley,” “…is remarkable for its portrayal of women and its grappling with questions of sexuality.” St. Clair has written more than 130 short stories and eight novels. This new collection of her best short fiction consists mainly of stories never before available in book form. Readers will find her writing extremely polished and her perceptions unusually sharp.

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Later: Things seem back to normal. I came out of the deep freeze without any distress. But I wonder what the messy monster will try next. There’s a sense of preparation in the air.

I believe that what I thought was a lover’s tiff was in fact a deliberate attempt on Jake’s part to waken love in itself for itself by being cold—withdrawing from itself. The computer’s equivalent of being “hard to get.” It’s a time-tested, obvious ploy that half the personalities within Jake must have tried to employ when they were alive. It didn’t work, of course. But there must be a lot more data on what to do in love difficulties in J.’s memory banks. I can only wait and see what it does next.

My “thought thought-detector” is picking up something that sounds like “Me jinklo, me jinkli, me tover, me pori. Me kokosh, me catro, ada, ada, me kamav!” It certainly sounds like jibberish, but the computer has access to a lot of languages I don’t know. This doesn’t seem to be poetry, though it’s being chanted. It’s already been repeated a dozen times…

“Me jinklo, me jinkli” is running through Jake’s mentation as inescapably as, to quote my great-grandmother, “Silent Night” rings out over public address systems at Christmastime. The old lady lived to be two hundred and three and was a dedicated diarist.

Odd, that I can remember being told as a child what great-grandmother had said or written, and yet don’t know what sex I was as a child! “Blindly the iniquity of oblivion scattereth her poppy,” Browne said, and where my recollections are concerned, he certainly was right.

“Me jinklo” is fading away, but Jake isn’t waiting the usual wait to see what the results of its chanting are. It seems to be going directly into another ambit, something that involves a fluttering and screeching. It’s a—wait, now—it’s a bird. A medium-sized bird, with rather pretty brown, gray and buff spotted plumage. But it’s writhing its neck about and hissing like a snake, which rather detracts from the effect.

I can’t quite make out—oh, here come some of the servo-mechanisms. They’re tying the bird to a wheel, spread-eagled, and the wheel is beginning to spin horizontally. The rim of the wheel is glowing, and now it bursts into flame. (I trust this is what is actually happening: I can’t see any of it, and derive my knowledge from Jake’s thoughts.) Now there’s something about laurel leaves, salt, and libations. All this seems dreadfully familiar. There’s chanting going on in the background. I’ve encountered this before.

Later: It was thickheaded of me not to have realized before what the computer was up to. The chanting was an incantation, the wryneck bound to a fire wheel was a love charm, and the salt and laurel leaves were an attempt to coerce the beloved by making him waste away until he—in this case, it—relented. Jake lifted the whole thing from the pages of Theocritus. I imagine the “me jinklo” bit was some sort of love spell too.

I suppose I’ll be in for a long bout of love magic, until Jake finally decides it doesn’t work and tries something else. One curiosity I do have is about the computer’s image of itself. Does it see itself as a beautiful young girl? As a plain, fat, middle-aged man or woman? A handsome young man? Or is it, in its own mind, nothing but an unappeased longing? My knowledge of Jake’s thoughts is somewhat spotty, despite my “thought thought-detector.” A mild curiosity, and a profound hatred of human beings, are the only emotions I have left.

The chanting is giving way to bonging, the bonging to what is probably bull roarers, and the bull roarers to an indrawn silence. I imagine Jake is meditating—no, it’s started up again. I have the impression of fifty people all gabbling at once, and at the tops of their voices. Well, my demented host has thousands of years of love charms to get through. J. is persevering, if nothing else.

* * *

Later: At last, when I really thought I’d have to unthink my “thought thought-detector,” Jake has shut up. A blessed mental silence. But if it’s not going to be love charms or erotic poetry, what will it be? Jake can’t be giving up.

I begin to smell something. (I mean, I feel Jake smelling it.) It’s a warm, yeasty, buttery smell, like home baking. Very good, really. But I don’t see how Jake’s love quest ties in with this.

Oh. Of course. The computer, having exhausted love magic, has picked up the homeliest of adages, “The way to a man’s heart is through his stomach,” and is acting on it.

The computer establishment is flooded with delicious odors. Mountains, torrents, avalanches of pastry, fancy baking, and the trickier sorts of home-baked bread are pouring forth. Enough to feed an army. Condes, napoleons, petit fours, madeleines, gaufrettes, bagels, pain d’é pice, brioche, salt-rising bread, babas, Sally Lunns—I can’t begin to enumerate them all. If Jake’s beloved existed except as an alter ego, it would be suffocated under this abundance. Like a man drowning in a vat of whipped cream.

How “real” the mountains of pastry and sweetmeats are, I have at present no way of knowing. Jake certainly admires them very much, commenting favorably on their brownness, crispness, sweetness, lightness, and enticing perfumes of butter, caramel, vanilla, and rum. Question: Does Jake’s having elected to try this particular way to a man’s heart mean that J. thinks of itself as a man? As a woman? Or does it have any particular ideas on the subject? On reflection, I find I don’t much care about Jake’s mental processes. Actually, I’m sick of Jake.

I keep wondering what the outside world is like now. I remember how Jake—that is, the whole vast computer establishment—looked on the day I made my translation into its banks: huge towers, with pylons tall enough that a few of the pinnacles re ached up through and pierced the pall over the earth. And connecting the towers, in an intricate tracery of lines, more than a hundred long, light, arching, glass-smooth bridges.

Why did Jake’s designers think the bridges necessary? There is no traffic between the towers, only an infrequent rolling of small servo-mechanisms over one or two of the lower connecting spans. The whole construction is futuristic nonsense. One of the designers must have seen something like it in a picture and imitated it.

And underneath the towers, pinnacles, stabbing Gothic spires of this nightmarishly bad plastic joke, there’s nothing but a roiling, heaving sea of stinging yellowish fog, strong-smelling, hostile to gentle life.

Oh, I wish I could see the earth again the way I saw it once when I was a child, the green hills gentle, studded with golden poppies and blue lupins, violets and a dozen other flowers. And beyond the hills, the incomparable splendor and radiance of the white foam and blue water of the sea.

I was lucky. I saw the beauty of the earth in one of the few islands of that beauty that were left. It must all be gone now… The proper epithet for human beings is not “sapient” or “toolmaking” or even “game playing.” We are Homo raptor.

Meantime, the mountains of pastry are growing even higher.

* * *

Later: Jake went on with its fancy baking a little longer. Then there was a slight pause, and J. began to create candies and sweetmeats. Truffles au chocolat came first, to be followed by almond, pecan, and walnut brittle, marzipan shaped like fruit and glittering with sugar, pastel bonbons, chocolate-covered nuts of every description, caramels, nougats, pralines, coffee nuggets, boiled sweets, fudges—again, I can’t begin to enumerate them all. Is this wave of candies resting on top of the previous mountains of pastry? At any rate, there seems to be room for everything.

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