Peter Watts - Blindsight

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Blindsight: краткое содержание, описание и аннотация

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Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown.
Two months of silence, while a world holds its breath.
Now some half-derelict space probe, sparking fitfully past Neptune’s orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever’s out there isn’t talking to us. It’s talking to some distant star, perhaps. Or perhaps to something closer, something en route.
So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn’t want to meet?
You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won’t be needed, and the fainter one she’ll do any good if she is. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge.
You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they’ve been sent to find.
But you’d give anything for that to be true, if you only knew what was waiting for them…
Nominated for Hugo Award for Best Novel in 2007.

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Every concert pianist knows that the surest way to ruin a performance is to be aware of what the fingers are doing. Every dancer and acrobat knows enough to let the mind go , let the body run itself. Every driver of any manual vehicle arrives at destinations with no recollection of the stops and turns and roads traveled in getting there. You are all sleepwalkers, whether climbing creative peaks or slogging through some mundane routine for the thousandth time. You are all sleepwalkers.

Don’t even try to talk about the learning curve. Don’t bother citing the months of deliberate practice that precede the unconscious performance, or the years of study and experiment leading up to the gift-wrapped Eureka moment. So what if your lessons are all learned consciously? Do you think that proves there’s no other way? Heuristic software’s been learning from experience for over a hundred years. Machines master chess, cars learn to drive themselves, statistical programs face problems and design the experiments to solve them and you think that the only path to learning leads through sentience ? You’re Stone-age nomads, eking out some marginal existence on the veldt — denying even the possibility of agriculture, because hunting and gathering was good enough for your parents.

Do you want to know what consciousness is for? Do you want to know the only real purpose it serves? Training wheels. You can’t see both aspects of the Necker Cube at once, so it lets you focus on one and dismiss the other. That’s a pretty half-assed way to parse reality. You’re always better off looking at more than one side of anything . Go on, try. Defocus. It’s the next logical step.

Oh, but you can’t. There’s something in the way.

And it’s fighting back.

* * *

Evolution has no foresight. Complex machinery develops its own agendas. Brains — cheat. Feedback loops evolve to promote stable heartbeats and then stumble upon the temptation of rhythm and music. The rush evoked by fractal imagery, the algorithms used for habitat selection, metastasize into art. Thrills that once had to be earned in increments of fitness can now be had from pointless introspection. Aesthetics rise unbidden from a trillion dopamine receptors, and the system moves beyond modeling the organism. It begins to model the very process of modeling. It consumes ever-more computational resources, bogs itself down with endless recursion and irrelevant simulations. Like the parasitic DNA that accretes in every natural genome, it persists and proliferates and produces nothing but itself. Metaprocesses bloom like cancer, and awaken, and call themselves I .

* * *

The system weakens, slows. It takes so much longer now to perceive — to assess the input, mull it over, decide in the manner of cognitive beings. But when the flash flood crosses your path, when the lion leaps at you from the grasses, advanced self-awareness is an unaffordable indulgence. The brain stem does its best. It sees the danger, hijacks the body, reacts a hundred times faster than that fat old man sitting in the CEO’s office upstairs; but every generation it gets harder to work around this — this creaking neurological bureaucracy.

I wastes energy and processing power, self-obsesses to the point of psychosis. Scramblers have no need of it, scramblers are more parsimonious. With simpler biochemistries, with smaller brains — deprived of tools, of their ship, even of parts of their own metabolism — they think rings around you. They hide their language in plain sight, even when you know what they’re saying. They turn your own cognition against itself. They travel between the stars . This is what intelligence can do, unhampered by self-awareness.

I is not the working mind, you see. For Amanda Bates to say “I do not exist” would be nonsense; but when the processes beneath say the same thing, they are merely reporting that the parasites have died. They are only saying that they are free.

“If the human brain were so simple that we could understand it, we would be so simple that we couldn’t.”

—Emerson M. Pugh

Sarasti, you bloodsucker.

My knees pressed against my forehead. I hugged my folded legs as though clinging to a branch over a chasm.

You vicious asshole. You foul sadistic monster.

My breath rasped loud and mechanical. It nearly drowned out the blood roaring in my ears.

You tore me apart, you made me piss and shit myself and I cried like some gutted baby and you stripped me naked, you fucking thing, you night crawler, you broke my tools, you took away anything I ever had that let me touch anyone and you didn’t have to you babyfucker, it wasn’t necessary but you knew that didn’t you? You just wanted to play. I’ve seen your kind at it before, cats toying with mice, catch and release, a taste of freedom and then pouncing again, biting, not hard enough to kill — not just yet — before you let them loose again and they’re hobbling now, maybe a leg snapped or a gash in the belly but they’re still trying , still running or crawling or dragging themselves as fast as they can until you’re on them again , and again because it’s fun, because it gives you pleasure you sadistic piece of shit. You send us into the arms of that hellish thing and it plays with us too, and maybe you’re even working together because it let me escape just like you do, it let me run right back into your arms and then you strip me down to some raw half-brained defenseless animal , I can’t rotate or transform I can’t even talk and you —

You —

It wasn’t even personal, was it? You don’t even hate me. You were just sick of keeping it all in, sick of restraining yourself with all this meat, and nobody else could be spared from their jobs. This was my job, wasn’t it? Not synthesist, not conduit. Not even cannon fodder or decoy duty. I’m just something disposable to sharpen your claws on.

I hurt so much. It hurt just to breathe.

I was so alone .

Webbing pressed against the curve of my back, bounced me forward gently as a breeze, caught me again. I was back in my tent. My right hand itched. I tried to flex the fingers, but they were embedded in amber. Left hand reached for right, and found a plastic carapace extending to the elbow.

I opened my eyes. Darkness. Meaningless numbers and a red LED twinkled from somewhere along my forearm.

I didn’t remember coming here. I didn’t remember anyone fixing me.

Breaking. Being broken. That’s what I remembered. I wanted to die. I wanted to just stay curled up until I withered away.

After an age, I forced myself to uncoil. I steadied myself, let some miniscule inertia bump me against the taut insulated fabric of my tent. I waited for my breathing to steady. It seemed to take hours.

I called ConSensus to the wall, and a feed from the drum. Soft voices, harsh light flaring against the wall: hurting my eyes, peeling them raw. I killed visual, and listened to words in the darkness.

“ — a phase?” someone asked.

Susan James, her personhood restored. I knew her again: not a meat sack, no longer a thing .

“We have been over this.” That was Cunningham. I knew him too. I knew them all. Whatever Sarasti had done to me, however far he’d yanked me from my room, I’d somehow fallen back inside.

It should have mattered more.

“ — because for one thing, if it were really so pernicious, natural selection would have weeded it out,” James was saying.

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