Herbert Wells - The First Men in the Moon

I went to sleep. No doubt it was a prosaic thing for the first man back from the moon to do, and I can imagine that the young and imaginative reader will find my behaviour disappointing. But I was horribly fatigued and bothered, and, confound it! what else was there to do? There certainly was not the remotest chance of my being believed, if I had told my story then, and it would certainly have subjected me to intolerable annoyances. I went to sleep. When at last I woke up again I was ready to face the world as I have always been accustomed to face it since I came to years of discretion. And so I got away to Italy, and there it is I am writing this story. If the world will not have it as fact, then the world may take it as fiction. It is no concern of mine.

And now that the account is finished, I am amazed to think how completely this adventure is gone and done with. Everybody believes that Cavor was a not very brilliant scientific experimenter who blew up his house and himself at Lympne, and they explain the bang that followed my arrival at Littlestone by a reference to the experiments with explosives that are going on continually at the government establishment of Lydd, two miles away. I must confess that hitherto I have not acknowledged my share in the disappearance of Master Tommy Simmons, which was that little boy's name. That, perhaps, may prove a difficult item of corroboration to explain away. They account for my appearance in rags with two bars of indisputable gold upon the Littlestone beach in various ingenious ways—it doesn't worry me what they think of me. They say I have strung all these things together to avoid being questioned too closely as to the source of my wealth. I would like to see the man who could invent a story that would hold together like this one. Well, they must take it as fiction—there it is.

I have told my story—and now, I suppose, I have to take up the worries of this terrestrial life again. Even if one has been to the moon, one has still to earn a living. So I am working here at Amalfi, on the scenario of that play I sketched before Cavor came walking into my world, and I am trying to piece my life together as it was before ever I saw him. I must confess that I find it hard to keep my mind on the play when the moonshine comes into my room. It is full moon here, and last night I was out on the pergola for hours, staring away at the shining blankness that hides so much. Imagine it! tables and chairs, and trestles and bars of gold! Confound it!—if only one could hit on that Cavorite again! But a thing like that doesn't come twice in a life. Here I am, a little better off than I was at Lympne, and that is all. And Cavor has committed suicide in a more elaborate way than any human being ever did before. So the story closes as finally and completely as a dream. It fits in so little with all the other things of life, so much of it is so utterly remote from all human experience, the leaping, the eating, the breathing, and these weightless times, that indeed there are moments when, in spite of my moon gold, I do more than half believe myself that the whole thing was a dream….

When I had finished my account of my return to the earth at Littlestone, I wrote, "The End," made a flourish, and threw my pen aside, fully believing that the whole story of the First Men in the Moon was done. Not only had I done this, but I had placed my manuscript in the hands of a literary agent, had permitted it to be sold, had seen the greater portion of it appear in the Strand Magazine , and was setting to work again upon the scenario of the play I had commenced at Lympne before I realised that the end was not yet. And then, following me from Amalfi to Algiers, there reached me (it is now about six months ago) one of the most astounding communications I have ever been fated to receive. Briefly, it informed me that Mr. Julius Wendigee, a Dutch electrician, who has been experimenting with certain apparatus akin to the apparatus used by Mr. Tesla in America, in the hope of discovering some method of communication with Mars, was receiving day by day a curiously fragmentary message in English, which was indisputably emanating from Mr. Cavor in the moon.

At first I thought the thing was an elaborate practical joke by some one who had seen the manuscript of my narrative. I answered Mr. Wendigee jestingly, but he replied in a manner that put such suspicion altogether aside, and in a state of inconceivable excitement I hurried from Algiers to the little observatory upon the Monte Rosa in which he was working. In the presence of his record and his appliances—and above all of the messages from Cavor that were coming to hand—my lingering doubts vanished. I decided at once to accept a proposal he made to me to remain with him, assisting him to take down the record from day to day, and endeavouring with him to send a message back to the moon. Cavor, we learnt, was not only alive, but free, in the midst of an almost inconceivable community of these ant-like beings, these ant-men, in the blue darkness of the lunar caves. He was lamed, it seemed, but otherwise in quite good health—in better health, he distinctly said, than he usually enjoyed on earth. He had had a fever, but it had left no bad effects. But curiously enough he seemed to be labouring under a conviction that I was either dead in the moon crater or lost in the deep of space.

His message began to be received by Mr. Wendigee when that gentleman was engaged in quite a different investigation. The reader will no doubt recall the little excitement that began the century, arising out of an announcement by Mr. Nikola Tesla, the American electrical celebrity, that he had received a message from Mars. His announcement renewed attention to fact that had long been familiar to scientific people, namely: that from some unknown source in space, waves of electromagnetic disturbance, entirely similar those used by Signor Marconi for his wireless telegraphy, are constantly reaching the earth. Besides Tesla quite a number of other observers have been engaged in perfecting apparatus for receiving and recording these vibrations, though few would go so far to consider them actual messages from some extraterrestrial sender. Among that few, however, we must certainly count Mr. Wendigee. Ever since 1898 he had devoted himself almost entirely to this subject, and being a man of ample means he had erected an observatory on the flanks of Monte Rosa, in a position singularly adapted in every way for such observations.

My scientific attainments, I must admit, are not great, but so far as they enable me to judge, Mr. Wendigee's contrivances for detecting and recording any disturbances in the electromagnetic conditions of space are singularly original and ingenious. And by a happy combination of circumstances they were set up and in operation about two months before Cavor made his first attempt to call up the earth. Consequently we have fragments of his communication even from the beginning. Unhappily, they are only fragments, and the most momentous of all the things that he had to tell humanity—the instructions, that is, for the making of Cavorite, if, indeed, he ever transmitted them—have throbbed themselves away unrecorded into space. We never succeeded in getting a response back to Cavor. He was unable to tell, therefore, what we had received or what we had missed; nor, indeed, did he certainly know that any one on earth was really aware of his efforts to reach us. And the persistence he displayed in sending eighteen long descriptions of lunar affairs—as they would be if we had them complete—shows how much his mind must have turned back towards his native planet since he left it two years ago.

You can imagine how amazed Mr. Wendigee must have been when he discovered his record of electromagnetic disturbances interlaced by Cavor's straightforward English. Mr. Wendigee knew nothing of our wild journey moonward, and suddenly—this English out of the void!