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Tim Lebbon: Alien: Out of the Shadows

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Tim Lebbon Alien: Out of the Shadows

Alien: Out of the Shadows: краткое содержание, описание и аннотация

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THE FIRST IN AN ALL NEW, OFFICIAL TRILOGY SET IN THE ALIEN UNIVERSE! Featuring the iconic Ellen Ripley in a terrifying new adventure that bridges the gap between Alien and Aliens. Officially sanctioned and true to the cannon, expands upon the well-loved mythos and is a must for all Alien fans.

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Alone with the atmosphere, the sounds, the smells of the ship…

The stench of space-flea piss from the small, annoying mites that managed to multiply, however many times the crew tried to purge them. They were tiny, but a million fleas pissing produced a sharp, rank odor that clung to the air.

The constant background hum of machinery was inaudible unless Hoop really listened for it, because it was so ever-present. There were distant thuds, echoing grinds, the whisper of air movement encouraged by conditioning fans and baffles, the occasional creak of the ship’s huge bulk settling and shifting. Some of the noises he could identify because he knew them so well, and on occasion he perceived problems simply through hearing or not hearing them—sticking doors, worn bearings in air duct seals, faulty transmissions.

But there were also mysterious sounds that vibrated through the ship now and then, like hesitant, heavy footsteps in distant corridors, or someone screaming from a level or two away. He’d never figured those out. Lachance liked to say it was the ship screaming in boredom.

He hoped that was all they were.

The vessel was huge and would take him half an hour to walk from nose to tail, and yet it was a speck in the vastness of space. The void exerted a negative pressure on him, and if he thought about it too much, he thought he would explode—be ripped apart, cell by cell, molecule by molecule, spread to the cosmos from which he had originally come. He was the stuff of the stars, and when he was a young boy—dreaming of monsters, and looking to space in the hope that he would find them—that had made him feel special.

Now, it only made him feel small.

However close they all lived together on the Marion , they were alone out here.

Shaking away the thoughts, he bent to work again, making more noise than was necessary—a clatter to keep him company. He was looking forward to shooting some pool with Jordan and having her whip his ass again. There were colleagues and acquaintances aplenty, but she was the closest thing he had to a good friend.

* * *

The recreation room was actually a block of four compartments to the rear of the Marion’s accommodations hub. There was a movie theater with a large screen and an array of seating, a music library with various listening posts, a reading room with comfortable chairs and reading devices—and then there was Baxter’s Bar, better known as BeeBee’s. Josh Baxter was the ship’s communications officer, but he also acted as their barman. He mixed a mean cocktail.

Though it was sandwiched back between the accommodations hub and the sectioned holds, BeeBee’s was the social center of the ship. There were two pool tables, table tennis, a selection of faux-antique computer game consoles, and the bar area with tables and chairs scattered in casual abandon. It had not been viewed as a priority by the company that paid the ship’s designers, so the ceiling was a mass of exposed service pipework, the floor textured metal, the walls bare and unpainted. However, those using BeeBee’s had done their best to make it more comfortable. Seats were padded, lighting was low and moody, and many miners and crew had copied Baxter’s idea of hanging decorated blankets from the walls. Some painted the blankets, others tore and tied. Each of them was distinct. It gave the whole rec room a casual, almost arty air.

Miners had fifty days between shifts on the planet, so they often spent much of their off-time here, and though alcohol distribution was strictly regulated, it still made for some raucous nights.

Captain Jordan allowed that. In fact, she positively encouraged it, because it was a release of tension that the ship would otherwise barely contain. It wasn’t possible to communicate with any of their loved ones back home. Distances were so vast, time so extended, that any meaningful contact was impossible. They needed somewhere to feel at home, and BeeBee’s provided just that.

When Hoop entered, it was all but deserted. These quiet times between shift changes gave Baxter time to clear out the bar stock, tidy the room, and prepare for the next onslaught. He worked quietly behind the bar, stocking bottled beer and preparing a selection of dehydrated snacks. Water on the ship always tasted vaguely metallic, so he rehydrated many of the treats in stale beer. No one complained.

“And here he is,” Jordan said. She was sitting on a stool by one of the pool tables, bottle in hand. “Back for another beating. What do you think, Baxter?”

Baxter nodded a greeting to Hoop.

“Sucker for punishment,” he agreed.

“Yep. Sucker.”

“Well if you don’t want to play…” Hoop said.

Jordan slid from her stool, plucked a cue from the rack and lobbed it at him. As he caught it out of the air, the ship’s intercom chimed.

“Oh, now, what the hell?” Jordan sighed.

Baxter leaned across the bar and hit the intercom.

“Captain! Anyone!” It was their pilot, Lachance. “Get up to the bridge, now. We’ve got incoming from one of the dropships.” His French accent was much more acute than normal. That happened when he was upset or stressed, neither of which occurred very often.

Jordan dashed to the bar and pressed the transmit button.

“Which one?”

“The Samson. But it’s fucked up.”

“What do you mean?” In the background, behind Lachance’s confused words and the sounds of chaos from the bridge, Hoop heard static-tinged screaming. He and Jordan locked eyes.

Then they ran, and Baxter followed.

* * *

The Marion was a big ship, far more suited to massive deep-ore mining than trimonite extrusion, and it took them a few minutes to make their way to the bridge. Along the curved corridor that wound around the accommodations hub, then up three levels by elevator. By the time they bumped into Garcia and Kasyanov, everyone else was there.

“What’s going on?” Jordan demanded. Baxter rushed across to the communications center, and Lachance stood gratefully to vacate his chair. Baxter slipped on a pair of headphones, and his left hand hovered over an array of dials and switches.

“Heard something coming through static a few minutes ago,” Lachance said. “The higher they climb, the clearer it gets.” They called him “No-Chance” Lachance because of his laconic pessimism, but in truth he was one of the most level-headed among them. Now, Hoop could see by his expression that something had him very rattled.

From loudspeakers around the bridge, frantic breathing crackled.

“Samson, Captain Jordan is now on the bridge,” Baxter said. “Please give us your—”

“I don’t have time to fucking give you anything, just get the med pods fired up!” The voice was so distorted that they couldn’t tell who it was.

Jordan grabbed a headset from beside Baxter. Hoop looked around at the others, all of them standing around the communications area. The bridge was large, but they were all bunched in close. They showed the tension they had to be feeling, even the usually unflappable science officer, Karen Sneddon. The thin, severe-faced woman had been to more planets, asteroids, and moons than all of them put together. But there was fear in her eyes.

“Samson , this is Captain Jordan. What’s happening? What’s going on down at the mine?”

“…creatures! We’ve—”

The contact cut out abruptly, leaving the bridge ringingly silent.

Wide viewing windows looked out onto the familiar view of space and an arc of the planet below, as if nothing had changed. The low-level hum of machinery was complemented by agitated breathing.

“Baxter,” Jordan said softly, “I’d like them back online.”

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