Philip Dick - A Scanner Darkly

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British Science Fiction Award (1978)
Bob Arctor is a dealer of the lethally addictive drug Substance D. Fred is the police agent assigned to tail and eventually bust him. To do so, Fred takes on the identity of a drug dealer named Bob Arctor. And since Substance D—which Arctor takes in massive doses—gradually splits the user’s brain into two distinct, combative entities, Fred doesn’t realize he is narcing on himself.

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But the actual touch of her lingered, inside his heart. That remained. In all the years of his life ahead, the long years without her, with never seeing her or hearing from her or knowing anything about her, if she was alive or happy or dead or what, that touch stayed locked within him, sealed in himself, and never went away. That one touch of her hand.

***

He brought a cute little needle-freak named Connie home with him that night, to ball her in exchange for him giving her a bag of ten mex hits.

Skinny and lank-haired, the girl sat on the edge of his bed, combing her odd hair; this was the first time she had ever come along with him—he had met her at a head party—and he knew very little about her, although he’d carried her phone number for weeks. Being a needle-freak, she was naturally frigid, but this wasn’t a downer; it made her indifferent to sex in terms of her own enjoyment, but on the other hand, she didn’t mind what sort of sex it was.

This was obvious just watching her. Connie sat half-dressed, her shoes off, a bobby pin in her mouth, gazing off listlessly, evidently doing a private trip in her head. Her face, elongated and bony, had a strength to it; probably, he decided, because the bones, especially the jaw lines, were pronounced. On her right cheek was a zit. Undoubtedly she neither cared about nor noticed that, either; like sex, zits meant little to her.

Maybe she couldn’t tell the difference. Maybe, to her, a longtime needle-freak, sex and zits had similar or even identical qualities. What a thought, he thought, this glimpse into a hype’s head for a moment.

“Do you have a toothbrush I can use?” Connie said; she had begun to nod a little, and to mumble, as hypes tended to do this time of night. “Aw screw it—teeth are teeth. I’ll brush them …” Her voice had sunk so low he couldn’t hear her, although he knew from the movement of her lips that she was droning on.

“Do you know where the bathroom is?” he asked her.

“What bathroom?”

“In this house.”

Rousing herself, she resumed reflexively combing. “Who are those guys out there this late? Rolling joints and rattling on and on? They live here with you, I guess. Sure they do. Guys like that must.”

“Two of them do,” Arctor said.

Her dead-codfish eyes turned to fix their gaze on him. “You’re queer?” Connie asked.

“I try not to be. That’s why you’re here tonight.”

“Are you putting up a pretty good battle against it?”

“You better believe it.”

Connie nodded. “Yes, I suppose I’m about to find out. If you’re a latent gay you probably want me to take the initiative. Lie down and I’ll do you. Want me to undress you? Okay, you just lie there and I’ll do it all.” She reached for his zipper.

***

Later, in the semidarkness he drowsed, from—so to speak—his own fix. Connie snored on beside him, lying on her back with her arms at her sides outside the covers. He could see her dimly. They sleep like Count Dracula, he thought, junkies do. Staring straight up until all of a sudden they sit up, like a machine cranked from position A to position B. “It—must—be—day,” the junkie says, or anyhow the tape in his head says. Plays him his instructions, the mind of a junkie being like the music you hear on a clock radio … it sometimes sounds pretty, but it is only there to make you do something. The music from the clock radio is to wake you up; the music from the junkie is to get you to become a means for him to obtain more junk, in whatever way you can serve. He, a machine, will turn you into his machine.

Every junkie, he thought, is a recording.

Again he dozed, meditating about these bad things. And eventually the junkie, if it’s a chick, has nothing to sell but her body. Like Connie, he thought; Connie right here.

Opening his eyes, he turned toward the girl beside him and saw Donna Hawthorne.

Instantly he sat up. Donna! he thought. He could make out her face clearly. No doubt. Christ! he thought, and reached for the bedside light. His fingers touched it; the lamp tumbled and fell. The girl, however, slept on. He still stared at her, and then by degrees he saw Connie again, hatchet-faced, bleak-jawed, sunken, the gaunt face of the out-of-it junkie, Connie and not Donna; one girl, not the other.

He lay back and, miserable, slept somewhat again, wondering what it meant and so forth and on and on, into darkness.

“I don’t care if he stunk,” the girl beside him muttered later on, dreamily, in her sleep. “I still loved him.”

He wondered who she meant. A boy friend? Her father? A tomcat? A childhood precious stuffed toy? Maybe all of them, he thought. But the words were “I loved,” not “I still love.” Evidently he, whatever or whoever he had been, was gone now. Maybe, Arctor reflected, they (whoever they were) had made her throw him out, because he stank so bad.

Probably so. He wondered how old she had been then, the remembering worn-out junkie girl who dozed beside him.

10

In his scramble suit, Fred sat before a battery of whirling holo-playbacks, watching Jim Barris in Bob Arctor’s living room reading a book on mushrooms. Why mushrooms? Fred wondered, and sped the tapes at high-speed forward to an hour later. There sat Barris yet, reading with great concentration and making notes.

Presently Barris set the book down and left the house, passing out of scanning range. When he returned he carried a little brown-paper bag which he set on the coffee table and opened. From it he removed dried mushrooms, which he then began to compare one by one with the color photos in the book. With excessive deliberation, unusual for him, he compared each. At last he pushed one miserable-looking mushroom aside and restored the others to the bag; from his pocket he brought a handful of empty capsules and then with equally great precision began crumbling bits of the one particular mushroom into the caps and sealing each of them in turn.

After that, Barris started phoning. The phone tap automatically recorded the numbers called.

“Hello, this is Jim.”

“So?”

“Say, have I scored.”

“No shit.”

Psilocybe mexicana .”

“What’s that?”

“A rare hallucinogenic mushroom used in South American mystery cults thousands of years ago. You fly, you become invisible, understand the speech of animals—”

“No thanks.” Click.

Redialing. “Hello, this is Jim.”

“Jim? Jim who?”

“With the beard … green shades, leather pants. I met you at a happening over at Wanda—”

“Oh yeah. Jim. Yeah.”

“You interested in scoring on some organic psychedelics?”

“Well, I don’t know …” Unease. “You sure this is Jim? You don’t sound like him.”

“I’ve got something unbelievable, a rare organic mushroom from South America, used in Indian mystery cults thousands of years ago. You fly, become invisible, your car disappears, you are able to understand the speech of animals—”

“My car disappears all the time. When I leave it in a towaway zone. Ha-ha.”

“I can lay perhaps six caps of this Psilocybe on you.”

“How much?”

“Five dollars a cap.”

“Outrageous! No kidding? Hey, I’ll meet you somewhere.” Then suspicion. “You know, I believe I remember you—you burned me once. Where’d you get these mushrooms hits? How do I know they’re not weak acid?”

“They were brought to the U.S. inside a clay idol,” Barris said. “As part of a carefully guarded art shipment to a museum, with this one idol marked. The customs pigs never suspected.” Barris added, “If they don’t get you off I’ll refund your money.”

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