Vernor Vinge - A Fire Upon the Deep

"I have a suggestion," said Scriber. His voice was slurred from the effort of concentrating over Scrupilo's thoughts. "When you touch the four/three square and say — " he made the alien sounds; they were all very easy to do "— the screen shows a collection of pictures. They seem to match the squares. I think we… we are being given choices."

Hm. "The box could end up training us." If this is a machine, we need some new definitions. "… Very well, let's play with it."

Three hours passed. Toward the end, even Vendacious had moved a member nearer the screen; the noise in the room verged on mindless chaos. And everybody had suggestions; "say that", "press this", "last time it said that, we did thus and so". There were intricate colored designs, sprinkled with things that must have been written language. Tiny, two-legged figures scampered across the screen, shifting the symbols, opening little windows… Scriber Jaqueramaphan's idea was quite right. The first pictures were choices. But some of those led to further pictures of choices. The options spread out — tree-like, Scriber said. He wasn't quite right; sometimes they came back to an earlier point; it was a metaphorical network of streets. Four times they ended in cul de sacs, and had to shut the box and begin again. Vendacious was madly drawing maps of the paths. That would help; there were places they would want to see again. But even he realized there were unnumbered other paths, places that blind exploration would never find.

And Woodcarver would have given a good part of her soul for the pictures she had already seen. There were starscapes. There were moons that shone blue and green, or banded orange. There were moving pictures of alien cities, of thousands of aliens so close that they were actually touching. If they ran in packs, those packs were bigger than anything in the world, even in the tropics… And maybe the question was irrelevant; the cities were beyond anything she ever imagined.

Finally Jaqueramaphan backed off. He huddled together. There was a shiver in his voice. "T-there's a whole universe in there. We could follow it forever, and never know…"

She looked at the other two. For once, Vendacious had lost his smugness. There were ink stains on all his lips. The writing benches around him were littered with dozens of sketches, some clearer than others. He dropped the pen, and gasped. "I say we take what we have and study it." He began gathering the sketches, piling them into a neat stack. "Tomorrow, after a good sleep, our heads will be clear and — "

Scrupilo dropped back and stretched. His eyes had excited red rims. "Fine. But leave the sketches, friend Vendacious." He jabbed at the drawings. "See that one and that? It's clear that our blundering gets us plenty of empty results. Sometimes the picture box just locks us out, but much more often we get that picture: No options, just a couple of aliens dancing in a forest and making rhythm sounds. Then if we say — " and he repeated part of the sequence, "— we get that picture of piles of sticks. The first with one, the second with two, and so on."

Woodcarver saw it too. "Yes. And a figure comes out and points to each of the piles and says a short noise by each." She and Scrupilo stared at each other, seeing the same gleam in each others' eyes. The excitement of learning, of finding order where there had seemed only chaos. It had been a hundred years since she last felt this way. "Whatever this thing is… it's trying to teach us the Two-Legs' language."

In the days that followed, Johanna Olsndot had lots of time to think. The pain in her chest and shoulder gradually eased; if she moved carefully, it was only a pulsing soreness. They had taken the arrow out and sewed the wound closed. She had feared the worst when they had tied her down, when she saw the knives in their mouths and the steel on their claws. Then they began cutting; she had not known there could be such pain.

She still shuddered with remembered agony. But she didn't have nightmares about it, the way she did about…

Mother and Dad were dead; she had seen them die with her own eyes. And Jefri? Jefri might still be alive. Sometimes Johanna could go a whole afternoon full of hope. She had seen the coldsleepers burning on the ground below the ship, but those inside might have survived. Then she would remember the indiscriminate way the attackers had flamed and slashed, killing everything around the ship.

She was a prisoner. But for now, the murderers wanted her well. The guards were not armed — beyond their teeth and tines. They kept well away from her when they could. They knew she could hurt them.

They kept her inside a big dark cabin. When she was alone she paced the floor. The dogthings were barbarians. The surgery without anesthetics was probably not even intended as torture. She hadn't seen any aircraft, or any sign of electricity. The toilet was a slot carved in a marble slab. The hole went so deep you could scarcely hear the plop hit bottom. But it still smelled bad. These creatures were as backward as people in the darkest ages on Nyjora. They had never had technology, or they had thoroughly forgotten it. Johanna almost smiled. Mom had liked novels about shipwrecks and heroines marooned on lost colonies. The big deal was usually to reinvent technology and repair the spacecraft. Mom was… had been… so into the history of science; she loved the details of those stories.

Well, Johanna was living it now. But with important differences. She wanted rescue, but she also wanted revenge. These creatures were nothing like human. In fact, she couldn't remember reading of anything quite like them. She'd have looked for them in her dataset, except they had taken that. Ha. Let them play with it. They'd quickly run into her booby traps and find themselves totally locked out.

At first there were only blankets to keep warm. Then they'd given her clothes cut like her jump suit but made of puffy quilting. They were warm and sturdy, the stitching neater than anything she imagined a nonmachine could do. Now she could comfortably walk around outside. The garden beyond her cabin was the best thing about the place. It was about a hundred meters square, and followed the slope of a hillside. There were lots of flowers, and trees with long, feathery leaves. Flagstoned walks curved back and forth through mossy turf. It was a peaceful place if she let it be, a little like their backyard on Straum.

There were walls, but from the high end of the garden, she could see over them. The walls angled this way and that, and in places she could see their other side. The windows slits were like something out of her history lessons: they let you shoot arrows or bullets without making a target of yourself.

When the sun was out, Johanna liked to sit where the smell of the feather leaves was strongest, and look over the lower walls at the bay. She still wasn't sure just what she was seeing. There was a harbor; the forest of spars was almost like the marinas on Straum. The town had wide streets, but they zigged and zagged and the buildings along them were all askew. In places there were open-roofed mazes of stone; from up here, she could see the pattern. And there was another wall, a rambling thing that ran for as far as she could see. The hills beyond were crowned with gray rock and patches of snow.

She could see the dogthings down in the town. Individually, you could almost mistake them for dogs (snake-necked, rat-headed ones). But watch them from a distance and you saw their true nature. They always moved in small groups, never more than six. Within the pack they touched, cooperated with clever grace. But she never saw one group come closer than about ten meters to another. From her distant viewpoint, the members of a pack seemed to merge… and she could imagine she was seeing one multilimbed beast ambling cautiously along, careful not to come too close to a similar monster. By now, the conclusion was inescapable: one pack, one mind. Minds so evil they could not bear to be close to one another.