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Ursula Le Guin: The Compass Rose

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Ursula Le Guin The Compass Rose

The Compass Rose: краткое содержание, описание и аннотация

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The Many Points of Wonder From dream worlds to nightmare planets, through mazes of madness to tiny time holes in space, down Pathways of Desire to a New Atlantis, THE COMPASS ROSE points the way to the wonder-filled mind-country of a remarkable writer. "As good as any contemporary at creating worlds, imaginary or our own… Le Guin writes with painstaking intelligence. Her characters are complex and haunting, and her writing is remarkable for it's sinewy grace." —TIME Magazine

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The lantern creatures came close enough at last that we could see not only their light, but their bodies in the illumination of the light. They were not pretty. They were dark-colored, most often a dark red, and they were all mouth. They ate one another whole. Light swallowed light all swallowed together in the vaster mouth of the darkness. They moved slowly, for nothing, however small and hungry, could move fast under that weight, in that cold. Their eyes, round with fear, were never closed. Their bodies were tiny and bony, behind the gaping jaws. They wore queer, ugly decorations on their lips and skulls: fringes, serrated wattles, featherlike fronds, gauds, bangles, lures. Poor little sheep of the deep pastures! Poor ragged, hunch-jawed dwarfs squeezed to the bone by the weight of the darkness, chilled to the bone by the cold of the darkness, tiny monsters burning with bright hunger, who brought us back to life!

Occasionally, in the wan, sparse illumination of one of the lantern creatures, we caught a momentary glimpse of other large, unmoving shapes: the barest suggestion, off in the distance, not of a wall, nothing so solid and certain as a wall, but of a surface, an angle… Was it there?

Or something would glitter, faint, far off, far down. There was no use trying to make out what it might be. Probably it was only a fleck of sediment, mud or mica, disturbed by a struggle between the lantern creatures, flickering like a bit of diamond dust as it rose and settled slowly. In any case, we could not move to go see what it was. We had not even the cold, narrow freedom of the lantern creatures. We were immobilised, borne down, still shadows among the half-guessed shadow walls. Were we there?

The lantern creatures showed no awareness of us. They passed before us, among us, perhaps even through us—it was impossible to be sure. They were not afraid, or curious.

Once something a little larger than a hand came crawling near, and for a moment we saw quite distinctly the clean angle where the foot of a wall rose from the pavement, in the glow cast by the crawling creature, which was covered with a foliage of plumes, each plume dotted with many tiny, bluish points of light. We saw the pavement beneath the creature and the wall beside it, heartbreaking in its exact, clear linearity, its opposition to all that was fluid, random, vast, and void. We saw the creature’s claws, slowly reaching out and retracting like small stiff fingers, touch the wall. Its plumage of light quivering, it dragged itself along and vanished behind the corner.

So we knew that the wall was there; and that it was an outer wall, a housefront, perhaps, or the side of one of the towers of the city.

We remembered the towers. We remembered the city. We had forgotten it. We had forgotten who we were; but we remembered the city, now.

When I got home, the FBI had already been there. The computer at the police precinct where I registered Simon’s address must have flashed it right over to the computer at the FBI building. They had questioned Simon for about an hour, mostly about what he had been doing during the twelve days it took him to get from the Camp to Portland. I suppose they thought he had flown to Peking or something. Having a police record in Walla Walla for hitchhiking helped him establish his story. He told me that one of them had gone to the bathroom. Sure enough I found a bug stuck on the top of the bathroom doorframe. I left it, as we figured it’s really better to leave it when you know you have one, than to take it off and then never be sure they haven’t planted another one you don’t know about. As Simon said, if we felt we had to say something unpatriotic we could always flush the toilet at the same time.

I had a battery radio—there are so many stoppages because of power failures, and days the water has to be boiled, and so on, that you really have to have a radio to save wasting time and dying of typhoid—and he turned it on while I was making supper on the Primus. The six-o’clock All-American Broadcasting Company news announcer announced that peace was at hand in Uruguay, the President’s confidential aide having been seen to smile at a passing blonde as he left the 613th day of the secret negotiations in a villa outside Katmandu. The war in Liberia was going well; the enemy said they had shot down 17 American planes but the Pentagon said we had shot down 22 enemy planes, and the capital city—I forget its name, but it hasn’t been inhabitable for seven years anyway—was on the verge of being recaptured by the forces of freedom. The police action in Arizona was also successful. The Neo-Birch insurgents in Phoenix could not hold out much longer against the massed might of the American Army and Air Force, since their underground supply of small tactical nukes from the Weatherpeople in Los Angeles had been cut off. Then there was an advertisement for Fed-Cred cards, and a commercial for the Supreme Court—“Take your legal troubles to the Nine Wise Men!” Then there was something about why tariffs had gone up, and a report from the stock market which had just closed at over 2000, and a commercial for U.S. Government canned water, with a catchy little tune: “Don’t be sorry when you drink—It’s not as healthy as you think—Don’t you think you really ought to—Drink coo-ool, puu-uure U.S.G. Water?”—with three sopranos in close harmony on the last line. Then, just as the battery began to give out and his voice was dying away into a faraway tiny whisper, the announcer seemed to be saying something about a new continent emerging.

“What was that?”

“I didn’t hear,” Simon said, lying with his eyes shut and his face pale and sweaty. I gave him two aspirins before we ate. He ate little, and fell asleep while I was washing dishes in the bathroom. I had been going to practise, but a viola is fairly wakeful in a one-room apartment. I read for a while instead. It was a bestseller Janet had given me when she left. She thought it was very good, but then she likes Franz Liszt too. I don’t read much since the libraries were closed down, it’s too hard to get books; all you can buy is bestsellers. I don’t remember the title of this one, the cover just said Ninety Million Copies in Print!!! It was about small-town sex life in the last century, the dear old 1970s when there weren’t any problems and life was so simple and nostalgic. The author squeezed all the naughty thrills he could out of the fact that all the main characters were married. I looked at the end and saw that all the married couples shot each other after all their children became schizophrenic hookers, except for one brave pair that divorced and then leapt into bed together with a clear-eyed pair of Government-employed lovers for eight pages of healthy group sex as a brighter future dawned. I went to bed then, too. Simon was hot, but sleeping quietly. His breathing was like the sound of soft waves far away, and I went out to the dark sea on the sound of them.

I used to go out to the dark sea, often, as a child, falling asleep. I had almost forgotten it with my waking mind. As a child all I had to do was stretch out and think, “the dark sea… the dark sea…” and soon enough I’d be there, in the great depths, rocking. But after I grew up it only happened rarely, as a great gift. To know the abyss of the darkness and not to fear it, to entrust oneself to it and whatever may arise from it—what greater gift?

We watched the tiny lights come and go around us, and doing so, we gained a sense of space and of direction—near and far, at least, and higher and lower. It was that sense of space that allowed us to become aware of the currents. Space was no longer entirely still around us, suppressed by the enormous pressure of its own weight. Very dimly we were aware that the cold darkness moved, slowly, softly, pressing against us a little for a long time, then ceasing, in a vast oscillation. The empty darkness flowed slowly along our unmoving unseen bodies; along them, past them; perhaps through them; we could not tell.

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