Peter Watts - Firefall

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Firefall: краткое содержание, описание и аннотация

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This is the Omnibus edition of
and
.
February 13, 2082, First Contact. Sixty-two thousand objects of unknown origin plunge into Earth’s atmosphere—a perfect grid of falling stars screaming across the radio spectrum as they burn. Not even ashes reach the ground. Three hundred and sixty degrees of global surveillance: something just took a snapshot.
And then… nothing.
The world holds its breath and waits for the Second Coming—and while it waits, it fractures. Hive-minds coalesce, speaking in tongues; paleogeneticists resurrect nightmares from the dawn of humanity; soldiers are fitted with zombie switches to turn off consciousness in combat; half the population has retreated into the ersatz security of a virtual environment called Heaven.
Extinction beckons for
.
But from deep space: whispers. Something out there talks—but not to us. Two ships,
and the
, are launched to discover the origin of Earth’s visitation, one bound for the outer dark of the Kuiper Belt, the other for the heart of the Solar System.
Their crews can barely be called human, what they will face certainly can’t.

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MOVE YOUR ASS BRÜKS YOU SELF-ABSORBED IDIOT.

SEALING ENTRANCE IN 15S

14S

13S…

Brüks moved his self-absorbed idiot ass.

FOR THEY HAVE SOWN THE WIND, AND THEY SHALL REAP THE WHIRLWIND.

—HOSEA 8:7

INSIDE, THE DARKNESS was bright chaos.

Human heat signatures flickered across Brüks’s goggles at point-blank range, coruscations of false color in frantic motion. The heat of their passing painted the surroundings with fainter washes of red and yellow: rough-hewn walls, a flat dead light panel for a ceiling, a floor that yielded unexpectedly beneath his feet like some ungodly hybrid of rubber and flesh. Off in an indeterminate distance, something stuttered and wailed; here in the hallway the human rainbows moved with silent urgency. The woman who’d invited him in—a petite writhing heatprint no more than 160 centimeters tall—grabbed his hand and pulled him forward: “I’m Lianna. Stay close.”

He followed, switching the gogs to StarlAmp. The heatprints vanished; bright greenish stars moved in the void left behind, always in pairs, binary constellations jostling and blinking in the dark. A word popped into his head: luciferin . Photophores in the retinas.

These people had eyes that doubled as flashlights. Brüks had once known a grad student with similar augments. Sex had been—disquieting, in the dark.

His guide threaded him through the starfield. That distant wailing rose and fell, rose and fell; not words exactly, but syllables, at least. Clicks and cries and diphthongs in the dark. Bright eyes rose before him, seething with cold blue light. Amplified photons limned a gray face full of lines and angles. Brüks tried to steer his way around but that face blocked his way, eyes glowing with such furious intensity that his goggles had to dial back the amplification to almost nothing.

Gelan, ” the face croaked. “ Thofe tessrodia .”

Brüks tried to take a step back; bumped into traffic, rebounded.

Eptroph! ” cried the face, as the body beneath gave way.

Lianna pushed him sideways into the wall—“Stay right there ”—and dropped to the floor. Brüks switched back to thermal. The rainbows returned. Brüks’s assailant was on his back, heat sig bright as a solar flare, muttering nonsense. His fingers fluttered as if stabbing an invisible keyboard; his left foot tapped an agitated tattoo against the elastic flooring. Lianna cradled his head in her lap and spoke to him in the same incomprehensible tongue.

The chronic background roar of the vortex engine rose subtly in pitch. Stone trembled at Brüks’s back.

A hot bright figure appeared down the corridor, swimming against the stream. Within moments it had reached them; Brüks’s guide passed her charge to the newcomer and was on her feet in an instant. “Let’s go.”

“What was—”

“Not here.”

A side door. A flight of stairs, sheathed in the same rubbery skin that turned their footsteps into soft squeaks. It corkscrewed down through cooling bedrock that dimmed with each step in the goggles’ sights, but that compact body glowed like a beacon ahead of him. Suddenly the world was silent again but for their own footsteps and the distant, almost subsonic thrumming of the vortex engine.

“What’s going on?” Brüks asked.

“Oh. Mahmood.” Lianna glanced back, her eyes bright garish blobs, her mouth a crimson slash of heat. “Can’t always control when the rapture hits, much less which node. Not the most convenient thing in the world but you don’t want to miss the insights, you know? Could be time travel, for all we know. Could be a cure for golem.”

“You understood what he was saying.”

“Kinda. It’s what I do, when I’m not bringing lost sheep in from the desert.”

“You’re a synthesist?” Jargonaut was the street name. Glorified translators, charged with bringing esoteric transhuman tablets down from the mountain, carved in runes simple enough for pitiful baseline Humans to half understand.

Rhona had called them Moses mammals, back when she’d been in the world.

But Lianna was shaking her head. “Not exactly. More of a—you’re a biologist, right? Synthesists would be rats. I’m more of a koala bear.”

“Specialist.” Brüks nodded. “Narrower niche.”

“Exactly.”

A faint orange stain appeared on the thermoptics: warmth from below.

“And you know who I am because…”

“We’re on the bleeding edge of theistic virology here. You think we don’t know how to access a public database?”

“I just thought you’d have better things to look up when you were being attacked by zombies.”

“We keep an eye on the neighborhood, Dr. Brüks.”

“Yeah, but what—”

She stopped. Brüks nearly ran into her, then realized they’d reached the bottom of the stairs. Bright heat spilled around a corner dead ahead; Lianna turned and tapped his goggles. “You won’t be needing those.”

He pushed them onto his forehead. The world reverted to a dim wash of blues and grays. The rough stone to his left broke the feeble ambient light into jagged fragments; to his right the wall was smooth gray metal.

Lianna was already past him, heading back up the stairs. “I gotta go. You can watch from down here.”

“But—”

“Don’t touch anything!” she called back, and was gone.

He stepped around the corner. The ceiling panels here were as dead and dark as every other he’d seen in this place. The room—really, more of a cul-de-sac—was lit solely by a band of smart paint covering the far wall from waist-height to ceiling. It glowed with a haphazard collage of tactical displays ranging from hand-size to two meters across. Some of the feeds were coarse green mosaics; others rendered images high rez and razor-sharp.

A man in a loose tan coverall paced back and forth before the displays, at least two meters from his fuzzy slippers ( slippers? ) to the cropped salt-and-pepper thicket on his head. He spared a glance as Brüks approached, muttered “Glas- not, ” and turned back to the welter of intel.

Great .

Lianna the koala had told him he could watch, though. He stepped forward and tried to make sense of the chaos.

Upper left: a satellite view so crisp it nearly hurt his eyes. The monastery sat dead center, a bull’s-eye on the board, aglow with telltale thermal emissions. But it was the only hot spot in the whole window; whatever orbital eye he was looking through had been precisely blinded to all those other heatprints closing in the darkness. Brüks reached for the display, his fingers set to zoom the mag; a grunt and a glare from the slippered monk and he desisted.

So much for orbital surveillance. The monastery had its own cameras, though, judging by the mix of StarlAmp and thermal windows looking out across the desert. They painted the nightscape in palettes from every band of the visible spectrum, cool blues and rubies intense as lasers, color schemes so chaotic Brüks wondered whether they were really functional or just a reflection of some deviant Bicameral aesthetic. Candles glowed in each of those windows, and they all looked the same.

Four klicks out, and closing fast.

Something sparkled on one of the displays, a tiny bright sundog in the dead of night. The image flared a moment; bright electronic snow fuzzed the display. A brief, bright nova. Then a dark dead hole in the wall, NO SIGNAL flashing from its center.

The monk’s fingers flew across the paint, calling up keyboards, zooming displays. Windows sprouted, panned brief landscapes, evaporated in turn. Three of those views sparked and died before the Bicameral had the chance to retire them gracefully.

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