John Wright - The Phoenix Exultant

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At the conclusion of the first book, Phaethon of Radamanthus House, was left an exile from his life of power and privilege. Now he embarks upon a quest across the transformed solar system--Jupiter is a second sun, Mars and Venus terraformed, humanity immortal--among humans, intelligent machines, and bizarre life forms, to recover his memory, to regain his place in society and to move that society away from stagnation and toward the stars. And most of all Phaethon's quest is to regain ownership of the magnificent starship, the Phoenix Exultant, the most wonderful ship ever built, and fly her to the stars.

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A friend of hers, Lucinda Third of Second-branch Reconstructed Meridian, had already proposed to apply the same philosophy to ancient poetry, and to absorb the lives of fictional heroines from myth, Draupadi and Deirdre-of-the-sorrows, into her persona-base without tagging the memories as false, then to see if new poems could be written into life, fiction and reality combined, the same way Artois and Zu-Tse had written new energy levels into the periodic charts of their artificial spectration systems. It was a daring idea. It was a daring time to be alive.

Daphne, smiling, turned to her calendar table to see what costume or what events Eveningstar Sophotech had planned for her tonight. It was a relief, sometimes, to have a mind superior to your own, someone who knew you better than you knew yourself, choose what entertainment or amusements you should live.

On the calendar table, next to the crystal lumen-helix that represented today's Spectrations, was a figure of a penguin. Clutched between stubby wings, the penguin held a black iron memory-box.

Odd. Usually she could recall what all the signs and symbols on her calendar table were intended to represent. Like everything else in a Red Manorial house, the placement of every article and ornament was intended to reflect on her. It was supposed to be, in its own small way, a work of art, as casual and graceful as the folded silk hung beside the door, or the elegant hair-flower waiting in a window-bowl for her next Pausing. Everything else on the calendar table was tasteful, exquisite, delicate. A penguin?

She looked into the Middle Dreaming.

Instead of a symbol, she received a message. "Yesterday you were a collateral member of Rhadamanthus Mansion, of the Silver-Grey. Hatred for Helion drove you from his house, back into the arms of the matrons and odalisques of the Red Eveningstar Mansion. At their insistence, you have forgotten, for one day and one day only, all the sorrows of your life, so that you could enjoy one more day of the Masquerade of Earth. The memories in this box are not subject to delay or revision; you must now accept them back."

"I hate surprises ..." said Daphne in a small voice of woe.

She read the wording on the box: Sorrow, great sorrow, and all things you hold dear, within me sleep, for love is here. For Woman, love is pain, worse as you love the best. Prepare yourself for sacrifice; bid adieu to peace and rest. "But what if I'd rather be happy?" By then the iron box had opened.

A portrayal house designed by Red Manorials is the worst place in the world to cry. The ornamenture in the walls were woven with emotion echo circuits, so that, whenever Daphne started to rein in her grief, some new and dramatic image of her exiled husband would be thrust into her brain at a pre-linguistic level, or some poetic turn of phrase ring in her ears, opening ever-deeper gates of woe. Every object in the furniture was passion-sensitive, so that windows clouded, lights yellowed, flowers wilted, tapestries began to stain and darken. Daphne lay toppled on the plush floor-reeds, her hair and skirts in wide disheveled tangles all about her. She dragged herself to the crystal leaf-shapes controlling the ornamentation energy-flows. They were designed to smash in shards with a satisfactory drama. Crash. The ornaments shut down, staying bleak and gloomy, but the signal flow stopped and released her sense-filter.

Once the external signals manipulating her emotions cut off, Daphne, still teary-eyed, rolled over on her back, saw the black and dreary-hued chamber she now was in, and laughed until she felt sick to her stomach. The penguin on the calendar table shivered and turned into a realistic-looking image. The coloration, movement, texture, and detail were perfect, not overblown with melodrama like all the Red sensations in the chamber around her.

With typical Silver-Grey attention to detail, there was even a dank and fishy smell. It somehow smelled refreshing and real.

She smiled. "Hullo, Rhadamanthus. How could I have ever done something so stupid as let them talk me into forgetting him? Even if only for one day! Good grief! Now look at me! Those drapes! This chamber! I look like the Lady of Shallot! Get a pre-Raphelite to paint me, quick!"

And she wiped her eyes and uttered a hiccup of noise somewhat like a laugh.

"And why do the Rhadamanthines all concentrate on the Victorian Age, anyway?" she muttered, propping herself up on her elbows. "The women then were such fainting jerks."

The penguin hopped to the ground and waddled over to her, leaving wet, webbed footprints to stain the delicate color of the floor-reeds. "One whose name you ordered me never to mention to you again chose the period of transition between Second- and Third-Era thinking, between tradition and science, superstition and reason, because he deems our society is in an analogous position. It was the first time men became aware that their traditions were products of human effort, and could not be taken for granted, nor maintained without conscious attempt. And you know why you agreed to so stupid a redaction as to forget Phaethon. You now know what your life would be like if you choose not to carry out your plan. You can have complete happiness if you stay. This exercise was meant to negate any feelings of regret you may one day suffer."

"It hurt. Losing him hurt, but that was honest hurt. But this! Thinking you're happy and finding out you're not!"

"Remember, there will be no self-consideration circuits or sanity-balancing routines available to you, if your plan does not go well. You endured this pain to train yourself to endure it once you have no one to help you."

"Wonderful." She slid to her feet, brushing her flowing dress-fabric with impatient strokes, sniffing, angrily wiping her eyes with the palm of her hand.

"Are you still resolved, mistress?"

"You can't call me that anymore. Only Eveningstar can."

As her name was spoken, her image seemed to enter the room. Eveningstar was tall, queenly, red-haired and red-lipped. Ribbon-woven braids crowned her, but long unplaited ripples of auburn fanned across her shoulders and down her back. A complex gown of scarlet, crimson, and rose silk flowed about her, shining with ruby drops, and in her hand she held a wand.

The Sophotech spoke: "My brother's question yet lingers, dear child. This dark and wild adventure you propose, certain to bring you misery, will you nonetheless embark on it?"

Daphne said, "The Red Manorials will help pay my way?"

"They will be breathless with delight. The drama of your love and loss they find profoundly moving."

"I'll bet." Daphne turned to look down at the short figure of the penguin. "How come she can be this phony and melodramatic if she's suppose to be so smart?"

The penguin shrugged. "The way I behave is an act also, mistress, a template I have evolved to appear nonthreatening to humans. Our true motivations are somewhat abstract, and humans tend to have rather stereotypic reactions to us when we explain them. You still have not answered the question. Are you going to go into exile for Phaethon? The decision is irreversible. Think carefully. Remember that, till now, living in a society such as ours, no decision has ever been irreversible for you before. You may not be ready for it. Till now, there has always been one of us standing by to rescue you from the consequences of any actions, any accident. Even death itself. Think."

Daphne tossed her hair to one side. "Don't change the subject. We're still talking about your decisions, not mine. What is going on inside that pointy little head of yours, or underneath that frowsy red wig your sister here is wearing? What does the Earthmind think of all this? What are your motives? All you Sophotechs?"

The noble crimson princess looked down at a fat penguin, and the two exchanged a glance or shrug. Obviously calculated for Daphne's benefit. Everything they did, every tone of voice, every nuance, was calculated with a million million calculations, far more, she knew, than she could ever know.

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