Robert Silverberg - Schwartz Between the Galaxies

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Schwartz Between the Galaxies: краткое содержание, описание и аннотация

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He said patiently, “I’ve told you. The Antarean’s neither male nor female as we understand those concepts. If we happen to perceive the Antarean as feminine, that’s the result of our own cultural conditioning. If you want to believe that my interest in this being is sexual, go ahead, but I assure you that it’s purely professional.”

“Sure. You’re only studying her.”

“In a sense I am. And she’s studying me. On her native world she has the status-frame of ‘watcher-of-life,’ which seems to translate into the Antarean equivalent of an anthropologist.”

“How lovely for you both. She’s your first alien and you’re her first Jew.”

“Stop calling her her ,” Schwartz hissed.

“But you’ve been doing it!”

Schwartz closed his eyes. “My grandmother told me never to get mixed up with economists. Their thinking is muddy and their breath is bad, she said. She also warned me against Yale men. Perverts of the intellect, she called them. So here I am cooped up on an interstellar ship with five hundred alien creatures and one fellow human, and he has to be an economist from Yale.”

“Next trip travel with your grandmother instead.”

“Go away,” Schwartz said. “Stop lousing up my fantasies. Go peddle your dismal science somewhere else. You see those Delta Aurigans over there? Climb into their bottle and tell them all about the Gross Global Product.” Schwartz smiled at the Antarean, who had purchased a drink, something that glittered an iridescent blue, and was approaching them. “Go on ,” Schwartz murmured.

“Don’t worry,” Pitkin said. “I wouldn’t want to crowd you.” He vanished into the motley crowd

The Antarean said, “The Capellans are dancing, Schwartz.”

“I”d like to see that. Too damned noisy in here anyway.” Schwartz stared into the alien’s vertical-slitted citreous eyes. Cat’s eyes, he thought. Panther’s eyes. The Antarean’s gaze was focused, as usual, on Schwartz’s mouth: other worlds, other customs. He felt a strange, unsettling tremor of desire. Desire for what, though? It was a sensation of pure need, nonspecific, certainly nonsexual. “I think I’ll take a look. Will you come with me?”

The Papua rocket has landed. Schwartz, leaning across the narrow table in the skyport’s lounge, says to the stewardess in a low, intense tone, “My life was in crisis. All my values were becoming meaningless. I was discovering that my chosen profession was empty, foolish, as useless as—playing chess.”

“How awful,” Dawn whispers gently.

“You can see why. You go all over the world, you see a thousand skyports a year. Everything the same everywhere. The same clothes, the same slang, the same magazines, the same styles of architecture and décor.”

“Yes.”

“International homogeneity. Worldwide uniformity. Can you understand what it’s like to be an anthropologist in a world where there are no primitives left, Dawn? Here we sit on the island of Papua—you know, headhunters, animism, body-paint, the drums at sunset, the bone through the nose—and look at the Papuans in their business robes all around us. Listen to them exchanging stock-market tips, talking baseball, recommending restaurants in Paris and barbers in Johannesburg. It’s no different anywhere else. In a single century we’ve transformed the planet into one huge sophisticated plastic western industrial state. The TV relay satellites, the two-hour intercontinental rockets, the breakdown of religious exclusivism and genetic taboo have mongrelized every culture, don’t you see? You visit the Zuni and they have plastic African masks on the wall. You visit the Bushmen and they have Japanese-made Hopi-motif ashtrays. It’s all just so much interior decoration, and underneath the carefully selected primitive motifs there’s the same universal pseudo-American sensibility, whether you’re in the Kalahari or the Amazon rain forest. Do you comprehend what’s happened, Dawn?”

“It’s such a terrible loss,” she says sadly. She is trying very hard to be sympathetic, but he senses she is waiting for him to finish his sermon and invite her to share his hotel room. He will invite her, but there is no stopping him once he has launched into his one great theme.

“Cultural diversity is gone from the world,” he says. “Religion is dead; true poetry is dead; inventiveness is dead; individuality is dead. Poetry. Listen to this.” In a high monotone he chants:

In beauty I walk
With beauty before me I walk
With beauty behind me I walk
With beauty above me I walk
With beauty above and about me I walk
It is finished in beauty
It is finished in beauty

He has begun to perspire heavily. His chanting has created an odd sphere of silence in his immediate vicinity; heads are turning, eyes are squinting. “Navaho,” he says. “The Night Way, a nine-day chant, a vision, a spell. Where are the Navaho now? Go to Arizona and they’ll chant for you, yes, for a price, but they don’t know what the words mean, and chances are the singers are only one-fourth Navaho, or one-eighth, or maybe just Hopi hired to dress in Navaho costumes, because the real Navaho, if any are left, are off in Mexico City hired to be Aztecs. So much is gone. Listen.” He chants again, more piercingly even than before:

The animal runs, it passes, it dies. And it is the great cold.

It is the great cold of the night, it is the dark.

The bird flies, it passes, it dies. And it is—

“JAL FLIGHT 411 BAGGAGE IS NOW UNLOADING ON CONCOURSE FOUR,” a mighty mechanical voice cries.

—the great cold.

It is the great cold of the night, it is the dark.

“JAL FLIGHT 411 BAGGAGE…”

The fish flees, it passes, it dies. And—

“People are staring,” Dawn says uncomfortably.

“—ON CONCOURSE FOUR.”

“Let them stare. Do them some good. That’s a Pygmy chant, from Gabon, in equatorial Africa. Pygmies? There are no more Pygmies. Everybody’s two meters tall. And what do we sing? Listen. Listen.” He gestures fiercely at the cloud of tiny golden loudspeakers floating near the ceiling. A mush of music comes from them: the current popular favorite. Savagely he mouths words: “Star…far…here…near. Playing in every skyport right now, all over the world.” She smiles thinly. Her hand reaches toward his, covers it, presses against the knuckles. He is dizzy. The crowd, the eyes, the music, the drink. The plastic. Everything shines. Porcelain. Porcelain. The planet vitrifies. “Tom?” she asks uneasily. “Is anything the matter?” He laughs, blinks, coughs, shivers. He hears her calling for help, and then he feels his soul swooping outward, toward the galactic blackness.

With the Antarean not-male beside him, Schwartz peered through the viewport, staring in awe and fascination at the seductive vision of the Capellans coiling and recoiling outside the ship. Not all the passengers on this voyage had cozy staterooms like his. The Capellans were too big to come on board, and in any case they preferred never to let themselves be enclosed inside metal walls. They traveled just alongside the starship, basking like slippery whales in the piquant radiations of space. So long as they kept within twenty meters of the hull they would be inside the effective field of the Rabinowitz Drive, which swept ship and contents and associated fellow travellers toward Rigel, or the Lesser Magellanic, or was it one of the Pleiades toward which they were bound at a cool nine lights?

He watched the Capellans moving beyond the shadow of the ship in tracks of shining white. Blue, glossy green, and velvet black, they coiled and swam, and every track was a flash of golden fire. “They have a dangerous beauty,” Schwartz whispered. “Do you hear them calling? I do.”

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