Robert Silverberg - The Second Trip

Let me have your left arm, please, Mr. Hamlin. No, this isn’t a needle, it’s an ultrasonic injector, you won’t feel a thing. How long will it be before it takes effect? Oh, you’ll sense some effects almost immediately, I’d say, as the short-term memory processes begin to break down. The left arm, now? Thank you. There. See how easy it was? We’ll be back in ten hours to begin the next phase. What is my name? Who am I? Why are they doing this to me? Now the right arm, please, Mr. Hamlin. Who? Mr. Hamlin. That’s you, Nathaniel Hamlin. Oh. The right arm, please? No, it’s not a needle, it’s an ultrasonic injector, just like the last one. You don’t remember the last one? Well, of course, I should have realized that. Here we go! They’re washing away my mind! No no no no no no no no no no no no

At the office the next afternoon Hamlin, who had not been heard from in any overt way for almost two full days, made another attempt at seizing the speech centers of Macy’s brain. He chose his moment carefully. Late in the day; Macy trying for the tenth or twelfth time to tape his commentary for the evening news; inner tensions high.

The words weren’t flowing and the tones were thorny. He was covering the presumed assassination of the Croatian prime minister, a particularly nasty incident: a gang of monadist radicals had kidnapped the man a week ago and, spiriting him away to an illegal mindpick laboratory thought to be located somewhere in the Caucasus, had subjected him to an intensive three-day personality deconstruct that had wholly obliterated his identity. His soulless shell had been picked up during the night in Istanbul and was now in Zagreb, where platoons of neurologists now were converging in the hope of summoning back his eradicated self. Scarcely any chance of success, according to a British authority on deconstruct techniques. If an identity is taken apart properly, there’s no known way of reassembling it. All the king’s horses and all the king’s men, and so forth. A bad show.

When the story had started to come off the pipe around lunchtime, Macy had instantly volunteered to handle it. He felt he had to prove to his colleagues that he did not need to be sheltered against references to deconstructs and reconstructs, rehabilitation work, and related matters. But it was proving unexpectedly difficult for him to carry out the assignment. The story was full of lumpy Croatian names that refused to cross his tongue in the right order of syllables. Moreover, he was more sensitive to the theme of the incident than he had realized; he burst into uneasy sweats at odd moments while reading his script, usually around the place where he was doing the lead-in to the statement from the London neurologist.

Take it slow, the platform monitor kept calling out to him. You’re pressing, Paul. Just go easy and let the words slide out. Everybody was being kind to him, again. A whole taping crew immobilized here for well over an hour while he blundered and staggered his way through an infinity of faulty takes. Take it slow, take it slow.

This time he thought he had it. The polysyllabic names all safely taped. The intricate explication of Balkan politics handled without calamity. For the first time this afternoon, a single usable take covering ninety percent of the script. Now to clinch things: “This morning in London, we spoke with the celebrated British brain expert Varnum Skillings, who vdrkh cmpm gzpzp vdrkh —”

“Cut!”

“Shqkm. Vtpkp. Smss! Grgg!”

People rushing toward him from all sides of the studio. His skull ablaze. Eyes unfocused. Macy knew precisely what had happened, and after the first instinctive moment of terror he began to take counteroffensive action. Just as he had on Tuesday, he labored to pry Hamlin’s mental grip loose. There was a complicating factor here, the public nature of his fit, the disturbed colleagues fluttering around him, asking him things, loosening his collar, otherwise distracting him. And the feeling of calamity that came over him at the realization that he had suffered this upheaval in front of everybody, exposed himself thoroughly as too sick to hold this job. Brushing aside those matters, he worked on Hamlin. The devil had bided his time, collected his strength, made his try when Macy was least prepared for it. All the same, Macy was more powerful. He had the leverage that controlling the body’s main neural trunks provided. Back, you fucker! Back! Back! Let go!

Hamlin let go. Foiled again.

Macy’s vision returned and he found himself staring into the agitated onyx face of Loftus. Asking him over and over what had happened, was he all right, should they send for a doctor, an ambulance, get him a drink, a gold.

“I’ll be fine,” he said. Voice like corroded copper.

“You sounded so weird just then—and your face was so twisted up—”

“I said I’d be all right.” Normal tone returning.

No one must know. No one.

The platform monitor, Smith, Jones, some name like that, coming up to him. “We got a nearly perfect take, Macy. If you’d like to rest a while, and then you can do the finale for us—no problem to splice it—”

“Well do it now,” said Macy.

No one must know.

The camera crew returning to places. Confusion defused. Macy, alone under the lights, swaying a little, searched his mind for Hamlin, could not find him, decided that he really had succeeded once again in thwarting a takeover. Nevertheless, he would keep on guard. If it happened again under the cameras he’d be in trouble. No room in this organization for newsmen who throw fits at unpredictable moments.

“Roll it,” said Jones or Smith.

“This morning in London,” Macy said smoothly, “we spoke with the celebrated British brain expert Varnum Skillings, who gave us this assessment of the situation.”

“Cut,” said Smith or Jones.

Macy smiled. Almost home free, now. The platform monitor gave the signal. Macy delivered the final line. Done. Sighs of relief. People trooping out. Low whispers, everyone no doubt talking about his creepy paroxysm.

Let them talk. I beat him down again, didn’t I? He loses every time.

For once Macy thought it might be almost tolerable to have Hamlin alive within him. Hamlin was the perpetual challenge that defined him. Every man needs a nemesis. He arises, I smite him. He arises again, I smite again. And so we go on together through the busy, happy days. He gives me texture and density. With him, I am a man with a unique affliction; I carry tragic angst. Without him I would be a shadow. And so we are comfortable with one another. Until the time when the pattern of testing, of thrust and parry, is broken. Until he conquers me. Or I him. When it comes, it will come with one quick sudden triumphant thrust, and one of us will succumb. He? I? We’ll see. Home, now. A long wearying day.

Lissa wasn’t there. He looked through the apartment with great care, methodically passing several times from one room to the other and quickly doubling back, as though she might be slipping invisibly through the door just ahead of him; but no, she wasn’t anywhere around. He checked the bathroom and the closets. Her things were still hanging helterskelter among his. Not gone permanently, then. A note from her? No, nothing. Might have gone out to take a walk. Or to buy some groceries for dinner. At this hour, though? Knowing he always came home punctually? Briefly alarmed, he searched the place once again, looking now for traces of violence. No. A mystery, then.

She had her own key, and he had reprogrammed the thumbplate safety latch to accept her fingerprint; she could come and go as she pleased. But she should have been on hand when he arrived. He couldn’t understand why she wasn’t. What now? Notify the police? There was this girl, officer, she’s been living with me since Tuesday night, she wasn’t home when I returned from work, I wonder if you—No. Hardly. Ask the neighbors if they had seen her? No. Go out and look for her in the local shops? No. Search for her at her own apartment? Maybe. Do nothing, stay here, wait for her to show up? Maybe. For the time being, yes. Give her an hour, two hours. She has her moods. Maybe she went to a show. Feeling tense, just went off by herself. Odd that there’s no note, anyway.