Emily St. John Mandel - Station Eleven

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Station Eleven: краткое содержание, описание и аннотация

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An audacious, darkly glittering novel set in the eerie days of civilization's collapse,
tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.
One snowy night Arthur Leander, a famous actor, has a heart attack onstage during a production of
. Jeevan Chaudhary, a paparazzo-turned-EMT, is in the audience and leaps to his aid. A child actress named Kirsten Raymonde watches in horror as Jeevan performs CPR, pumping Arthur's chest as the curtain drops, but Arthur is dead. That same night, as Jeevan walks home from the theater, a terrible flu begins to spread. Hospitals are flooded and Jeevan and his brother barricade themselves inside an apartment, watching out the window as cars clog the highways, gunshots ring out, and life disintegrates around them.
Fifteen years later, Kirsten is an actress with the Traveling Symphony. Together, this small troupe moves between the settlements of an altered world, performing Shakespeare and music for scattered communities of survivors. Written on their caravan, and tattooed on Kirsten's arm is a line from
: "Because survival is insufficient." But when they arrive in St. Deborah by the Water, they encounter a violent prophet who digs graves for anyone who dares to leave.
Spanning decades, moving back and forth in time, and vividly depicting life before and after the pandemic, this suspenseful, elegiac novel is rife with beauty. As Arthur falls in and out of love, as Jeevan watches the newscasters say their final good-byes, and as Kirsten finds herself caught in the crosshairs of the prophet, we see the strange twists of fate that connect them all. A novel of art, memory, and ambition,
tells a story about the relationships that sustain us, the ephemeral nature of fame, and the beauty of the world as we know it.

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The corridor was silent. It was necessary to walk very slowly, her hand on the wall. A man was curled on his side near the elevators, shivering. She wanted to speak to him, but speaking would take too much strength, so she looked at him instead — I see you, I see you — and hoped this was enough.

The lobby was empty now. The staff had fled.

Outside the air was heavy and still. A greenish light on the horizon, the beginnings of sunrise. A feeling of moving in slow motion, like walking underwater or in a dream. It was necessary to concentrate carefully on each step. This terrible weakness. She followed the path to the beach, walking very slowly, her outstretched hands brushing the palm fronds on either side. At the bottom of the path, the hotel’s white chaise longues lay in a row on the sand, unoccupied. The beach was empty of people. She collapsed into the nearest chaise longue and closed her eyes.

Exhaustion. She was desperately hot, then wracked with chills. Her thoughts were disordered. No one came.

She was thinking about the container-ship fleet on the horizon. The crew out there wouldn’t have been exposed to the flu. Too late to get to a ship herself now, but she smiled at the thought that there were people in this reeling world who were safe.

картинка 9

Miranda opened her eyes in time to see the sunrise. A wash of violent color, pink and streaks of brilliant orange, the container ships on the horizon suspended between the blaze of the sky and the water aflame, the seascape bleeding into confused visions of Station Eleven, its extravagant sunsets and its indigo sea. The lights of the fleet fading into morning, the ocean burning into sky.

7. The Terminal

42

AT FIRST THE PEOPLEin the Severn City Airport counted time as though they were only temporarily stranded. This was difficult to explain to young people in the following decades, but in all fairness, the entire history of being stranded in airports up to that point was also a history of eventually becoming unstranded, of boarding a plane and flying away. At first it seemed inevitable that the National Guard would roll in at any moment with blankets and boxes of food, that ground crews would return shortly thereafter and planes would start landing and taking off again. Day One, Day Two, Day Forty-eight, Day Ninety, any expectation of a return to normalcy long gone by now, then Year One, Year Two, Year Three. Time had been reset by catastrophe. After a while they went back to the old way of counting days and months, but kept the new system of years: January 1, Year Three; March 17, Year Four, etc. Year Four was when Clark realized this was the way the years would continue to be marked from now on, counted off one by one from the moment of disaster.

He’d known for a long time by then that the world’s changes wouldn’t be reversed, but still, the realization cast his memories in a sharper light. The last time I ate an ice-cream cone in a park in the sunlight. The last time I danced in a club. The last time I saw a moving bus. The last time I boarded an airplane that hadn’t been repurposed as living quarters, an airplane that actually took off. The last time I ate an orange.

Toward the end of his second decade in the airport, Clark was thinking about how lucky he’d been. Not just the mere fact of survival, which was of course remarkable in and of itself, but to have seen one world end and another begin. And not just to have seen the remembered splendors of the former world, the space shuttles and the electrical grid and the amplified guitars, the computers that could be held in the palm of a hand and the high-speed trains between cities, but to have lived among those wonders for so long. To have dwelt in that spectacular world for fifty-one years of his life. Sometimes he lay awake in Concourse B of the Severn City Airport and thought, “I was there,” and the thought pierced him through with an admixture of sadness and exhilaration.

“It’s hard to explain,” he caught himself saying sometimes to young people who came into his museum, which had formerly been the Skymiles Lounge in Concourse C. But he took his role as curator seriously and he’d decided years ago that “It’s hard to explain” isn’t good enough, so he always tried to explain it all anyway, whenever anyone asked about any of the objects he’d collected over the years, from the airport and beyond — the laptops, the iPhones, the radio from an administrative desk, the electric toaster from an airport-staff lounge, the turntable and vinyl records that some optimistic scavenger had carried back from Severn City — and of course the context, the pre-pandemic world that he remembered so sharply. No, he was explaining now, to a sixteen-year-old who’d been born in the airport, the planes didn’t rise straight up into the sky. They gathered speed on long runways and angled upward.

“Why did they need the runways?” the sixteen-year-old asked. Her name was Emmanuelle. He had a special fondness for her, because he remembered her birth as the only good thing that had happened in that terrible first year.

“They couldn’t get off the ground without gathering speed. They needed momentum.”

“Oh,” she said. “The engines weren’t that powerful, then?”

“They were,” he said, “but they weren’t like rocket ships.”

“Rocket ships …”

“The ships we used to go to space.”

“It’s incredible,” she said, shaking her head.

“Yes.” Incredible in retrospect, all of it, but especially the parts having to do with travel and communications. This was how he arrived in this airport: he’d boarded a machine that transported him at high speed a mile above the surface of the earth. This was how he’d told Miranda Carroll of her ex-husband’s death: he’d pressed a series of buttons on a device that had connected him within seconds to an instrument on the other side of the world, and Miranda — barefoot on a white sand beach with a shipping fleet shining before her in the dark — had pressed a button that had connected her via satellite to New York. These taken-for-granted miracles that had persisted all around them.

By the end of the Second Decade most of the airport’s population was either born there or had walked in later, but two dozen or so people remained who had been there since the day their flights had landed. Clark’s flight landed without incident, diverted from Toronto for reasons no one seemed immediately able to explain, and taxied to a gate in Concourse B. Clark looked up from his edits of the 360° Subordinates report and was struck by the variety of planes on the tarmac. Singapore Airlines, Cathay Pacific, Air Canada, Lufthansa, Air France, enormous jets parked end to end.

When Clark emerged from the jet bridge into the fluorescent light of Concourse B, the first thing he noticed was the uneven distribution of people. Crowds had gathered beneath the television monitors. Clark decided that whatever they were looking at, he couldn’t face it without a cup of tea. He assumed it was a terrorist attack. He bought a cup of Earl Grey at a kiosk, and took his time adding the milk. This is the last time I’ll stir milk into my tea without knowing what happened, he thought, wistful in advance for the present moment, and went to stand with the crowd beneath a television that was tuned to CNN.

The story of the pandemic’s arrival in North America had broken while he was in the air. This was another thing that was hard to explain years later, but up until that morning the Georgia Flu had seemed quite distant, especially if one happened not to be on social media. Clark had never followed the news very closely and had actually heard about the flu only the day before the flight, in a brief newspaper story about a mysterious outbreak of some virus in Paris, and it hadn’t been at all clear that it was developing into a pandemic. But now he watched the too-late evacuations of cities, the riots outside hospitals on three continents, the slow-moving exodus clogging every road, and wished he’d been paying more attention. The gridlocked roads were puzzling, because where were all these people going? If these reports were to be believed, not only had the Georgia Flu arrived, but it was already everywhere. There were clips of officials from various governments, epidemiologists with their sleeves rolled up, everyone wan and bloodshot and warning of catastrophe, blue-black circles under bloodshot eyes.

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