Emily St. John Mandel - Station Eleven

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Station Eleven: краткое содержание, описание и аннотация

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An audacious, darkly glittering novel set in the eerie days of civilization's collapse,
tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.
One snowy night Arthur Leander, a famous actor, has a heart attack onstage during a production of
. Jeevan Chaudhary, a paparazzo-turned-EMT, is in the audience and leaps to his aid. A child actress named Kirsten Raymonde watches in horror as Jeevan performs CPR, pumping Arthur's chest as the curtain drops, but Arthur is dead. That same night, as Jeevan walks home from the theater, a terrible flu begins to spread. Hospitals are flooded and Jeevan and his brother barricade themselves inside an apartment, watching out the window as cars clog the highways, gunshots ring out, and life disintegrates around them.
Fifteen years later, Kirsten is an actress with the Traveling Symphony. Together, this small troupe moves between the settlements of an altered world, performing Shakespeare and music for scattered communities of survivors. Written on their caravan, and tattooed on Kirsten's arm is a line from
: "Because survival is insufficient." But when they arrive in St. Deborah by the Water, they encounter a violent prophet who digs graves for anyone who dares to leave.
Spanning decades, moving back and forth in time, and vividly depicting life before and after the pandemic, this suspenseful, elegiac novel is rife with beauty. As Arthur falls in and out of love, as Jeevan watches the newscasters say their final good-byes, and as Kirsten finds herself caught in the crosshairs of the prophet, we see the strange twists of fate that connect them all. A novel of art, memory, and ambition,
tells a story about the relationships that sustain us, the ephemeral nature of fame, and the beauty of the world as we know it.

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In the lobby, the people gathered at the bar clinked their glasses together. “To Arthur,” they said. They drank for a few more minutes and then went their separate ways in the storm.

Of all of them there at the bar that night, the bartender was the one who survived the longest. He died three weeks later on the road out of the city.

3

JEEVAN WANDERED ALONE INAllan Gardens. He let the cool light of the greenhouse draw him in like a beacon, snowdrifts halfway to his knees by now, the childhood pleasure of being the first to leave footprints. When he looked in he was soothed by the interior paradise, tropical flowers blurred by fogged glass, palm fronds whose shapes reminded him of a long-ago vacation in Cuba. He would go see his brother, he decided. He wanted very much to tell Frank about the evening, both the awfulness of Arthur’s death and the revelation that being a paramedic was the right thing to do with his life. Up until tonight he hadn’t been certain. He’d been searching for a profession for so long now. He’d been a bartender, a paparazzo, an entertainment journalist, then a paparazzo again and then once again a bartender, and that was just the past dozen years.

Frank lived in a glass tower on the south edge of the city, overlooking the lake. Jeevan left the park and waited awhile on the sidewalk, jumping up and down for warmth, boarded a streetcar that floated like a ship out of the night and leaned his forehead on the window as it inched along Carlton Street, back the way he had come. The storm was almost a whiteout now, the streetcar moving at a walking pace. His hands ached from compressing Arthur’s unwilling heart. The sadness of it, memories of photographing Arthur in Hollywood all those years ago. He was thinking of the little girl, Kirsten Raymonde, bright in her stage makeup; the cardiologist kneeling in his gray suit; the lines of Arthur’s face, his last words—“The wren …”—and this made him think of birds, Frank with his binoculars the few times they’d been bird-watching together, Laura’s favorite summer dress which was blue with a storm of yellow parrots, Laura, what would become of them? It was still possible that he might go home later, or that at any moment she might call and apologize. He was almost back where he’d started now, the theater closed up and darkened a few blocks to the south. The streetcar stopped just short of Yonge Street, and he saw that a car had spun out in the middle of the tracks, three people pushing while its tires spun in the snow. His phone vibrated again in his pocket, but this time it wasn’t Laura.

“Hua,” he said. He thought of Hua as his closest friend, though they rarely saw one another. They’d tended bar together for a couple of years just after university while Hua studied for his MCAT and Jeevan tried unsuccessfully to establish himself as a wedding photographer, and then Jeevan had followed another friend to Los Angeles to take pictures of actors while Hua had gone off to medical school. Now Hua worked long hours at Toronto General.

“You been watching the news?” Hua spoke with a peculiar intensity.

“Tonight? No, I had theater tickets. Actually, you wouldn’t believe what happened, I—”

“Wait, listen, I need you to tell me honestly, will it send you into one of your panic attacks if I tell you something really, really bad?”

“I haven’t had an anxiety attack in three years. My doctor said that whole thing was just a temporary stress-related situation, you know that.”

“Okay, you’ve heard of the Georgia Flu?”

“Sure,” Jeevan said, “you know I try to follow the news.” A story had broken the day before about an alarming new flu in the Republic of Georgia, conflicting reports about mortality rates and death tolls. Details had been sketchy. The name the news outlets were going with — the Georgia Flu — had struck Jeevan as disarmingly pretty.

“I’ve got a patient in the ICU,” Hua said. “Sixteen-year-old girl, flew in from Moscow last night, presented with flu symptoms at the ER early this morning.” Only now did Jeevan hear the exhaustion in Hua’s voice. “It’s not looking good for her. Well, by midmorning we’ve got twelve more patients, same symptoms, turns out they were all on the same flight. They all say they started feeling sick on the plane.”

“Relatives? Friends of the first patient?”

“No relation whatsoever. They all just boarded the same flight out of Moscow.”

“The sixteen-year-old …?”

“I don’t think she’ll make it. So there’s this initial group of patients, the Moscow passengers. Then this afternoon, a new patient comes in. Same symptoms, but this one wasn’t on the flight. This one’s just an employee at the airport.”

“I’m not sure what you’re—”

“A gate agent,” Hua said. “I’m saying his only contact with the other patients was speaking with one of them about where to board the hotel shuttle.”

“Oh,” Jeevan said. “That sounds bad.” The streetcar was still trapped behind the stuck car. “So I guess you’re working late tonight?”

“You remember the SARS epidemic?” Hua asked. “That conversation we had?”

“I remember calling you from Los Angeles when I heard your hospital was quarantined, but I don’t remember what I said.”

“You were freaked out. I had to talk you down.”

“Okay, I guess I do remember that. But look, in my defense, they made it sound pretty—”

“You told me to call you if there was ever a real epidemic.”

“I remember.”

“We’ve admitted over two hundred flu patients since this morning,” Hua said. “A hundred and sixty in the past three hours. Fifteen of them have died. The ER’s full of new cases. We’ve got beds parked in hallways. Health Canada’s about to make an announcement.” It wasn’t only exhaustion, Jeevan realized. Hua was afraid.

Jeevan pulled the bell cord and made his way to the rear door. He found himself glancing at the other passengers. The young woman with groceries, the man in the business suit playing a game on his cell phone, the elderly couple conversing quietly in Hindi. Had any of them come from the airport? He was aware of all of them breathing around him.

“I know how paranoid you can get,” Hua said. “Believe me, you’re the last person I’d call if I thought it was nothing, but—” Jeevan banged the palm of his hand on the door’s glass pane. Who had touched the door before him? The driver glared over his shoulder, but let him out. Jeevan stepped into the storm and the doors swished shut behind him.

“But you don’t think it’s nothing.” Jeevan was walking past the stuck car, wheels still spinning uselessly in the snow. Yonge Street was just ahead.

“I’m certain it isn’t nothing. Listen, I have to get back to work.”

“Hua, you’ve been working with these patients all day?”

“I’m fine, Jeevan, I’ll be fine. I have to go. I’ll call you later.”

Jeevan put the phone in his pocket and walked on through the snow, turned south down Yonge Street toward the lake and the tower where his brother lived. Are you fine, Hua my old friend, or will you be fine? He was deeply unsettled. The lights of the Elgin Theatre just ahead. The interior of the theater was darkened now, the posters still advertising King Lear , with Arthur gazing up into blue light with flowers in his hair and the dead Cordelia limp in his arms. Jeevan stood for a while looking at the posters. He walked on slowly, thinking of Hua’s strange call. Yonge Street was all but deserted. He stopped to catch his breath in the doorway of a store that sold suitcases and watched a taxi ease its way slowly down the unplowed street, the storm caught in its headlights, and this vision, snow in lights, transported him back for a moment into the stage-effect storm of the Elgin Theatre. He shook his head to dispel the image of Arthur’s blank stare and moved on in an exhausted daze, through the shadows and orange lights under the Gardiner Expressway to Toronto’s glassy southern edge.

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