Hugh Fullerton - Jimmy Kirkland and the Plot for a Pennant

"You're all right, Bo," he roared, throwing his huge arm around the shoulders of the recruit. "You're perfectly all right, but he won't fight you."

"I'll smash" —

"Naw, you won't, Adonis," said the giant, contemptuously. "I think he can lick you, anyhow, but you had it coming. Now kick his other shin, and after that Adonis will apologize."

The suggestion raised a laugh, and eased the situation. The battle light in McCarthy's face changed to a smile.

"I'll forego the kick," he said. "I had to make good after what I told you in the hotel. I'm perfectly willing to let it drop and be friends."

He extended his hand frankly, but Williams, still scowling, did not take it.

"Never mind the being friends part of it," he said. "But if you don't want trouble, just lay away from me after this."

"Here, young fellow," said Clancy, who had arrived at the club house in time to see the finish of the altercation; "I'll do all the fighting for this club. Understand?"

"Yes," replied McCarthy, slowly, without attempting to explain.

"What do you think of my gamecock, Bill?" asked Swanson, enthusiastically. "Adonis insulted him in the hotel last night and the kid promised to kick him on the shins. He was just making good. He offered to shake hands and call it all off, but Adonis wouldn't do it. He's my roommate from now on. I'll have to take him to keep him from fighting every one."

The giant's remark caused another laugh, as his record for fights during his earlier career as a ball player had given him a reputation which obviated all necessity of fighting.

The majority of the Bears had accepted McCarthy as one of their own kind after that, and Swanson adopted him. With Swanson he seemed at home, but the others found him a trifle shy and retiring. He was friendly with all excepting Williams and Pardridge, who resented his occupation of third base while pretending to be pleased. Yet with the exception of Swanson and Kennedy he made no close friends. The admiration of the rough, big-hearted Swede shortstop for the recruit approached adoration and he was loud and insistent in voicing his praises of McCarthy.

The train which was bearing the Bears away from the city of the Panthers drew slowly out of the great station, plunged through a series of tunnel-like arches under the streets, and rattled out into the suburbs, gathering speed for the long night run. Inside the cars the players were settling themselves for an evening of recreation. Card games were starting, the chess players were resuming their six-month-long contest, and McCarthy sought his berth and sat alone, striving to read. In the berth just ahead of his seat the quartette commenced to sing.

The Bears possessed a quartette with some musical merit and musical knowledge. Kennedy, the quiet, big catcher, had a good baritone voice and it showed training. Norton, who seldom spoke, but always was ready to sing, led, and Swanson was the bass, his voice deep and organ-like, making up in power and richness much that it lost in lack of training. Madden, the tenor, was weak and uncertain yet, as Swanson remarked, "He can't sing much, but he is a glutton for punishment."

When the quartette started to sing, McCarthy dropped his book and sat gazing out into the gathering twilight, listening to the strong, healthy voices. Lights commenced to flash out from the farm houses and the haze settled in waving curtains over the ponds and the lowlands. He was lonely, homesick at thought of other voices and other scenes and the joyousness of his new comrades seemed to depress rather than to lift his spirits.

Berths were being prepared for the night. Already in several the weary and the lame were reclining, reading. Others, worn by the strain of the day's game, were getting ready to draw their curtains. The trainer and his assistant were passing quietly from berth to berth, working upon aching arms and bruised muscles, striving to keep their valuable live stock in condition to continue the struggle.

The quartette sang on and on, regardless of the lack of an audience, for no one in the car appeared to be listening. They sang tawdry "popular" songs for the most part, breaking into a ribald ragtime ditty, followed by a sickly sentimental ballad.

Kennedy's voice, without warning, rose strong and clear almost before the final chord of the song over which the quartette had been in travail had died away. Kennedy had a habit, when he wearied of the songs they sang, of singing alone some song the others did not know; some quaint old ballad, or oftener a song of higher class. For a moment the others strove vainly to follow. Then silence fell over them as Kennedy's voice rose, clearer and stronger, as he sang the old words of Eileen Aroon.

"Dear were her charms to me."

His voice was pregnant with feeling.

"Dearer her laughter – free."

Kennedy was singing as if to himself, but as he sang a voice, strong and fresh, like a clear bell striking into the music of chimes, joined his and sang with him the words:

"Dearer her constancy."

The card players suddenly lost interest in their game, dropped their hands and turned to see who was singing. Players who had been reading and those who had been vainly striving to sleep poked their heads between curtains of the berths, the better to listen.

On and on through the haunting, half-pathetic minors of the old song the clear, sweet tenor and the strong, well-modulated voice of Kennedy carried the listeners. McCarthy, leaning toward the window and gazing out upon the moonlight as if under its spell, sang on in ignorance of the interest his voice had aroused in the car.

The song ended. For a moment the silence in the car was so complete that the clicking of the wheels upon the fish plates sounded sharply. Then Swanson, with a yell, broke the spell. Hurdling the back of the berth he descended upon the startled McCarthy, who seemed dazed and bewildered by the outburst and the pattering applause that it started.

"Yeh, Bo," yelled Swanson, giving his diamond war cry. "Yeh, Bo, you're a bear. Hey, you folks, throw Maddy out of the window and make room for this red-headed Caruso. Why didn't you tell me you could sing? The quartette is filled at last!"

Flushed and laughing in his embarrassment, McCarthy was borne up the aisle and deposited in the place of honor in the quartette.

Suddenly the scuffling and boisterous laughter ceased, and the players drew aside, apologetically, to make room for an eager, bright-eyed girl, whose face was flushed with pleasure, but who advanced toward McCarthy without a trace of embarrassment. McCarthy, glancing at her, recognized the girl who had directed him to Manager Clancy on the evening of his first appearance in the Bear camp.

"I was coming to say good-night to father," she said quickly, "and I heard you sing. I want to thank you."

She extended her hand and smiled. McCarthy stared at her in a bewilderment. Some memory of long ago stirred within him. He recalled in a flash where he had seen the face before; the face that had come into his boyhood at one of its unhappiest hours. He had dreamed of the face, and the memory of the kind brown eyes, filled with sympathetic tenderness, never had left him. She was the same girl. He realized suddenly that he was staring rudely and strove to stammer some reply to her impulsive thanks.

"Oh, I say," he protested. "It was nothing – I wasn't thinking" —

"You sang it beautifully," she interrupted.

"The song is one of my favorites. I did not know Mr. Kennedy knew it."

"Used to sing it at home," said Kennedy, as if indifferent.

"Thank you," McCarthy stammered, partly recovering his poise. "It is good of you to like it. I seldom sing at all. The song made me forget where I was."

"You must sing for us," she said simply. "The boys will make you. I am certain that after you feel more at home among us you will give us that pleasure. Good-night – and thank you again."