Various - Eclectic Magazine of Foreign Literature, Science, and Art

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This strange moral theory could not but have strange consequences. Love, as Goethe knows it, is very tender, and has a lyric note as fresh as that of a song-bird; but it passes away like the songs of spring. In his Autobiography, one love-passage succeeds another, each is charmingly described, but each comes speedily to an end. How far in each case he was to blame is matter of controversy. But he seems to betray a way of thinking about women such as might be natural to an Oriental Sultan. “I was in that agreeable phase,” he writes, “when a new passion had begun to spring up in me before the old one had quite disappeared.” About Friederika he blames himself without reserve, and uses strong expressions of contrition; but he forgets the matter strangely soon. In his distress of mind he says he found riding, and especially skating, bring much relief. This reminds us of the famous letter to the Frau von Stein about coffee. He is always ready in a moment to shake off the deepest impressions and to receive new ones; and he never looks back. A curious insensibility, which seems imitated from the apparent insensibility of Nature herself, shows itself in his works by the side of the deepest pathos. Faust never once mentions Gretchen again, after that terrible prison scene; her remembrance does not seem to trouble him; she seems entirely forgotten, until, just at the end, among the penitents who surround the Mater Gloriosa, there appears one who has borne the name of Gretchen. In like manner – this shocked Schiller – when Mignon dies she seems instantly forgotten, and the business of the novel scarcely pauses for a moment.

We are also to remember that Goethe was a man of the old régime . If he who had such an instinctive comprehension of feminine character, at the same time treats women in this Oriental fashion, we are to remember that he lived in a country of despotic Courts, and also that he was entirely outside the movement of reform. Had he entered into the reforming movement of his age, he might have striven to elevate women, as he might have heralded and welcomed some of the ideas of 1789, and the nationality movements of 1808 and 1813. He certainly felt at times that all was not right in the status of women (“Der Frauen Schicksal ist beklagenswerth”), and how narrowly confined was their happiness (“Wie enggebunden ist des Weibes Glück,”), as he certainly felt how miserable was the political conditions of Germany. Nevertheless he did not take the path either of social or of political reform. He worked in another region, a deeper region. He was a reformer on the great scale in literature, art, education, that is, in culture, but he was not a reformer of institutions. And as he did not look forward to a change in institutions, his views and his very morality rested on the assumption of a state of society in many respects miserably bad.

But the effect of this aberration upon Goethe’s character as a teacher and upon his influence has been most disastrous. And inevitably, for as it has been the practice in the Christian world to lay all the stress of morality upon that very virtue which Goethe almost entirely repudiates, he appears not only to be no moralist but an enemy of morality. And as he once brought a devil upon the stage, we identify him with his own Mephistopheles, though, in fact, the tone of cold irony is not by any means congenial to him. He has the reputation of a being awfully wise, who has experienced all feelings good and bad, but has survived them, and from whose writings there rises a cold unwholesome exhalation, the odor of moral decay. It is thought that he offers culture, art, manifold intellectual enjoyment, but at the price of virtue, faith, patriotism.

If I have taken a just view, the good and bad characteristics of his writings stand in a different relation. It is not morality itself that he regards with indifference, but one important section of morality. And he is an indifferentist here, partly because he is a man formed in the last years of the old régime , partly because he is borne too far on the tide of reaction against Catholic and monastic ideas. Nevertheless, he remains a moralist; and in his positive teaching he is one of the greatest moral teachers the world has ever seen. In his life he displayed some of the greatest and most precious virtues, a nobly conscientious use of great powers, a firm disregard of popularity, an admirable capacity for the highest kind of friendship. His view of life and literature is, in general, not ironical and not enervating, but sincere, manly, and hopeful. And his view of morality and religion, if we consider it calmly and not in that spirit of agonized timidity which reigns in the religious world, will perhaps appear to be not now very dangerous where it is wrong, and full of fresh instruction where it is right. The drift of the nineteenth century, the progress of those reforms in which Goethe took so little interest, have tended uniformly to the elevation of woman, so that it seems now scarcely credible that at the end of the last century great thinkers can seriously have preferred to contemplate her in the half servile condition in which classical poetry exhibits her. On this point at least the world is not likely to become pagan again. On the other hand Carlyle himself scarcely exaggerated the greatness of Goethe as a prophet of new truth alike in morals and in religion. Just at the moment when the supernaturalist theory, standing alone, seemed to have exhausted its influence, and to be involving religion in its own decline, Goethe stood forth as a rapt adorer of the God in Nature. 39 39 “Was kann der Mensch im Leben mehr gewinnen, Als dass ihm Gott-Natur sich offenbare?” Naturalism in his hands appeared to be no dull system of platitudes, no empty delusive survival of an exploded belief, but a system as definite and important as Science, as rich and glorious as Art. Morality in his hands appeared no longer morbid, unnaturally solemn, unwholesomely pathetic, but robust, cheerful, healthy, a twin-sister of happiness. In his hands also morality and religion appeared inseparably united, different aspects of that free energy, which in him was genius, and in every one who is capable of it resembles genius. Lastly, his bearing towards Christianity, when he had receded from the exaggerations of his second period, was better, so long as it seemed hopeless to purge Christianity of its other-worldliness , than that of the zealots on either side. He entered into no clerical or anti-clerical controversies; but, while he spoke his mind with great frankness, did not forget to distinguish between clericalism and true Christianity, cherished no insane ambition of destroying the Church or founding a new religion, 40 40 “Von der Société St. Simonien bitte Dich fern zu halten;” so he writes to Carlyle. and counselled us in founding our future society to make Christianity a principal element in its religion, and not to neglect the “excellent collection of sacred books” left us by the Hebrews. — Contemporary Review .

BYGONE CELEBRITIES AND LITERARY RECOLLECTIONS

BY CHARLES MACKAY

I. Daniel O’Connell – Serjeant Talfourd – Robert Carruthers

The three gentlemen whose names appear at the head of this chapter of my reminiscences, breakfasted together at the table of Mr. Rogers, along with our host and myself, in the summer of 1845. They were all remarkable and agreeable men, and played a part more or less distinguished in the social life of the time. Mr. O’Connell called himself, and was called by his friends, the Liberator, but was virtually the Dictator, or uncrowned king, of the Irish people. Serjeant, afterwards Judge, Talfourd, was an eminent lawyer – a very eloquent speaker, and a poet of some renown. Mr. Robert Carruthers was the editor of the Inverness Courier , a paper of much literary influence; a man of varied acquirements and extensive reading, particularly familiar with the literature and history of the seventeenth and eighteenth centuries, and more especially with the writings of Pope, his contemporaries and predecessors. Whenever Mr. Macaulay, while engaged on the “History of England,” which, unfortunately, he did not live to complete, was in doubt about an incident, personal or national, that occurred during the reigns of James II., William and Mary, or Queen Anne, and was too busy to investigate for himself, he had only to appeal for information to Mr. Carruthers, and the information was at once supplied from the abundant stores of that gentleman’s memory. I was well acquainted with all of these notables, but had never before met the three together.

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