Georges Bataille - Story of the Eye
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- Название:Story of the Eye
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Story of the Eye: краткое содержание, описание и аннотация
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As for the fact that Simone dared to piss on the corpse, whether in boredom or, at worst, in irritation: it mainly goes to prove how impossible it was for us to understand what was happening, and of course, it is no more understandable today than back then. Simone, being truly incapable of conceiving death such as one normally considers it, was frightened and furious, but in no way awestruck. Marcelle belonged to us so deeply in our isolation that we could not see her as just another corpse. Nothing about her death could be measured by a common standard, and the contradictory impulses overtaking us in this circumstance neutralized one another, leaving us blind and, as it were, very remote from anything we touched, in a world where gestures have no carrying power, like voices in a space that is absolutely soundless.
CHAPTER NINE
Lewd Animals
To avoid the bother of a police investigation, we instantly took off for Spain, where Simone was counting on our disappearing with the help of a fabulously rich Englishman, who had offered to support her and would be more likely than anyone else to show interest in our plight.
The villa was abandoned in the middle of the night. We had no trouble stealing a boat, reaching an obscure point on the Spanish coast, and burning up the craft with the aid of two drums of gasoline we had taken along, as a precautionary measure, from the garage of the villa. Simone left me concealed in a wood during the day and went to look for the Englishman in San Sebastian. She only came back at nightfall, but driving a magnificent automobile, with suitcases full of linen and rich clothing.
Simone said that Sir Edmond would join us in Madrid and all day long he had been plying her with the most detailed questions about Marcelle's death, making her draw diagrams and sketches. Finally he had told a servant to buy a wax mannequin with a blonde wig; he had then laid the figure out on the floor and asked Simone to urinate on its face, on the open eyes, in the same position as she had urinated on the eyes of the corpse: during all that time, Sir Edmond had not even touched her.
However, there had been a great change in Simone after Marcelle's suicide-she kept staring into space all the time, looking as if she belonged to something other than the terrestrial world, where almost everything bored her; or if she was still attached to this world, then purely by way of orgasms, that were rare, but incomparably more violent than before. These orgasms were as different from normal climaxes as, say, the mirth of savage Africans from that of Occidentals. In fact, though the savages may sometimes laugh as moderately as whites, they also have long-lasting jags, with all parts of the body in violent release, and they go whirling willy-nilly, flailing their arms about wildly, shaking their bellies, necks, and chests, and chortling and gulping horribly. As for Simone, she would first open uncertain eyes, at some lewd and dismal sight…
For example, Sir Edmond had a cramped, windowless pigsty, where one day he locked up a petite and scrumptious streetwalker from Madrid; wearing only cami-knickers, she collapsed in a pool of liquid manure under the bellies of the grunting swine. Once the door was shut, Simone had me fuck her on and on, in front of that door, with her ass in the mud, under a fine drizzle of rain, while Sir Edmond jerked off.
Gasping and slipping away from me, Simone grabbed her own ass in both hands and threw back her head, which banged violently against the ground; she tensed breathlessly for a few seconds, pulling with all her might on the fingernails buried in her ass, then tore herself away at one swoop and thrashed about on the ground like a headless chicken, hurting herself with a terrible bang on the door fittings. Sir Edmond gave her his wrist to bite on and allay the spasm that kept shaking her, and I saw that her face was smeared with saliva and blood.
After these huge fits, she always came to nestle in my arms; she settled her little ass comfortably in my large hands and remained there for a long time without moving or speaking, huddled like a little girl, but always somber.
Sir Edmond deployed his ingenuity at providing us with obscene spectacles at random, but Simone still preferred bullfights. There were actually three things about bullfights that fascinated her: the first, when the bull comes hurtling out of the bullpen like a big rat; the second, when its horns plunge all the way into the flank of a mare; the third, when that ludicrous, raw-boned mare gallops across the arena, lashing out unseasonably and dragging a huge, vile bundle of bowels between her thighs in the most dreadful wan colors, a pearly white, pink, and gray. Simone's heart throbbed fastest when the exploding bladder dropped its mass of mare's urine on the sand in one quick plop.
She was on tenterhooks from start to finish at the bullfight, in terror (which of course mainly expressed a violent desire) at the thought of seeing the toreador hurled up by one of the monstrous lunges of the horns when the bull made its endless, blindly raging dashes at the void of colored cloths. And there is something else I ought to say: When the bull makes its quick, brutal, thrusts over and over again into the matador's cape, barely grazing the erect line of the body, any spectator has that feeling of total and repeated lunging typical of the game of coitus. The utter nearness of death is also felt in the same way. But these series of prodigious passes are rare. Thus, each time they occur, they unlease a veritable delirium in the arena, and it is well known that at such thrilling instants the women jerk off by merely rubbing their thighs together.
Apropos bullfights, Sir Edmond once told Simone that until quite recently, certain virile Spaniards, mostly occasional amateur toreadors, used to ask the caretaker of the arena to bring them the fresh, roasted balls of one of the first bulls to be killed. They received them at their own seats, in the front row of the arena, and ate them while watching the killing of the next few bulls. Simone took a keen interest in this tale, and since we were attending the first major bullfight of the year that Sunday, she begged Sir Edmond to get her the balls of the first bull, but added one condition: they had to be raw.
"I say," objected Sir Edmond, "whatever do you want with raw balls? You certainly don't intend to eat raw balls now, do you?"
"I want to have them before me on a plate," concluded Simone.
CHAPTER TEN
Granero's Eye
On May 7, 1922, the toreadors La Rosa, Lalanda, and Granero were to fight in the arena of Madrid; the last two were renowned as the best matadors in Spain, and Granero was generally considered superior to Lalanda. He had only just turned twenty, yet he was already extremely popular, being handsome, tall and of a still childlike simplicity. Simone had been deeply interested in his story, and, exceptionally, had shown genuine pleasure when Sir Edmond announced that the celebrated bull-killer had agreed to dine with us the evening of the fight.
Granero stood out from the rest of the matadors because there was nothing of the butcher about him; he looked more like a very manly prince charming with a perfectly elegant figure. In this respect, the matador's costume is quite expressive, for it safeguards the straight line shooting up so rigid and erect every time the lunging bull grazes the body and because the pants so tightly sheathe the ass. A bright red cloth and a brilliant sword (before the dying bull whose hide steams with sweat and blood) complete the metamorphosis, bringing out the most captivating feature of the game. One must also bear in mind the typically torrid Spanish sky, which never has the color or harshness one imagines: it is just perfectly sunny with a dazzling but mellow sheen, hot, turbid, at times even unreal when the combined intensities of light and heat suggest the freedom of the senses.
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