Georges Bataille - Story of the Eye

It is hard to imagine the harrowing racket of that vast white sheet caught in the squall. It greatly outroared the fury of the sea or the wind in the trees. That was the first time I saw Simone racked by anything but her own lewdness: she huddled against me with a beating heart and gaped at the huge phantom raging in the night as though dementia itself had hoisted its colors on this lugubrious chateau.

We were motionless, Simone cowering in my arms and I half-haggard, when all at once the wind seemed to tatter the clouds, and the moon, with a revealing clarity, poured sudden light on something so bizarre and so excruciating for us that an abrupt, violent sob choked up in Simone's throat: at the center of the sheet flapping and banging in the wind, a broad wet stain glowed in the translucent moonlight…

A few seconds later, new black clouds plunged everything into darkness again, but I stayed on my feet, suffocating, feeling my hair in the wind, and weeping wretchedly, like Simone herself, who had collapsed in the grass, and for the first time, her body was quaking with huge, childlike sobs.

It was our unfortunate friend, no doubt about it, it was Marcelle who had opened that light-less window, Marcelle who had tied that stunning signal of distress to the bars of her prison. She had obviously jerked off in bed with such a disorder of her senses that she had entirely inundated herself, and it was then that we saw her hang the sheet from the window to let it dry.

As for myself, I was at a loss about what to do in such a park, with that bogus chateau de plaisance and its repulsively barred windows. I walked around the building, leaving Simone upset and sprawling on the grass. I had no practical goal, I just wanted to take a breath of air by myself. But then, on the side of the chateau, I stumbled upon an unbarred open window on the ground floor; I felt for the gun in my pocket and I entered cautiously: it was a very ordinary parlor. An electric flashlight helped me to reach an antechamber; then a stairway. I could not distinguish anything, I did not get anywhere, the rooms were not numbered. Besides, I was incapable of understanding anything, as though I were hexed: at that moment, I could not even understand why I had the idea of removing my pants and continuing that anguishing exploration only in my shirt. And yet I stripped off my clothes, piece by piece, leaving them on a chair, keeping only my shoes on. With a flashlight in my left hand and the revolver in my right hand, I wandered aimlessly, haphazardly. A rustle made me switch off my lamp quickly. I stood motionless, whiling away the time by listening to my erratic breath. Long, anxious minutes wore by without my hearing any more noise, and so I flashed my light back on, but a faint cry sent me fleeing so swiftly that I forgot my clothes on the chair.

I sensed I was being followed: so I hurriedly climbed out through the window and hid in a garden lane: but no sooner had I turned to observe what might be happening in the chateau than I spied a naked woman in the window frame; she jumped into the park as I had done and ran off towards a thorn bush.

Nothing was more bizarre for me in those utterly thrilling moments than my nudity against the wind on the path of that unknown garden. It was as if I had left the earth, especially because the squall was as violent as ever, but warm enough to suggest a brutal entreaty. I did not know what to do with the gun which I still held in my hand, for I had no pockets left; by charging after the woman who had run past me unrecognized, I would obviously be hunting her down to kill her. The roar of the wrathful elements, the raging of the trees and the sheet, also helped to prevent me from discerning anything distinct in my will or in my gestures.

All at once, I halted, out of breath: I had reached the bushes where the shadow had disappeared. Inflamed by my revolver, I began looking about, when suddenly it seemed as if all reality were tearing apart: a hand, moistened by saliva, had grabbed my cock and was jerking it, a slobbering, burning kiss was planted on the root of my ass, the naked chest and legs of a woman pressed against my legs with an orgasmic jolt. I scarcely had time to spin around when come burst in the face of my wonderful Simone: clutching my revolver, I was swept up by a thrill as violent as the storm, my teeth chattered and my lips foamed, with twisted arms I gripped my gun convulsively, and, willy-nilly, three blind, horrifying shots were fired in the direction of the chateau.

Drunk and limp, Simone and I had fled from one another and raced across the park like dogs; the squall was far too wild now for the gunshots to awake any of the sleeping tenants in the chateau, even if the bangs were heard on the inside. But when we instinctively looked up at Mar-celle's window above the sheet slamming the wind, we were greatly surprised to see that one of the bullets had left a star-shaped crack in one of the panes. The window shook, opened, and the shadow appeared a second time.

Dumbstruck, as though about to see Marcelle bleed and fall dead in the windowframe, we remained standing under the strange, nearly motionless apparition. Because of the furious wind, we were incapable of even making ourselves heard. "What did you do with your clothes?" I asked Simone an instant later. She said she had been looking for me and, unable to track me down, she had finally gone to search the interior of the chateau; but before clambering through the window, she had undressed, figuring she "would feel more free." And when she had come back out after me, terrified by me, she found that the wind had carried off her dress. Meanwhile, she kept observing Marcelle, and it never crossed her mind to ask me why I was naked.

The girl in the window disappeared. A moment that seemed immense crawled by: she switched on the light in her room. Finally, she came back to breathe the open air and gaze at the ocean. Her sleek, pallid hair was caught in the wind, we could make out her features: she had not changed, but now there was something wild in her eyes, something restless, contrasting with the still childlike simplicity of her features. She looked thirteen rather than sixteen. Under her nightgown, we could distinguish her thin but full body, firm, unobtrusive, and as beautiful as her fixed stare.

When she finally caught sight of us, the surprise seemed to restore life to her face. She called, but we couldn't hear. We beckoned. She blushed up to her ears. Simone, weeping almost, while I lovingly caressed her forehead, sent her kisses, to which she responded without smiling. Next, Simone ran her hand down her belly to her beaver. Marcelle imitated her, and poising one foot on the sill, she exposed a leg sheathed in a white silk stocking almost up to her blond cunt. Curiously, she was wearing a white belt and white stockings, whereas black-haired Simone, whose cunt was in my hand, was wearing a black belt and black stockings.

Meanwhile, the two girls were jerking off with terse, brusque gestures, face to face in the howling night. They were nearly motionless, and tense, and their eyes gaped with unrestrained joy. But soon, some invisible monstrosity appeared to be yanking Marcelle away from the bars, though her left hand clutched them with all her might. We saw her tumble back into her delirium. And all that remained before us was an empty, glowing window, a rectangular hole piercing the opaque night, showing our aching eyes a world composed of lightning and dawn.

A Trickle of Blood

Urine is deeply associated for me with saltpeter; and lightning, I don't know why, with an antique chamber pot of unglazed earthenware, lying abandoned one rainy autumn day on the zinc roof of a provincial wash house. Since that first night at the sanitarium, those wrenching images were closely knit, in the obscurest part of my brain, with the cunt and the drawn and dismal expression I had sometimes caught on Marcelle's face. But then, this chaotic and dreadful landscape of my imagination was suddenly inundated by a stream of light and blood, for Marcelle could climax only by drenching herself, not with blood, but with a spurt of urine that was limpid and even illuminated for me, at first violent and jerky like hiccups, then free and relaxed and coinciding with an outburst of superhuman happiness. It is not astonishing that the bleakest and most leprous aspects of a dream are merely an urging in that direction, an obstinate waiting for total joy, like the vision of that glowing hole, the empty window, for example, at the very moment when Marcelle lay sprawling on the floor, endlessly inundating it.