Levy Deborah - Things I Don't Want to Know

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Things I Don't Want to Know is a brilliantly insightful longform essay by Deborah Levy.
'Things I Don't Want to Know' is a unique response to George Orwell from one of our most vital contemporary writers. Taking Orwell's famous list of motives for writing as the jumping-off point for a sequence of thrilling reflections on the writing life, this is a perfect companion not just to Orwell's essay, but also to Levy's own, essential oeuvre.
'In her powerful rejoinder to Orwell, Deborah Levy responds to his proposed motives for writing — 'sheer egoism', 'aesthetic enthusiasm', 'historical impulse' and 'political purpose' — with illuminating moments of autobiography. A vivid, striking account of a writer's life, which feminises and personalises Orwell's blunt assertions' Spectator
'An up-to-date version of 'A Room of One's Own'. . I suspect it will be quoted for many years to come' Irish Examiner
'Levy's strength is her originality of thought and expression' Jeanette Winterson
Deborah Levy writes fiction, plays and poetry. Her work has been staged by the Royal Shakespeare Company, and she is the author of numerous highly praised books including The Unloved, Swallowing Geography and Beautiful Mutants, all of which are now published by Penguin. Her novel Swimming Home was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book Awards and 2013 Jewish Quarterly Wingate Prize.

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‘Show me your book.’

The headmaster sat at his desk drinking a cup of coffee.

My hands moved the exercise book towards him, sliding it across the shiny table. He opened the book and stared at the first page. Then he turned the page over and the page after that too. Mr Sinclair was frowning. I could see his finger pointing to the top line. A tuft of black hair sprouted from his knuckle as he tapped the page with START HERE written all over it.

‘Here. Why don’t you start here? Here. Here. Here. You start here. Do you understand?’

When I nodded my two blonde pony tails bounced from side to side.

He stood up and began to roll up the cuffs of his shirt sleeves. A framed photograph of two children stood on his desk. A boy and a girl. The boy’s hair had been shaved like Piet’s and he was wearing a scout’s uniform. The girl wore a blue gingham dress and had a matching blue band in her lovely ginger hair. Suddenly I felt Mr Sinclair’s hands on my legs. It made me jump it was so unexpected. The headmaster was slapping the backs of my legs with his hands.

There was something I was beginning to understand at seven years old. It was to do with not feeling safe with people who were supposed to be safe. The clue was that even though Mr Sinclair was white and a grown-up and had his name written in gold letters on the door of his office, I was definitely less safe with him than I was with the black children I had been spying on in the playground. The second clue was that the white children were secretly scared of the black children. They were scared because they threw stones and did other mean things to the black children. White people were afraid of black people because they had done bad things to them. If you do bad things to people, you do not feel safe. And if you do not feel safe, you do not feel normal. The white people were not normal in South Africa. I had heard all about the Sharpeville Massacre that happened a year after I was born and how the white police shot down the black children and women and men and how it rained afterwards and the rain washed the blood away. By the time Mr Sinclair said, ‘Go back to your class room,’ he was panting and sweating and I could tell he did not feel normal.

Clutching the book that had got me into so much trouble I decided not to return to my class room. I walked straight out of the school gates and made my way to the park where I swung on a rubber tyre tied with rope to a tree. A sign painted in red enamel nailed onto the fence spelt: ‘This play park for European children only. By order town clerk.’ The sun was scorching my bare knees so I moved to the seesaw which was in the shade and stayed there for two hours.

When I got home I took an orange from the sack in the pantry and rolled it under the sole of my bare foot until it was soft. Then I made a hole in it with my thumb and sucked out the juice. I was still thirsty so I drank water from the hose pipe in the yard. It was the hottest time of the day and our tomcat had collapsed under the peach tree that had once, miraculously, been covered in snow. At six o’clock my mother got back from work and said she needed to talk to me. It was obvious the school had rung her to say I hadn’t turned up for the afternoon because she told me I was going to stay for a few months with my Godmother who lived in Durban. After she hugged me for a long time, I walked back in to the garden to tell Maria.

Maria always sat on the steps of the verandah at night and drank condensed milk from a little tin she had pierced with the can opener. She said she was looking out for the parktown prawns. Sam and I had planted ten watermelon seeds in the garden but Maria had told us the parktown prawns might get to eat the young melons before we did. She said the parktown prawn was actually a king cricket and it attacked the rotting peaches that has fallen from our tree. If we touched one it would leap at us and spray a jet black liquid in to our eyes. When I sat next to her on the steps, she put some Vaseline on my lips and asked if everything was alright at school? I shook my head and she sat me on her lap but I knew she was tired and wanted to drink her sweet milk and be alone. She said the stars were so bright she would be able to see if the parktown prawns flew in and if they did she would see them off. Then she gave me a handful of Pinkies from her pocket and said I must tell her about Godmother Dory’s new budgie when I came home. Apparently the budgie was called Billy Boy. I liked the way Maria said, ‘Godmother Dory’. Was that called a phrase? I resolved that when I got to Durban, I wouldn’t say Dory, I would say, Godmother Dory. It didn’t sound quite right when I said it to myself. In fact every time I said Godmother Dory out loud, that combination of words felt uncomfortable — as if I was walking around with three little stones in my plimsolls. For some reason I did not want to take out the stones.

At the end of the week, a smart air hostess with a big diamond on her finger led me up the stairs to the aeroplane and told me to suck my thumb as soon as the plane took off for Durban.

‘Diamonds are a girl’s best friend,’ the hostess winked. ‘One day when you get married your fiancé will give you a rock too.’ When her eye flickered, the diamond on her finger flickered too. ‘If the plane crashes I’ll blow my whistle okay?’ Sitting alone sucking my thumb, I waited for her to blow the whistle but she was too busy walking up and down the aisle showing passengers her engagement ring.

Later she said, ‘Look, that’s Maputaland, can you see the lakes and marshes? That’s Rocktail Bay where my lover boy proposed to me. It’s got a coral reef. Nearly in Durban. You must ask your daddy to drive you to the game reserve and show you the lions and elephants okay?’

I nodded.

‘Hey, don’t you speak?’

I shook my head.

‘Left your tongue in Jo’burg?’

I nodded.

‘Is that the pilot calling me? It is isn’t it? Hope the wing hasn’t fallen off!’

She winked and made her way towards the cockpit where the pilot was smoking a cigar. It was his birthday and the crew were singing a rugby song:

She had no clothes on at all

at all at all at all

she had no clothes on at all

3

Godmother Dory presided like a gaoler over Billy Boy’s existence.

He couldn’t get back to his bird world because he was locked up in his cage. When he played on his ladder and swing he lifted his wings while he whizzed in the air but it wasn’t the same as flying.

‘Shut that window otherwise Billy Boy will fly away. You can hold him in your hands. Do you want to?’

I nodded.

‘He makes more noise than you do.’

When I cupped Billy Boy in my hands and buried my nose in his soft feathers, the pilot’s rugby song came in to my head.

He had no feathers on at all

at all at all at all

he had no feathers on at all

Poor Billy Boy. He was so sad under his feathers. His small organs and little bones. Godmother Dory told me to count his toes every month. Apparently if a budgie had some of its toes missing this was because of mites. And I had to listen to him breathe. If there was a ‘click’ when he took a breath that meant he had air sac mites. Godmother Dory knew everything there was to know about budgies. She told me that it was very important not to take pity on a sick budgie for sale in a pet shop.

‘Pity will not bring a sick budgie back to life. It will die of respiratory problems whatever you do.’

I tried to slap down the pity I felt for Billy Boy in case it killed him but it kept coming back. I stared at the sawdust at the bottom of his cage and told myself he was happy and well but I didn’t believe myself. As far as I was concerned all the crops had failed to grow in Billy Boy’s life and any hope he possessed had been eaten by ants and his parents had been crushed by a train.

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