Levy Deborah - Things I Don't Want to Know

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Things I Don't Want to Know is a brilliantly insightful longform essay by Deborah Levy.
'Things I Don't Want to Know' is a unique response to George Orwell from one of our most vital contemporary writers. Taking Orwell's famous list of motives for writing as the jumping-off point for a sequence of thrilling reflections on the writing life, this is a perfect companion not just to Orwell's essay, but also to Levy's own, essential oeuvre.
'In her powerful rejoinder to Orwell, Deborah Levy responds to his proposed motives for writing — 'sheer egoism', 'aesthetic enthusiasm', 'historical impulse' and 'political purpose' — with illuminating moments of autobiography. A vivid, striking account of a writer's life, which feminises and personalises Orwell's blunt assertions' Spectator
'An up-to-date version of 'A Room of One's Own'. . I suspect it will be quoted for many years to come' Irish Examiner
'Levy's strength is her originality of thought and expression' Jeanette Winterson
Deborah Levy writes fiction, plays and poetry. Her work has been staged by the Royal Shakespeare Company, and she is the author of numerous highly praised books including The Unloved, Swallowing Geography and Beautiful Mutants, all of which are now published by Penguin. Her novel Swimming Home was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book Awards and 2013 Jewish Quarterly Wingate Prize.

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He was free. Billy Boy was free.

It was only when I was buckling my school regulation shoes that I heard Godmother Dory screaming. I spent more time than usual on the third hole of the buckle, testing it a few times before deciding the second hole was probably a better fit and starting all over again. By the time I made my way towards Godmother Dory, her little hands were flung up in the air and she was calling BILLY BOY over and over again. There were things she wanted to know. How come the cage door was wide open? How can a budgie open its own cage? Melissa who was late for her exam ran to get her mother tissues while trying to put on her white cardigan.

‘Don’t shout at her.’

‘But my little budgie’s not going to survive. He’s probably dead.’

‘You gotta understand Ma,’ Melissa was looking for her pad with all the shorthand notes written on it.

‘What do I have to understand?’

‘She thinks the budgie is her Pa.’

‘How can Billy Boy be anything but a budgie?’

If that question was something human beings had been grappling with ever since they started painting animals with mineral pigments on the walls of caves, Melissa’s mother had not yet caught up. When Melissa saw me listening outside the living room door she lunged at my school tie and pulled me towards her made up face.

‘FUCK YOU. Why did you go and let Ma’s bird out?’

Before I could answer she ran off and I heard the engine of the spaceship revving up and the tyres squealing on the drive. Edward Charles William had obviously let Melissa fly the spaceship again because of her exam. After a while I walked into the garden. Joseph was coughing inside his shed. He ate his breakfast there every morning, a thick porridge called mealy meal which the maid called Caroline, who had another name, Nkosiphendule, prepared for him in a tin bowl. I still hadn’t managed to buckle my shoe. It was slipping off so I bent down to try again. It was so hard to thread the little silver thing through the hole. After a while, Joseph opened the door of his shed and told me to come in. My shoe was still half on and half off so I had to slide rather than walk. The shed smelt of mould and paraffin. Joseph slept on a mattress on the floor. Two green blankets lay neatly folded on a chair. His jacket hung on a hook in the corner.

‘Madam told me you’ve lost her budgie.’

Madam was Godmother Dory. Master was Edward Charles William. Sometimes Joseph called him Baas as well as Master. Master and Baas and Madam were the white race and they ate kippers and marmalade for breakfast like the King and Queen of Ingerland.

‘Look.’ Joseph pointed to a wooden crate that he had turned upside down to make a table. On the box was his tin bowl. Billy Boy was hopping up and down on the rim of the bowl, pecking at the porridge inside it.

‘I found him on the roof and gave him lodgings.’ Joseph started to laugh. ‘But he hasn’t laid a blue egg yet so we won’t be sharing a little meal. I’m going to put a lid on the bowl and you are going to take him back to Madam.’

When I brought Billy Boy back into the house, Madam was lying on the sofa reading a book called Love Is A Word You Whisper . The maid who pretended she was Caroline so Madam could say her name carried in a tray with a pot of tea and two strawberry jam biscuits arranged on a saucer. Madam’s pudgy fingers moved across the tray and grasped one of the biscuits. I heard her bite in to it and then crunch it with her porcelain teeth. At that moment Billy Boy chirped. Madam sat up and wailed. She had jam all over her little lips and I could see the biscuit crumbs on her tongue. After she had put Billy Boy back into the cage and slammed it shut she walked past me towards the telephone without saying a word. I could hear her asking in a loud royal voice to be put through to South African Airlines.

That afternoon, while I sat on a bench under the cloisters watching the nuns hit the hands of the girls who were being punished for various crimes, I knew that something in my life was about to change. Meanwhile, I observed the choreography of sin and punishment that was happening in front of me because whatever was going to change was going to take me somewhere else. The sinful girl was holding her palm facing upwards, towards heaven. Then the nun took a metre ruler and swiped it across her palm, two whacks, no, three whacks. Sister Joan was busy smelting the hand of an extra sinful girl called Laverne when I saw Godmother Dory waddling through the cloisters. Yesterday, Laverne had shown me a red mark on her neck where her boyfriend had left a love bite. Yes, he had actually bitten her out of love. Sister Joan was talking to my Godmother and she was beckoning to me. Now that she knew all about me letting Billy Boy out of his cage, she was going to purify my hand by beating it.

‘Come here.’

To my astonishment, instead of punishing me, Sister Joan bent down and buckled my shoe. She had been teaching me French, the most distinguished thing that had happened in my life so far. She had told me all about the visions of Jeanne d’Arc, and she had taught me the word for shoe. So now she asked me how to say shoe in French. When I said, ‘Une chaussure’, she stood up and placed her cool clean palm on my forehead.

‘Your Godmother says you’re homesick so she’s sending you back to your mother. This will be your last day at school.’

As my tears dripped on to Sister Joan’s holy veil, I thought about how she had shaved off her hair which she called her weeds of ignorance. She had told me to say my thoughts out loud but I had tried writing them down instead. Sometimes I showed her what I had written and she always made time to read everything. She said I should have told her I could read and write. Why hadn’t I told her? I said I didn’t know, and she said I shouldn’t be scared of something ‘transcendental’ like reading and writing. She was on to something because there was a part of me that was scared of the power of writing. Transcendental meant ‘beyond’, and if I could write ‘beyond’, whatever that meant, I could escape to somewhere better than where I was now. I was bitten with love for Sister Joan. She had told me that faith was not a rock. God was there one day and gone the next. If that was true, I felt truly sorry for her on the days that she lost God. I searched for the French words for goodbye and when I found them, ‘Au revoir Sœur Jeanne,’ I realised she had the same name as Joan of Arc. For some reason this made me cry even more. My bemused Godmother who hadn’t a clue what was going on snapped open her handbag and took out a scrap of paper.

‘Melissa said to give you this.’

It was a note scribbled in Pitman’s code.

‘Goodbye my crackers little chum.’

6

Two days to go! Dad’s coming home!’

I was now nine years old and Sam five. Sam had last seen his father when he was one. At breakfast we ate toast sprinkled with cinnamon and sugar and practised out loud the sort of things we would say to our father when he walked through the front door.

‘Hello. Do you want me to show you the way to the bathroom?’

‘Hello! I’ve drawn you a rocket.’

‘Hello! My feet are size three now.’

Meanwhile Mom was out at the shops buying clothes for my father to wear when he came home. My chest went tight when she carefully laid the clothes out on the floor and summoned us to come and have a look. There on the kilim rug were a pair of men’s trousers, smart new shoes, socks, two shirts and three brightly coloured ties. Sam and I stroked the cotton of the shirts, pressed our thumbs in to the toes of the leather shoes, adjusted the position of the socks. Yes, these were the sort of things fathers wore. We talked at length about what kind of food we should give our father for his first lunch and Mom said we must try not to be too shy and just be ourselves. We nodded gravely and went off to practise being ourselves.

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