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Hanif Kureishi: Collected Essays

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Hanif Kureishi Collected Essays

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This collection begins in the early 1980s with 'The Rainbow Sign', which was written as the introduction to the screenplay of 'My Beautiful Laundrette'. It allowed Kureishi to expand upon the issues raised by the film: race, class, sexuality — issues that were provoked by his childhood and family situation.

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The Labour Party wishes to be egalitarian and liberal on the race issue but knows that vast numbers of its voters are neither. The party is afraid — in some parts consciously and in other parts unconsciously — that blacks and black issues are a vote loser. If the Labour Party occasionally wishes blacks to serve it, it does not desire to serve blacks. Hence it acknowledges that thousands of its supporters are racist. It refuses to confront that.

Others in the party believe that racism is a sub-issue which has to be subordinate to the class issues of the time: housing, unemployment, education, maintenance of the social services and so on. They believe that winning elections and representing the mass of the working class in Parliament is more important than giving office or power to blacks. This is the choice it has made. This is the kind of party it is, and in so far as this is true, the Labour Party is a truly representative party, representing inequality and racism.

*

Coming back to England was harder than going. I had culture shock in reverse. Images of plenty yelled at me. England seemed to be overflowing with … things. Things from all over the world. Things and information. Information, though, which couldn’t bite through the profound insularity and indifference.

In Pakistan people were keen to know: not only about Asia and the Middle East, but about Europe and the United States. They sought out information about the whole world. They needed it. They ordered books from Europe, listened to international radio and chewed up visiting academics like pieces of orange.

In Britain today, among the middle class, thinking and argument are almost entirely taboo. The other taboo, replacing death in its unacceptability, is money. As our society has become more divided, the acknowledgement of that division — which is a financial division, a matter of economic power — is out of the question. So money is not discussed. It is taken for granted that you have it; that you have means of obtaining it; that you are reasonably well off and gain status and influence over others because of it.

Accompanying this financial silence, and shoring up both the social division and the taboo, is the prohibition on thought. The discussion of a serious subject to a conclusion using logic, evidence and counter-evidence is an unacceptable social embarrassment. It just isn’t done to argue: it is thought to be the same as rowing. One has opinions in England, but they are formed in private and clung to in public despite everything, despite their often being quite wrong.

There is real defensiveness and insecurity, a Victorian fear of revealing so much as a genital of an idea, the nipple of a notion or the sex of a syllogism. Where sexual exhibitionism and the discussion of positions and emissions is fashionable, indeed orthodox, thinking and argument are avoided.

In Pakistan it was essential to have knowledge because political discussion was serious. It mattered what you thought. People put chairs in a circle, sat down, and talked . What was said to each other was necessary. Intellectual dignity was maintained, earned anxiety was expressed; you weren’t alone; ideas and feelings were shared. These things had to be said, even in low voices, because absolute silence was intolerable, absolute silence was the acceptance of isolation and division. It was a relief to argue, to exercise intelligence in a country where intelligence was in itself a weapon and a threat.

*

I will never forget the hospitality, warmth and generosity of the people of Pakistan; the flowers on the lawn of the Sind Club, the sprawling open houses, full of air and people and the smell of spices; the unbelievable brightness of the light shining through a dust haze; the woman walking perfectly straight-backed along a street with an iron balanced on her head; the open-air typists outside the law courts; butterflies as big as clock faces; the man who slept with a chicken in his bed; my uncle’s library, bought in the 1940s in Cambridge, where he was taught by Russell — though when I opened the books after being given the library, they were rotten with worms, the pitted pages falling apart just as I stood there. And the way the men shake hands. This is worth going into.

First you offer them your hand and they grasp it. The clasped hands are slapped then with their spare hand as an affirmation of initial contact. This is, as it were, the soup. Now they pull you to them for the main course, the full embrace, the steak. As you look over their shoulder, your bodies thrust together, your heat intermingled, they crack you on the back at least three times with their open palm. These are not negligible taps, but good healthy whacks, demonstrating equality and openness. Depending on the nature of the friendship, these whacks could go on a considerable time and may debilitate the sick or weak. But they must be reciprocated. This done, they will let you move away from them, but still holding your right hand. You are considered fully, with affection over-brimming, as they regard all of you, as they seem to take in your entire being from top to toe, from inside to out. At last, after complete contact has been made, all possibility of concealment or inhibition banished, they carefully let go of your hand as if it were a delicate object. That is a greeting.

And there was the photograph of my father in my uncle’s room, in which he must have been about the same age as me. A picture in a house that contained fragments of my past: a house full of stories, of Bombay, Delhi, China; of feuds, wrestling matches, adulteries, windows, broken with hands, card games, impossible loves, and magic spells. Stories to help me see my place in the world and give me a sense of the past which could go into making a life in the present and the future. This was surely part of the way I could understand myself. This knowledge, garnered in my mid-twenties, would help me form an image of myself: I’d take it back to England where I needed it to protect myself. And it would be with me in London and the suburbs, making me stronger.

When I considered staying in Pakistan to regain more of my past and complete myself with it, I had to think that that was impossible. Didn’t I already miss too much of England? And wasn’t I too impatient with the illiberalism and lack of possibility of Pakistan?

So there was always going to be the necessary return to England. I came home … to my country.

This is difficult to say. ‘My country’ isn’t a notion that comes easily. It is still difficult to answer the question, where do you come from? I have never wanted to identify with England. When Enoch Powell spoke for England I turned away in final disgust. I would rather walk naked down the street than stand up for the National Anthem. The pain of that period of my life, in the mid-1960s, is with me still. And when I originally wrote this piece I put it in the third person: Hanif saw this, Hanif felt that, because of the difficulty of directly addressing myself to what I felt then, of not wanting to think about it again. And perhaps that is why I took to writing in the first place, to make strong feelings into weak feelings.

But despite all this, some kind of identification with England remains.

It is strange to go away to the land of your ancestors, to find out how much you have in common with people there, yet at the same time to realise how British you are, the extent to which, as Orwell says: ‘the suet puddings and the red pillar boxes have entered into your soul’. It isn’t that you wanted to find out. But it is part of what you do find out. And you find out what little choice you have in the matter of your background and where you belong. You look forward to getting back; you think often of England and what it means to you — and you think often of what it means to be British.

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