Herbert Wells - An Englishman Looks at the World
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- Название:An Englishman Looks at the World
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"The most important question in a country is that of education, and the most important people in a country are those who educate its inhabitants. Others have most of the present in their hands: those who educate have all the future. With the present is bound up all the happiness only of the utterly selfish and the thoughtless among mankind; on the future rest all the thoughts of every parent and every wise man and patriot."
It is the opening of a boy's essay. And from first to last this remarkable composition is at or below that level. It is an entirely inconclusive paper, it is impossible to understand why it was written; it quotes nothing it says nothing about and was probably written in ignorance of "Kappa" or any other modern contributor to English ideas, and it occupied about six and a quarter of the large-type pages of this now vanished Independent Review . "English Ideas on Education"!—this very brevity is eloquent, the more so since the style is by no means succinct. It must be read to be believed. It is quite extraordinarily non-prehensile in quality and substance nothing is gripped and maintained and developed; it is like the passing of a lax hand over the surfaces of disarranged things. It is difficult to read, because one's mind slips over it and emerges too soon at the end, mildly puzzled though incurious still as to what it is all about. One perceives Mr. Gilkes through a fog dimly thinking that Greek has something vital to do with "a knowledge of language and man," that the classical master is in some mysterious way superior to the science man and more imaginative, and that science men ought not to be worried with the Greek that is too high for them; and he seems, too, to be under the odd illusion that "on all this" Englishmen "seem now to be nearly in agreement," and also on the opinion that games are a little overdone and that civic duties and the use of the rifle ought to be taught. Statements are made—the sort of statements that are suffered in an atmosphere where there is no swift, fierce opposition to be feared; they frill out into vague qualifications and butt gently against other partially contradictory statements. There is a classification of minds—the sort of classification dear to the Y.M.C.A. essayists, made for the purposes of the essay and unknown to psychology. There are, we are told, accurate unimaginative, ingenious minds capable of science and kindred vulgar things (such was Archimedes), and vague, imaginative minds, with the gift for language and for the treatment of passion and the higher indefinable things (such as Homer and Mr. Gilkes), and, somehow, this justifies those who are destined for "science" in dropping Greek. Certain "considerations," however, loom inconclusively upon this issue—rather like interested spectators of a street fight in a fog. For example, to learn a language is valuable "in proportion as the nation speaking it is great"—a most empty assertion; and "no languages are so good," for the purpose of improving style, "as the exact and beautiful languages of Rome and Greece."
Is it not time at least that this last, this favourite but threadbare article of the schoolmaster's creed was put away for good? Everyone who has given any attention to this question must be aware that the intellectual gesture is entirely different in highly inflected languages such as Greek and Latin and in so uninflected a language as English, that learning Greek to improve one's English style is like learning to swim in order to fence better, and that familiarity with Greek seems only too often to render a man incapable of clear, strong expression in English at all. Yet Mr. Gilkes can permit this old assertion, so dear to country rectors and the classical scholar, to appear within a column's distance of such style as this:
"It is now understood that every subject is valuable, if it is properly taught; it will perform that which, as follows from the accounts given above of the aim of education, is the work most important in the case of boys—that is, it will draw out their faculties and make them useful in the world, alert, trained in industry, and able to understand, so far as their school lessons educated them, and make themselves master of any subject set before them."
This quotation is conclusive.
Sec. 3
I am haunted by a fear that the careless reader will think I am writing against upper-class schoolmasters. I am, it is undeniable, writing against their dullness, but it is, I hold, a dullness that is imposed upon them by the conditions under which they live. Indeed, I believe, could I put the thing directly to the profession—"Do you not yourselves feel needlessly limited and dull?"—should receive a majority of affirmative responses. We have, as a nation, a certain ideal of what a schoolmaster must be; to that he must by art or nature approximate, and there is no help for it but to alter our ideal. Nothing else of any wide value can be done until that is done.
In the first place, the received ideal omits a most necessary condition. We do not insist upon a headmaster or indeed any of our academic leaders and dignitaries, being a man of marked intellectual character, a man of intellectual distinction. It is assumed, rather lightly in many cases, that he has done "good work," as they say—the sort of good work that is usually no good at all, that increases nothing, changes nothing, stimulates no one, leads no whither. That, surely, must be altered. We must see to it that our leading schoolmasters at any rate must be men of insight and creative intelligence, men who could at a pinch write a good novel or produce illuminating criticism or take an original part in theological or philosophical discussion, or do any of these minor things. They must be authentic men, taking a line of their own and capable of intellectual passion. They should be able to make their mark outside the school, if only to show they carry a living soul into it. As things are, nothing is so fatal to a schoolmaster's career as to do that.
And closely related to this omission is our extreme insistence upon what we call high moral character, meaning, really, something very like an entire absence of moral character. We insist upon tact, conformity, and an unblemished record. Now, in these days, of warring opinion, these days of gigantic, strange issues that cannot possibly be expressed in the formulae of the smaller times that have gone before, tact is evasion, conformity formality, and silence an unblemished record, mere evidence of the damning burial of a talent of life. The sort of man into whose hands we give our sons' minds must never have experimented morally or thought at all freely or vigorously about, for example, God, Socialism, the Mosaic account of the Creation, social procedure, Republicanism, beauty, love, or, indeed, about anything likely to interest an intelligent adolescent. At the approach of all such things he must have acquired the habit of the modest cough, the infectious trick of the nice evasion. How can "Kappa" expect inspiration from the decorous resultants who satisfy these conditions? What brand can ever be lit at altars that have borne no fire? And you find the secondary schoolmaster who complies with these restrictions becoming the zealous and grateful agent of the tendencies that have made him what he is, converting into a practice those vague dreads of idiosyncrasy, of positive acts and new ideas, that dictated the choice of him and his rule of life. His moral teaching amounts to this: to inculcate truth-telling about small matters and evasion about large, and to cultivate a morbid obsession in the necessary dawn of sexual consciousness. So far from wanting to stimulate the imagination, he hates and dreads it. I find him perpetually haunted by a ridiculous fear that boys will "do something," and in his terror seeking whatever is dull and unstimulating and tiring in intellectual work, clipping their reading, censoring their periodicals, expurgating their classics, substituting the stupid grind of organised "games" for natural, imaginative play, persecuting loafers—and so achieving his end and turning out at last, clean-looking, passively well-behaved, apathetic, obliterated young men, with the nicest manners and no spark of initiative at all, quite safe not to "do anything" for ever.
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