Colson Whitehead - The Colossus of New York

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In a dazzlingly original work of nonfiction, the award-winning novelist Colson Whitehead re-creates the exuberance, the chaos, the promise, and the heartbreak of New York. Here is a literary love song that will entrance anyone who has lived in-or spent time-in the greatest of American cities.
A masterful evocation of the city that never sleeps, "The Colossus of New York" captures the city's inner and outer landscapes in a series of vignettes, meditations, and personal memories. Colson Whitehead conveys with almost uncanny immediacy the feelings and thoughts of longtime residents and of newcomers who dream of making it their home; of those who have conquered its challenges; and of those who struggle against its cruelties.
Whitehead's style is as multilayered and multifarious as New York itself: Switching from third person, to first person, to second person, he weaves individual voices into a jazzy musical composition that perfectly reflects the way we experience the city. There is a funny, knowing riff on what it feels like to arrive in New York for the first time; a lyrical meditation on how the city is transformed by an unexpected rain shower; and a wry look at the ferocious battle that is commuting. The plaintive notes of the lonely and dispossessed resound in one passage, while another captures those magical moments when the city seems to be talking directly to you, inviting you to become one with its rhythms.
"The Colossus of New York" is a remarkable portrait of life in the big city. Ambitious in scope, gemlike in its details, it is at once an unparalleled tribute to New York and the ideal introduction to one of the most exciting writers working today. "From the Hardcover edition."

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SIT A SPELL to appreciate. According to ancient calculations, municipal commissions decide where to place the benches. But they have always tried to regulate your views. As they sit there listlessly gazing, none suspect his palm cups her ass beneath denim. This program has been brought to you by the Department of Public Works. Civil engineering landmark. Available in die-cast metal at assorted trinket outlets. Bronze plaques here and there maintain history. But nothing to commemorate the magic spots of people. A couple of years ago he stopped in this very spot, shook his fist at indifferent skyline and declared, You can’t break me. Now he has two kids and a corner office. The day after their first night together they walked across the bridge, seeking its blessing. So far so good. One time you were caught in the rain and huddled against an arch for safety. Nowhere to run, prey to the elements as usual. A trick of the wind left you a tiny dry space until it was okay to move, but before that moment everything came into focus and you made pledges. Inflate experiences to metaphorical dimension. Relate a tale of personal significance, receive nondescript nods despite emphatic adjectives. Years ago she picked a window and told herself one day she would live behind that window and watch them walk on the bridge like she walks now. Tenants replace each other and curtains. The curtains of the latest occupants are shut against her and her ilk. Closer to the city, doubtless, but how much closer to what she wants.

LAYERS OF flaking paint pinpoint beautification projects. If only they understood that all that paint was added burden, that it groans beneath our good intentions. Next time will bring it all crashing down. The bridge pants, exhausted. Rattles. Rattles. Every vehicle on the motorway sends its vibration through the bridge and into her soul. If it shakes it can fall. Twin motorways bracket the walking path, squeezing. Given their druthers there’d be no people at all, just tonnage rushing to and fro, not these fleshy vehicles and their hapless pacing. The moment each day when the number of cars going into the island matches the number of cars going out of the island. No flashing alarm, no blinking light, but the bridge looks forward to that moment all day and sighs when it happens. She walks across. A scale inside her seeks equilibrium as she walks this larger scale. Too much of one thing, a mood or an idea, will send her tipping. Her enemies look forward to that moment all day and applaud when it happens.

IN THE MIDDLE. Nowhere to go but farther on. Caught in the act of changing your mask, this act of transformation. Don’t look back, you will be shocked by negligible progress. A man pitched a tent here once and was hauled away. He told the police, I renounce all boroughs. You have the right to remain. You have the right to shout to the gods. If you have no philosophy one will be appointed to you. Search the eyes of people for kindred glint. Finding no converts despite all your proselytizing. Talking on a cell phone kinda defeats the purpose unless you are describing every detail to the bedridden. Murmur something romantic, will you. It has a certain wavelength. Cables dip and rise, human fate in solid coil. People walk between these tusks, scaling an elephant. Run-of-the-mill fleas. Tourists with cameras speak in the native tongues of the men who built this thing. The bones of their ancestors lie at the bottom among refrigerator doors and license plates. They cannot wave but currents stir their bones and perhaps that is a gesture toward kin. Can’t see anything in this murk.

FARTHER ON, the true length of the island is visible. The truth of the matter is not in the window-dressing monstrosities at the foot of the island but the monstrous length of the island behind them. It says, You have not thought this whole thing through. But she’s never been one to take a hint. Hardheaded like streets and bridges. None of this means anything to him. What he stands on, what he sees across the river, is no more than the arrogance of men. He is unpopular at parties. Look west for a reminder of oceans, search for proof that you have not always been landlocked. The rest of the world resides in your peripheral vision. A fresh view turns them toward introspection. Introspection is a cheap date up here, wooed by vista and perspective, these cheap flowers. Decide against bad behavior. Decide on better choices. Get rid of him. Get a pet. Little choices magnified to life and death stakes. I can see my house from here.

LOUSY WITH photographers. Why they pick their particular spots is a mystery. They just look and stop and declare, I want this forever. There’s something cumulous going on up there and it ruins the light. Minting postcards by the minute. Stand and pose. Click and shudder. Preserving more than sunsets. From now on this place will remind him of their last vacation together whenever he looks at the photographs. Grandchildren look at the photographs later and are unable to marry those images to the drooling elders they know and fear. Mail the photographs you take this day to a friend to maintain the illusion you are still friends. The background says it all: against that skyline we are as brief as a camera flash. Blinded for seconds. But then it returns. That jaw at the foot of the island and its hungry teeth.

THIS SPANS WATER. She spans days. Both fight gravity. This little rivet here is doing all it can but it’s only a matter of time. Like you, exerting miraculous will to keep from flying apart. Do not tire. Do not falter. Listen up because I’m only going to say this once: We need all our monuments, no matter what size, carved stone or mortal clay. Do not doubt you inspire with every breath, that every breath is a marvel of engineering. Deserve everything. If not for a plaque shortage she’d have a plaque riveted to her stomach detailing her pertinent details. Space left blank for the day of completion. Up here there are fresh breezes and gulls, brief creatures. She and the bridge have so much on them, possess a weight that will not be blown away.

WHAT DID YOU hope to achieve by this little adventure. Nothing has changed. Nothing ever changes. Presentiment of doom. Closer you get to the other side, the slower you walk. On the other side there is no more dreaming. Just solid ground. So put it off for as long as possible. Here comes another sign, no portent, this one is bolted metal but a sign nonetheless: the mayor welcoming you to the borough of Manhattan. They paste the name of the new mayor over the name of the old mayor to save our tax dollars. A greeting continuous across administrations, timeless and sure. Because no matter their political bent they understand the romance of bridges and have taken this walk more than once. This is non-partisan emptiness. Just yards to go. Remembering that disappointed feeling she gets each time she reaches the other side, then feeling that disappointed feeling. Check yourself for damage. Everything is where it should be. No miracle. The key to the city fell out of her pocket somewhere along the way and she’s level again. Bereft again. Multiple choices into this labyrinth. Today she picks a new route into it, learning from mistakes. Who knows where she will end up this time. Disappear into a crowd. It’s right there in the city charter: we have the right to disappear. The city rushes to hide all trace. It’s the law.

RUSH HOUR

EKING OUT all day and then quitting time and they hit the streets Its already - фото 19

EKING OUT all day and then quitting time and they hit the streets Its already - фото 20

EKING OUT all day and then quitting time and they hit the streets. It’s already dark. Their days are growing short. This time of year makes you feel even grayer than usual. Tacked-up cartoons add a little homey touch. They decide what will have to wait until tomorrow, click off desk lights, become visible over cubicle walls. These days disappointment is modular and interchangeable and snaps together easily. According to diagrams fit three words together: See You Tomorrow. People huddle into elevators and ride down into in-betweenness, into the space between work and home that is a kind of dreaming: it’s where they go to make sense of what just happened so they can go a little farther.

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