Fernand Léger
1. John Berger, Corker’s Freedom (London: Methuen, 1964).
The Sight of a Man
1. Maurice Merleau-Ponty, Sense and Non-Sense , trans. Hubert L. Dreyfus (Evanston, Illinois: Northwestern University Press, 1964).
2. Merleau-Ponty, op. cit .
3. Merleau-Ponty, The Primacy of Perception , ed. James M. Edie, trans. William Cogg et al . (Evanston, Illinois: Northwestern University Press, 1964).
Revolutionary Undoing
1. Max Raphael, The Demands of Art , trans. Norbert Guterman (London: Routledge, 1968).
On the Bosphorus
1. ‘The new dissent: intellectuals, society and the left’, New Society , 23 November 1978.
The Work of Art
1. Nicos Hadjinicolaou, Art History and Class Consciousness (London: Pluto Press, 1978; Atlantic Highlands, New Jersey: Humanities Press, 1978).
Mayakovsky
1. V. V. Mayakovsky, How Are Verses Made? (London: Cape, 1970; New York: Grossman, 1970).
2. This is a literal translation by the authors.
3. Mayakovsky, op. cit .
4. Yannis Ritsos, Gestures , trans. Nikos Stangos (London: Cape Goliard, 1971; New York: Grossman, 1970).
Leopardi
1. Giacomo Leopardi, Moral Tales , trans. Patrick Creagh (Manchester: Carcanet, 1983; New York: Columbia University Press, 1983).
A Story for Aesop
1. Danilo Dolci, Sicilian Lives (New York: Pantheon, 1981), p. 171.
2. José Ortega y Gasset, Historical Reason (New York: W. W. Norton, 1984), p. 187.
Where no prior source is indicated, a piece is assumed to have been first published in book form. Otherwise the pieces were first published — sometimes with different titles, in different versions — as follows.
Permanent Red
All pieces first published in the New Statesman
The Moment of Cubism
The Moment of Cubism: New Left Review
The Historical Function of the Museum, The Changing View of Man in the Portrait, Art and Property Now, Image of Imperialism, Nude in a Fur Coat , Mathias Grünewald, L. S. Lowry, Alberto Giacometti, Pierre Bonnard, Auguste Rodin: New Society
The Painter in His Studio : Vermeer: Punch
Et in Arcadia Ego : Poussin: New Statesman
The Maja Dressed and The Maja Undressed : Goya: Sunday Times Magazine
Toulouse-Lautrec: Observer
Frans Hals: Sunday Times Magazine
The Look of Things
Peter Peri, Zadkine, Victor Serge, Walter Benjamin, Painting a Landscape, Understanding a Photograph, The Political Uses of Photo-Montage, The Sight of a Man, Revolutionary Undoing, Past Seen from a Possible Future, The Nature of Mass Demonstrations: New Society
Le Corbusier, Drawings by Watteau, Thicker than Water: New Statesman Fernand Léger: Marxism Today
The Booker Prize Speech: Guardian (24 November 1972)
About Looking
All previously published in New Society except:
Between Two Colmars, Romaine Lorquet: Guardian
Turner and the Barber’s Shop, Rouault and the Suburbs of Paris: Réalities
The White Bird
The Storyteller, On the Bosphorus, The Theatre of Indifference, The Hals Mystery, In a Moscow Cemetery, François, Georges and Amélie: A Requiem in Three Parts, Drawn to That Moment, The Eyes of Claude Monet, The Work of Art, The Hour of Poetry, Leopardi, The Production of the World: New Society
The Eaters and the Eaten: Guardian
Modigliani’s Alphabet of Love: Village Voice
Ernst Fischer: A Philosopher and Death: Introduction to his autobiography, An Opposing Man : The Autobiography of a Romantic Revolutionary (New York: Liverlight, 1974)
Mayakovsky: His Language and His Death: 7 Days
The First and Last Recipe: Ulysses: Guardian
Keeping a Rendezous
Ev’ry Time We Say Goodbye, The Soul and the Operator: Expressen
That Which Is Held: Village Voice
A Load of Shit, Imagine Paris, The Opposite of Naked, Drawing on Paper: Harper’s Magazine
Mother: Threepenny Review
A Story for Aesop: partly in Granta , partly in Village Voice Literary Supplement A Kind of Sharing, The Third Week of August, 1991: Guardian
Christ of the Peasants: exhibition catalogue published by the Arts Council of Great Britain
A Professional Secret: New Society
Ape Theatre: Granta
A Household: New Statesman & Society
Erogenous Zone: El Pais