David Wallace - A Supposedly Fun Thing I'll Never Do Again

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In this exuberantly praised book — a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner — David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling
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Plus it started to strike me that I had never before been party to such a minute and exacting analysis of the food and service of a meal I was just at that moment eating. Nothing escaped the attention of T and E — the symmetry of the parsley sprigs atop the boiled baby carrots, the consistency of the bread, the flavor and mastication-friendliness of various cuts of meat, the celerity and flambé technique of the various pastry guys in tall white hats who appeared tableside when items had to be set on fire (a major percentage of the desserts in the 5 картинка 11C.R. had to be set on fire), and so on. The waiter and busboy kept circling the table, going “Finish? Finish?” while Esther and Trudy had exchanges like:

“Honey you don’t look happy with the conch, what’s the problem.”

“I’m fine. It’s fine. Everything’s fine.”

“Don’t lie. Honey with that face who could lie. Frank am I right? This is a person with a face incapable of lying. Is it the potatoes or the conch? Is it the conch?”

“There’s nothing wrong Esther darling I swear it.”

“You’re not happy with the conch.”

“All right. I’ve got a problem with the conch.”

“Did I tell you? Frank did I tell her?”

[Frank silently probes own ear with pinkie.]

“Was I right? I could tell just by looking you weren’t happy.”

“I’m fine with the potatoes. It’s the conch.”

“Did I tell you about seasonal fish on ships? What did I tell you?”

“The potatoes are good.”

Mona is eighteen. Her grandparents have been taking her on a Luxury Cruise every spring since she was five. Mona always sleeps through both breakfast and lunch and spends all night at the Scorpio Disco and in the Mayfair Casino playing the slots. She’s 6' 2" if she’s an inch. She’s going to attend Penn State next fall because the agreement was that she’d receive a 4-Wheel-Drive vehicle if she went someplace where there might be snow. She was unabashed in recounting this college-selection criterion. She was an incredibly demanding passenger and diner, but her complaints about slight aesthetic and gustatory imperfections at table lacked Trudy and Esther’s discernment and integrity and came off as simply churlish. Mona was also kind of strange-looking: a body like Brigitte Nielsen or some centerfold on steroids, and above it, framed in resplendent and frizzless blond hair, the tiny delicate pale unhappy face of a kind of corrupt doll. Her grandparents, who retired every night right after supper, always made a small ceremony after dessert of handing Mona $100 to “go have some fun” with. This $100 bill was always in one of those little ceremonial bank envelopes that has B. Franklin’s face staring out of a porthole-like window in the front, and written on the envelope in red Magic Marker was always “We Love You, Honey.” Mona never once said thank you for the money. She also rolled her eyes at just about everything her grandparents said, a habit that quickly drove me up the wall.

I find I’m not as worried about saying potentially mean stuff about Mona as I am about Trudy and Alice and Esther and Esther’s mute smiling husband Frank.

Apparently Mona’s special customary little gig on 7NC Luxury Cruises is to lie to the waiter and maître d’ and say that Thursday is her birthday, so that at the Formal supper on Thursday she gets bunting and a heart-shaped helium balloon tied to her chair and her own cake and pretty much the whole restaurant staff comes out and forms a circle around her and sings to her. Her real birthday, she informs me on Monday, is 29 July, and when I observe that 29 July is also the birthday of Benito Mussolini, Mona’s grandmother shoots me kind of a death-look, though Mona herself is excited at the coincidence, apparently confusing the names Mussolini and Maserati . Because it just so happens that Thursday 16 March really is the birthday of Trudy’s daughter Alice, and because Mona declines to forfeit her fake birthday claim and instead counterclaims that her and Alice’s sharing bunting and natal attentions at 3/16’s Formal supper promises to be “radical,” Alice has decided that she wishes Mona all kinds of ill, and by Tuesday 14 March Alice and I have established a kind of anti-Mona alliance, and we amuse each other across Table 64 by making subtly disguised little strangling and stabbing motions whenever Mona says anything, a set of disguised motions Alice told me she learned at various excruciating public suppers in Miami with her Serious Boyfriend Patrick, who apparently hates almost everyone he eats with.

33(Which, again, w/ a Megaship like this is subtle — even at its worst, the rolling never made chandeliers tinkle or anything fall off surfaces, though it did keep a slightly unplumb drawer in Cabin 1009’s complex Wondercloset rattling madly in its track even after several insertions of Kleenex at strategic points.)

34This on-the-edge moment’s exquisiteness is something like the couple seconds between knowing you’re going to sneeze and actually sneezing, some kind of marvelous distended moment of transferring control to large automatic forces. (The sneeze-analogy thing might sound freaky, but it’s true, and Trudy’s said she’ll back me up.)

35Conroy took the same Luxury Cruise as I, the Seven-Night Western Caribbean on the good old Nadir , in May ’94. He and his family cruised for free. I know details like this because Conroy talked to me on the phone, and answered nosy questions, and was frank and forthcoming and in general just totally decent-seeming about the whole thing.

36E.g. after reading Conroy’s essay on board, whenever I’d look up at the sky it wouldn’t be the sky I was seeing, it was the vast lapis lazuli dome of the sky .

37Pier 21 having seasoned me as a recipient of explanatory/justificatory narratives, I was able to make some serious journalistic phone inquiries about how Professor Conroy’s essaymercial came to be, yielding two separate narratives:

(1) From Celebrity Cruises’s PR liaison Ms. Wiessen (after a two-day silence that Tve come to understand as the PR-equivalent of covering the microphone with your hand and leaning over to confer w/ counsel): “Celebrity saw an article he wrote in Travel and Leisure magazine, and they were really impressed with how he could create these mental postcards, so they went to ask him to write about his Cruise experience for people who’d never been on a Cruise before, and they did pay him to write the article, and they really took a gamble, really, because he’d never been on a Cruise before, and they had to pay him whether he liked it or not, and whether they liked the article or not, but… [dry little chuckle] obviously they liked the article, and he did a good job, so that’s the Mr. Conroy story, and those are his perspectives on his experience.”

(2) From Frank Conroy (with the small sigh that precedes a certain kind of weary candor): “I prostituted myself.”

38This is the reason why even a really beautiful, ingenious, powerful ad (of which there are a lot) can never be any kind of real art: an ad has no status as gift, i.e. it’s never really for the person it’s directed at.

39(with the active complicity of Professor Conroy, I’m afraid)

40This is related to the phenomenon of the Professional Smile, a national pandemic in the service industry; and noplace in my experience have I been on the receiving end of as many Professional Smiles as I am on the Nadir , maître d’s, Chief Stewards, Hotel Managers’ minions, Cruise Director — their P.S.’s all come on like switches at my approach. But also back on land at banks, restaurants, airline ticket counters, on and on. You know this smile — the strenuous contraction of circumoral fascia w/ incomplete zygomatic involvement — the smile that doesn’t quite reach the smiler’s eyes and that signifies nothing more than a calculated attempt to advance the smiler’s own interests by pretending to like the smilee. Why do employers and supervisors force professional service people to broadcast the Professional Smile? Am I the only consumer in whom high doses of such a smile produce despair? Am I the only person who’s sure that the growing number of cases in which totally average-looking people suddenly open up with automatic weapons in shopping malls and insurance offices and medical complexes and McDonald’ses is somehow causally related to the fact that these venues are well-known dissemination-loci of the Professional Smile?

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