David Wallace - A Supposedly Fun Thing I'll Never Do Again

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In this exuberantly praised book — a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner — David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling
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Speaking of carnivores, Carnival Cruises Inc.’s good ships Ecstasy and Tropicale are both anchored all the way across the harbor. In port, Carnival Megaships tend to stay sort of at a distance from other cruise ships, and my sense is that the other ships think this is just as well. The Carnival ships have masses of 20ish-looking people hanging off the rails and seem at this distance to throb slightly, like a hi-fi’s woofer. The rumors about Carnival 7NC’s are legion, one such rumor being that their Cruises are kind of like floating meat-market bars and that their ships bob with a conspicuous carnal squeakatasqueakata at night. There’s none of this kind of concupiscent behavior aboard the Nadir , I’m happy to say. By now I’ve become a kind of 7NC snob, and when Carnival or Princess is mentioned in my presence I feel my face automatically assume Trudy and Esther’s expression of classy distaste.

But so there they are, the Ecstasy and Tropicale ; and now right up alongside the Nadir on the other side of the pier is finally docked and secured the m.v. Dreamward , with the peach-on-white color scheme that I think means it’s owned by Norwegian Cruise Line. Its Deck 3 gangway protrudes and almost touches our Deck 3 gangway — sort of obscenely — and the Dreamward ’s passengers, identical in all important respects to the Nadir ’s passengers, are now streaming down the gangway and massing and moving down the pier in a kind of canyon of shadow formed by the tall walls of our two ships’ hulls. The hulls hem them in and force a near-defile that stretches endlessly. A lot of the Dreamward ’s passengers turn and crane to marvel at the size of what’s just disgorged them. Captain Video, now inclined way over the starboard rail so that only the toes of his sandals are still touching deck, is filming them as they look up at us, and more than a few of the Dreamward ites way below lift their own camcorders and point them up our way in a kind of almost defensive or retaliatory gesture, and for just a moment they and C.V. compose a tableau that looks almost classically postmodern.

Because the Dreamward is lined up right next to us, almost porthole to porthole, with its Deck 12’s port rail right up flush 84against our Deck 12’s starboard rail, the Dreamward ’s semi-agoraphobic shore-shunners and I can stand at the rails and sort of check each other out in the sideways way of two muscle cars lined up at a stoplight. We can sort of see how we stack up against each other. I can see the Dreamward ’s rail-leaners looking the Nadir up and down. Their faces are shiny with high-SPF sunblock. The Dreamward is blindingly white, white to a degree that seems somehow aggressive and makes the Nadir ’s own white look more like buff or cream. The Dreamward ’s snout is a little more tapered and aerodynamic-looking than our snout, and its trim is a kind of fluorescent peach, and the beach umbrellas around its Deck 11 pools 85are also peach — our beach umbrellas are light orange, which has always seemed odd given the white-and-navy motif of the Nadir , and now seems to me ad hoc and shabby. The Dreamward has more pools on Deck 11 than we do, plus what looks like a whole other additional pool behind glass on Deck 6; and their pools’ blue is that distinctive chlorine-blue — the Nadir ’s two small pools are both seawater and kind of icky, even though the pools in the Celebrity brochure had sneakily had that electric-blue look of good old chlorine.

On all its decks, all the way down, the Dreamward ’s cabins have little white balconies for private open-air sea-gazing. Its Deck 12 has a full-court basketball setup with color-coordinated nets and backboards as white as communion wafers. I notice that each of the myriad towel carts on the Dreamward ’s Deck 12 is manned by its very own Towel Guy, and that their Towel Guys are ruddily Nordic and nonspectral and have nothing resembling withering neutrality or boredom about their mien.

The point is that, standing here next to Captain Video, looking, I start to feel a covetous and almost prurient envy of the Dreamward . I imagine its interior to be cleaner than ours, larger, more lavishly appointed. I imagine the Dreatnward ’s food being even more varied and punctiliously prepared, the ship’s Gift Shop less expensive and its casino less depressing and its stage entertainment less cheesy and its pillow mints bigger. The little private balconies outside the Dreamward ’s cabins, in particular, seem just way superior to a porthole of bank-teller glass, and suddenly private balconies seem absolutely crucial to the whole 7NC Megaexperience I’m expected to try to convey.

I spend several minutes fantasizing about what the bathrooms might be like on the good old Dreamward . I imagine its crew quarters being open for anybody at all to come down and moss out and shoot the shit, and the Dreamward ’s crew being open and genuinely friendly, with M.A.s in English and whole leatherbound and neatly printed diaries full of nautical lore and wry engaging 7NC observations. I imagine the Dreamward ’s Hotel Manager to be an avuncular Norwegian with a rag sweater and a soothing odor of Borkum Rif about him, a guy w/o sunglasses or hauteur who throws open the pressurized doors to the Dreamward ’s Bridge and galley and Vacuum Sewage System and personally takes me through, offering pithy and quotable answers to questions before I’ve even asked them. I experience a sudden rush of grievance against Harper ’s magazine for booking me on the m.v. Nadir instead of the Dreamward . I calculate by eye the breadth of the gap I’d have to jump or rappel to switch to the Dreamward , and I mentally sketch out the paragraphs that would detail such a bold and William T. Vollmannish bit of journalistic derring-do as literally jumping from one 7NC Megaship to another.

This saturnine line of thinking proceeds as the clouds overhead start to coalesce and the sky takes on its regular clothy P.M. weight. I am suffering here from a delusion, and I know it’s a delusion, this envy of another ship, and still it’s painful. It’s also representative of a psychological syndrome that I notice has gotten steadily worse as the Cruise wears on, a mental list of dissatisfactions and grievances that started picayune but has quickly become nearly despair-grade. I know that the syndrome’s cause is not simply the contempt bred of a week’s familiarity with the poor old Nadir , and that the source of all the dissatisfactions isn’t the Nadir at all but rather plain old humanly conscious me, or, more precisely, that ur-American part of me that craves and responds to pampering and passive pleasure: the Dissatisfied Infant part of me, the part that always and indiscriminately WANTS. Hence this syndrome by which, for example, just four days ago I experienced such embarrassment over the perceived self-indulgence of ordering even more gratis food from Cabin Service that I littered the bed with fake evidence of hard work and missed meals, whereas by last night I find myself looking at my watch in real annoyance after fifteen minutes and wondering where the fuck is that Cabin Service guy with the tray already. And by now I notice how the tray’s sandwiches are kind of small, and how the wedge of dill pickle 86always soaks into the starboard crust of the bread, and how the damn Port hallway is too narrow to really let me put the used Cabin Service tray outside 1009’s door at night when I’m done eating, so that the tray sits in the cabin all night and in the A.M. adulterates the olfactory sterility of 1009 with a smell of rancid horseradish, and how this seems, by the Luxury Cruise’s fifth day, deeply dissatisfying.

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