David Wallace - Both Flesh and Not - Essays

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Brilliant, dazzling, never-before-collected nonfiction writings by "one of America's most daring and talented writers." (
). Both Flesh and Not Never has Wallace's seemingly endless curiosity been more evident than in this compilation of work spanning nearly 20 years of writing. Here, Wallace turns his critical eye with equal enthusiasm toward Roger Federer and Jorge Luis Borges;
and
; the nature of being a fiction writer and the quandary of defining the essay; the best underappreciated novels and the English language's most irksome misused words; and much more.
Both Flesh and Not

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JUST ASKING

Q: Are some things worth dying for? Is the American idea 1one such thing? Who’s ready for a thought experiment? What if we chose to regard the 2,973 innocents killed in the terrorist attacks of 9/11 as heroes and martyrs, “sacrifices on the altar of freedom”? 2That is, what if we decided that a certain minimum baseline vulnerability to terrorist attack is part of the price of the American idea? That ours is a generation of Americans called to make great sacrifices in order to preserve our way of life — not just of our soldiers and money on foreign soil, but the sacrifice of our personal safety and comfort? Maybe even of more civilians’ lives?

What if we chose to accept the fact that every few years, despite everyone’s best efforts, some hundreds or thousands of us may die in the sort of terrible suicidal attack that a democratic republic cannot 100 percent protect itself from without subverting the very principles that make it worth protecting?

Is this thought experiment monstrous? Would it be monstrous to refer to the 40,000-plus domestic highway deaths we accept each year because the mobility and autonomy of the car are worth the price? Is monstrousness why no serious public figure now will speak of the delusory trade-off of liberty for safety that Ben Franklin warned of more than 200 years ago? What exactly has changed between Franklin’s time and ours? Why now can we not have a serious national conversation about sacrifice, the inevitability of sacrifice — either of (a) some safety or (b) some portion of the rights and liberties that make the American idea so precious?

Q: In the absence of such a conversation, do we trust our current leaders to revere and safeguard the American idea as they seek to “secure the homeland”? What are the effects on the American idea of Guantánamo, Abu Ghraib, PATRIOT Acts I and II, warrantless surveillance, Executive Order 13233, corporate contractors performing military functions, the Military Commissions Act, NSPD 51, etc., etc.? Assume for the moment that some of these really have helped make our persons and property safer — are they worth it? Where and when was the public debate on whether they’re worth it? Was there no such debate because we’re not capable of having or demanding one? Why not? Have we become so selfish and frightened that we don’t even want to think about whether some things trump safety? What kind of future does that augur?

— 2007

ACKNOWLEDGMENTS

The David Wallace Literary Trust and the publisher wish to thank Sam Freilich, Vanessa Kehren, Victoria Matsui, Steve Kleinedler, Margaret Anne Miles, and Joseph Pickett for their invaluable help.

ABOUT THE AUTHOR

David Foster Wallace was born in Ithaca, New York, in 1962 and raised in Illinois, where he was a regionally ranked junior tennis player. He received bachelor of arts degrees in philosophy and English from Amherst College; his senior English thesis, the novel The Broom of the System, was published in 1987, and his senior philosophy thesis was published as Fate, Time, and Language in 2010. He earned a master of fine arts at the University of Arizona. His second novel, Infinite Jest, was published in 1996. He also published the story collections Girl with Curious Hair, Brief Interviews with Hideous Men, and Oblivion; the essay collections A Supposedly Fun Thing I’ll Never Do Again and Consider the Lobster; a book about hip-hop, written with his friend Mark Costello, Signifying Rappers; and a book about infinity, Everything and More. Over the years, Wallace taught at Emerson College, Illinois State University, and Pomona College. He was awarded the MacArthur Fellowship, a Lannan Literary Award, and the Whiting Writers’ Award and served on the Usage Panel for The American Heritage Dictionary of the English Language. He died in 2008. His last novel, The Pale King, was published in 2011 and was a finalist for the Pulitzer Prize.

Notes

1 There’s a great deal that’s bad about having a body. If this is not so obviously true that no one needs examples, we can just quickly mention pain, sores, odors, nausea, aging, gravity, sepsis, clumsiness, illness, limits — every last schism between our physical wills and our actual capacities. Can anyone doubt we need help being reconciled? Crave it? It’s your body that dies, after all.

There are wonderful things about having a body, too, obviously — it’s just that these things are much harder to feel and appreciate in real time. Rather like certain kinds of rare, peak-type sensuous epiphanies (“I’m so glad I have eyes to see this sunrise!” etc.), great athletes seem to catalyze our awareness of how glorious it is to touch and perceive, move through space, interact with matter. Granted, what great athletes can do with their bodies are things that the rest of us can only dream of. But these dreams are important — they make up for a lot.

2 The U.S. media here are especially worried because no Americans of either sex survived into even the quarterfinals this year. (If you’re into obscure statistics, it’s the first time this has happened at Wimbledon since 1911.)

3 Actually, this is not the only Federer-and-sick-child incident of Wimbledon’s second week. Three days prior to the men’s final, a Special One-on-One Interview with Mr. Roger Federer *takes place in a small, crowded International Tennis Federation office just off the third floor of the Press Center. Right afterward, as the ATP player-rep is ushering Federer out the back door for his next scheduled obligation, one of the ITF guys (who’s been talking loudly on the telephone through the whole Special Interview) now comes up and asks for a moment of Roger’s time. The man, who has the same slight, generically foreign accent as all ITF guys, says: “Listen, I hate doing this. I don’t do this, normally. It’s for my neighbor. His kid has a disease. They will do a fund-raiser, it’s planned, and I’m asking can you sign a shirt or something, you know — something.” He looks mortified. The ATP rep is glaring at him. Federer, though, just nods, shrugs: “No problem. I’ll bring it tomorrow.” Tomorrow’s the men’s semifinal. Evidently the ITF guy has meant one of Federer’s own shirts, maybe from the match, with Federer’s actual sweat on it. (Federer throws his used wristbands into the crowd after matches, and the people they land on seem pleased rather than grossed out.) The ITF guy, after thanking Federer three times very fast, shakes his head: “I hate doing this.” Federer, still halfway out the door: "no problem.” And it isn’t. Like all pros, Federer changes his shirt a few times during matches, and he can just have somebody save one, and then he’ll sign it. It’s not like Federer’s being Gandhi here — he doesn’t stop and ask for details about the kid or his illness. He doesn’t pretend to care more than he does. The request is just one more small, mildly distracting obligation he has to deal with. But he does say yes, and he will remember — you can tell. And it won’t distract him; he won’t permit it. He’s good at this kind of stuff, too.

*(Only considerations of space and basic believability prevent a full description of the hassles involved in securing such a One-on-One. In brief, it’s rather like the old story of someone climbing an enormous mountain to talk to the man seated lotus on top, except in this case the mountain is composed entirely of sports-bureaucrats.)

4 Top men’s serves often reach speeds of 125–135 m.p.h., true, but what all the radar signs and graphics neglect to tell you is that male power-baseliners’ groundstrokes themselves are often traveling at over 90 m.p.h., which is the speed of a big-league fastball. If you get down close enough to a pro court, you can hear an actual sound coming off the ball in flight, a kind of liquid hiss, from the combination of pace and spin. Close up and live, you’ll also understand better the “open stance” that’s become such an emblem of the power-baseline game. The term, after all, just means not turning one’s side all the way to the net before hitting a groundstroke, and one reason why so many power-baseliners hit from the open stance is that the ball now is coming too fast for them to get turned all the way.

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