David Morrell - Fireflies - A Father's Classic Tale of Love and Loss

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The best-selling author describes his teenage son's valiant but unsuccessful battle against bone cancer and relates the mystical and miraculous events that led the author to an understanding of the undying quality of the human spirit.

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A similar account came from a mother whose twenty-five-year-old son, Jeff, died from a brain tumor. He had told his sister that his body was only a cocoon and that soon he would be a butterfly. The symbolism was clear: Butterflies are graceful and beautiful and represent a change from one kind of life to another. But as far as the mother was concerned, the symbol soon became much more when, after Jeff’s death, her husband was washing Jeff’s car (the family couldn’t bring itself to sell the vehicle) and a large black and gold butterfly perched itself on a bush at the side of the driveway, staying there for an hour. The rest of the family approached, watched, and took photographs. All the while, the butterfly didn’t move. Its black and gold colors reminded them of the Iowa Hawkeyes, a football team to which Jeff had been fiercely loyal. Amazing everyone, the pattern on its back and outspread wings was a huge smile. Throughout the coming summer, it returned often. Sometimes it showed up at Jeff’s grave, “buzzing” the mother when her troubled thoughts brought her there to talk to her dead son.

As autumn approached, her husband was again working in the yard when he came running into the house and told her to hurry outside. The butterfly had collapsed in midair and died at his feet. At the same time, a second black and gold butterfly flew upward into the sky. In her letter, the mother noted the further symbolism: the fallen butterfly, not alive but always with her; and the flying butterfly, soaring upward-free-to a better place. She and her husband had never seen two comparable butterflies together before. They never saw any again. Accompanying the letter was a photograph of the butterfly, a wide black and gold smile on its back spreading magnificently onto its wings.

As many accounts of this type as I received, I still wasn’t prepared for what I learned when Bill and Judy Guggenheim wrote to me in response to Fireflies. Influenced by Elisabeth Kubler-Ross’s seminars on death and dying, they had embarked on a seven-year study of what they called “after-death communication,” eventually collecting thousands and thousands of accounts comparable to mine. Their research and numerous examples of these incidents were eventually published in their book, Hello from Heaven! In essence, the accounts have the same tone and substance as those I just mentioned, and in every case, the message is basically the same. “I love you, and I miss you. You’re hurt, and I’m sorry. But everything’s all right with me now. I’m okay.”

Given how widespread the phenomenon is, what are we to make of it? Jung merely described it; he didn’t explain it. So we’re on our own. A skeptic would say that it’s wishful thinking, that grief prompts people to impose a hopeful message on any strange event that happens along. The viewpoint can’t be dismissed, and yet, having been on the receiving end of one of these events, I can only say that sometimes truth is a matter of having been on the spot, of having seen for oneself. Could it be that in some people, the power of grief is so extreme that it can influence exterior events and make a bird, an animal, or an insect behave in a way that gives reassurance? Emotion over matter? Or could it be that there is a universal force, a spiritual one, that underlies all things and that responds to our own spirit, behaving synchronistically with it, when our need is great? I’m referring to the overwhelming transcendental spirit that Emerson and Thoreau wrote about and that van Gogh depicted in his paintings, a sense that inside and outside, psyche and matter are one. In this regard, the greatest poem was written by Einstein. E=mc 2. Energy equals mass times the speed of light squared. Everything in the universe is identical but in a different form, connected on a primal level. There’s no way I can prove this notion, but it works for me. The dove has made me feel that the world is full of infinite possibilities if we can merely, as E. M. Forster said, “connect” with it.

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An incident comes to mind. It happened in the spring of 1990, almost three years after Matthew’s death. In New York City. After a long period of having been unable to write, I had finally found my way back to the word processor. In Manhattan for meetings with my publisher about the publication of a new novel, The Fifth Profession, I had gone out for evening cocktails with my editor. When he went home, I decided to see a Broadway show. The musical has long since faded from memory, but what happened afterward is as clear to me as if it were occurring now.

The show ended around eleven-thirty. I emerged into the noise, glare, and chaos of Times Square. In the rush of traffic, there was no point in trying to find an empty taxi, so I started to walk to my hotel, which was one block east and ten blocks north. But I managed to get only halfway across Times Square when the mother of all panic attacks hit me. You’ll remember how they debilitated me when Matthew died. Unfortunately they didn’t stop. On no predictable schedule and for no apparent reason, they would strike at the worst of times. Dizziness, headache, chest pains, rapid breathing, racing heartbeat, sweaty palms, rubbery legs. The symptoms of a heart attack and a stroke assaulted me simultaneously, forcing me to sit on a curb that I barely reached before the traffic light changed and cars surged past me. “Stay calm,” I tried to assure myself. “You’ll soon feel good enough to get to your feet.” But the attack didn’t pass. If anything, it got worse. My heart was racing so fast I couldn’t count the beats. The pain in my chest felt as if a wrestler’s arms were around me, squeezing me into greater dizziness. Everything about me became gray. But I could see well enough to know that junkies were sitting on each side of me and that three street kids were interested in what might be in the wallet of a helpless man-me-wearing a Burberry overcoat and checking a Rolex watch, the hands of which my blurred vision showed to be at half past twelve. Good God, while I’d been sitting on the curb, trying to muster my strength, calm my heart, and catch my breath, an hour had flashed past. The junkies and the street kids took a keener interest in me. Too weak to ask passersby for help (and who would have paid attention in the din of Times Square on a Friday night?), I was suddenly in a life-threatening situation. An easy victim flanked by predators, I managed the most determined action of my life by wavering to my feet.

One step after another, I started through the crowd, my pose of confidence convincing enough that the junkies and the street kids fell behind. But the panic attack was worse than when it had started: my chest tighter, my heartbeat fiercer, my vision grayer. Fear as much as weakness now prevented me from stopping someone to ask for help. How did I know that my plea wouldn’t signal how defenseless I was to someone ready to take advantage? I wasn’t even sure I’d be able to get the words out. I had a nightmarish vision of being taken to Bellevue.

Keep walking, I told myself. Get to the hotel. That became my mantra. Get to the hotel. One step after another. In a fog, I managed to reach Sixth Avenue. Under a streetlight, I looked at my watch, dismayed to discover that another half hour had flashed past. It was now one A.M. I searched the avenue for an empty taxi. All were occupied. I had the unnerving conviction that, even if an empty taxi approached, the driver would take one look at my unsteady condition and speed onward.

Ten blocks, I told myself. That’s all I have to go. Earlier in the day, I had walked that distance in fifteen minutes. Now, as the blocks stretched ahead of me, they seemed like miles. Another group of street kids assessed me. I forced myself onward. Two blocks and thirty minutes later, I found myself aiming toward the next street-light. After hanging on to it, I wavered toward the next one. I’m sure I looked drunk. At one-thirty in the morning on what was now an almost deserted Sixth Avenue, I was so debilitated by my swirling mind and racing heart that I feared I was going to collapse. But if I did, I kept warning myself, there was a good chance that after the street predators finished with me I would never wake up.

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