Kate Summerscale - The Suspicions of Mr. Whicher - A Shocking Murder And The Undoing Of A Great Victorian Detective

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EDITORIAL REVIEW: **The dramatic story of the real-life murder that inspired the birth of modern detective fiction. **In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection, ironically destroying, in the process, the career of perhaps the greatest detective in the land. At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking, as Kate Summerscale relates in her scintillating new book, that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher. Whicher quickly believed the unbelievable—that someone within the family was responsible for the murder of young Saville Kent. Without sufficient evidence or a confession, though, his case was circumstantial and he returned to London a broken man. Though he would be vindicated five years later, the real legacy of Jonathan Whicher lives on in fiction: the tough, quirky, knowing, and all-seeing detective that we know and love today…from the cryptic Sgt. Cuff in Wilkie Collins’s *The Moonstone *to Dashiell Hammett’s Sam Spade. *The Suspicions of Mr. Whicher *is a provocative work of nonfiction that reads like a Victorian thriller, and in it Kate Summerscale has fashioned a brilliant, multilayered narrative that is as cleverly constructed as it is beautifully written.

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Foley then put on his spectacles, got down on his hands and knees, and, he said, looked 'minutely at every step and every spot' between the nursery and the front and back doors. 'I viewed the posts, the sides of the stairs and passage, and even the grass minutely, the gravel and steps in front of the door, and the matting in the hall, and I could see nothing.'

In the afternoon Foley interviewed Gough in the dining room, in the presence of Stapleton and Rodway. She appeared tired, Stapleton said, but her answers were simple and consistent. She seemed 'a person of considerable intelligence'. Rodway, too, found that she answered questions 'frankly and fully, and without embarrassment'. When Foley asked her if she had any suspicions about who had killed Saville, she said she had not.

Samuel Kent asked Rodway whether he would represent him at the inquest. The solicitor replied that it might look bad, because it could suggest that Samuel was himself a suspect. Samuel later said he was prompted to ask for Rodway's help not on his own account, but to protect William, about whom rumours were circulating in the village: 'I did not know what might transpire there, as it was reported my son William had committed the murder.'

Benger and a group of other men emptied the ten-foot vault beneath the privy. When only six or eight inches of water remained they felt carefully with their hands all along the bottom, but found nothing. Fricker, the plumber and glazier, offered to examine the pipes, and went to the kitchen to fetch a candle. He met Elizabeth Gough, who asked him why he wanted a light. To check the cistern, he explained. She said she was sure he would find nothing there.

Several more police officers turned up at Road Hill House in the course of the day, as well as Eliza Dallimore, the 'searcher' employed by the police to examine the bodies and belongings of female suspects. Mrs Dallimore was married to William, one of the constables already on the premises. She took Gough to the nursery.

'What do you want with me?' Gough asked her.

'You must undress yourself,' Mrs Dallimore replied.

'I cannot,' said the nursemaid. Mrs Dallimore insisted that she must, and led her to the adjacent dressing room.

'Well, nurse,' said the searcher as Gough took off her clothes, 'this is a very shocking thing about the murder.'

'Yes, it is.'

'Can you give any account of it, do you think?'

Gough reiterated that at five in the morning she had woken and seen that Saville was missing. 'I thought he was with his mamma, because he generally goes in there of a morning.' According to Mrs Dallimore, she added: 'This is done through jealousy. The little boy goes into his mamma's room and tells everything.'

'No one would murder a child for doing such a thing as that,' said Mrs Dallimore. The nurse's characterisation of Saville as a tell-tale became, for many, the clue to the crime.

Eliza Dallimore and Elizabeth Gough went down to the kitchen. 'This is a shocking thing,' Mrs Dallimore told the servants, 'and I think the whole house is responsible for the child.'

When Fricker, the plumber, came in from the garden with his assistant, Gough asked, 'What have you been doing, Fricker?'

'I've been opening the water closet,' he said.

'And you haven't found anything?'

'No.'

'Then you won't.' Her remarks to the plumber, before and after his examination of the pipes, were later taken as indications that she knew more than she admitted about the crime.

Mrs Dallimore strip-searched the female servants but, on Foley's instructions, did not ask the women of the Kent family to disrobe. Instead, she examined their nightdresses. She found bloodstains on the nightdress of Mary Ann, the eldest daughter, so she passed it on to the police. They showed the garment to Parsons, who attributed the stains to 'natural causes'. Stapleton agreed that the blood was menstrual. The nightgown was none the less given to Mrs Dallimore for safekeeping.

At about four o'clock PC Urch asked two village women - Mary Holcombe and Anna Silcox - to wash and lay out the dead child. Mary Holcombe was the charwoman who had been cleaning the kitchen when Nutt and Benger found Saville's body. Silcox was a widow who used to work as a 'monthly nurse', tending a mother and her baby in the first weeks after a birth; she lived with her grandson, a carpenter, next to Road Hill House. Parsons told the women to 'do what was right to the poor boy'.

Parsons was talking to Samuel Kent in the library at about five o'clock when a messenger called at Road Hill House with instructions for the doctor to conduct a post-mortem examination of the body. The coroner, on being informed by the police of the child's murder, had scheduled an inquest for Monday. With Samuel's agreement, Parsons asked Stapleton to help him examine the corpse.

When he saw the body, Stapleton noted the 'expression of repose' on the child's face: 'Its upper lip, retracted slightly by the mortal spasm, had stiffened upon the upper teeth.' The doctors opened the boy's stomach and found the remains of his supper, which had included rice. To check whether he had been drugged, Parsons smelt for traces of laudanum or any other narcotic, but could detect none. The stab to his chest, a bit more than an inch wide, had pushed the heart out of place, punctured the diaphragm and grazed the outer edge of the stomach. 'It would have required very great force,' said Parsons, 'to inflict such a blow through the nightdress and to the depth to which it had penetrated.' This was a child of 'remarkably fine development', the doctor said. From the rips in the boy's clothes and his flesh, Parsons surmised that the weapon was shaped like a dagger. 'It could not have been done by a razor,' he said. 'It must have been, I think, a sharp-pointed, long, wide and strong knife.' He initially believed the cause of death was the cut to the throat.

The post-mortem examination uncovered two oddities. One was the 'blackened appearance round the mouth' that Parsons had noted earlier; the mouth was 'such as we do not usually see in dead bodies, as if something had been pressed tightly against it'. This something, he suggested, might have been 'the violent thrusting of a blanket into the mouth to prevent it crying, or it could have been done with a hand'.

The other mystery was the lack of blood. 'A sufficient quantity of blood . . . has not been accounted for,' reported Parsons, 'as would have flowed from the body, if the throat were cut in the closet, as blood from the arterial vessels would have produced a greater quantity of sparkles on the walls.' If the boy's throat had been cut while he was alive, 'the pulsations would have thrown out jets of blood'. Yet the blood was no longer in his body either: the internal organs, said Parsons, were completely drained.

The two doctors found Samuel Kent in tears when they returned to the library. Stapleton comforted him, assuring him that Saville had died swiftly. Parsons confirmed this: 'The child suffered much less than you will.'

Superintendent Foley watched over the body in the laundry. Towards evening, he reported, Elizabeth Gough came in and kissed her former charge on the hand. Before the superintendent went home he asked for something to eat or drink: 'I scarce wet my lips or ate a mouthful all day.' Samuel poured him a glass of port wine and water.

The life of the house went on. Holcombe cut the grass on the lawn with the mowing machine. Cox and Kerslake made the beds. As was her custom on a Saturday evening, Cox took a clean nightdress from Constance's room to air before the kitchen fire. Constance's linen was easily distinguished from that of her sisters, said Cox, because it was 'of a very coarse texture'. Her nightdresses had 'plain frills', while Mary Ann's had lace and Elizabeth's embroidery.

On Saturday night the older girls slept apart: Elizabeth went downstairs to share her stepmother's bed, 'as papa stayed up' till morning, and Constance joined Mary Ann, 'for the sake of company'. Elizabeth Gough, after helping Mrs Kent and Mary Amelia dress for bed, went upstairs to sleep in Cox and Kerslake's room. Eveline, presumably, was wheeled into her parents' bedroom, leaving the nursery empty; and only William went to bed alone.

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